Seeing Sounds: 2008 In Review

The 25 Best Albums of 2008
1. Erykah Badu- New Amerikah Part One (4th World War)
2. Atmosphere- When Life Gives You Lemons, You Paint That Sh*t Gold
3. The Game- LAX
4. Julieta Venegas- MTV Unplugged
5. Tech N9ne- Killer
6. Duffy- Rockferry
7. Chick Corea & Gary Burton- The New Crystal Silence
8. Girl Talk- Feed the Animals
9. Wynton Marsalis & Willie Nelson- Two Men With the Blues
10. Lil Wayne- Tha Carter III
11. N*E*R*D- Seeing Sounds
12. The Streets- Everything Is Borrowed
13. The Hold Steady- Stay Positive
14. 9th Wonder & Buckshot- The Formula
15. Nas- Nas
16. Ice Cube- Raw Footage
17. Ron Ron- Mr. No It All
18. The Saturday Knights- Mingle
19. Adele- Chasing Pavement
20. Two Cow Garage- Speaking In Cursive
21. The Gaslight Anthem- The '59 Sound
22. Steddy P- Dear Columbia
23. Coldplay- Viva la Vida
24. Dizzee Rascal- Maths + English
25. Kanye West- 808's & Heartbreak
For the first time in years, I haven't fallen in love with any new albums. Each of these titles is flawed. I placed Badu's glorious mess on top because she seems to be laughing at the blemishes in her music.

The 25 Best Songs of 2008
1. Noel Gourdin- "The River"
2. Marvin Sapp- "Never Would Have Made It"
3. Nas- "Be A N***** Too"
4. T.I.- "No Matter What"
5. Wiley- "Cash In My Pocket"
6. Jazmine Sullivan- "Need U Bad"
7. Ashton Shepherd- "Takin' Off This Pain"
8. Coldplay- "Viva La Vida"
9. Dolly Parton- "Jesus & Gravity"
10. Jaheim- "Never"
11. Trace Adkins- "You're Gonna Miss This"
12. Airborne- "Too Much Too Young Too Fast"
13. AC/DC- "Rock 'N Roll Train"
14. Idle Warship- "Fall Back"
15. Lil Wayne- "A Milli"
16. Kid Rock- "All Summer Long"
17. Eric Benet- "You're the Only One"
18. Hot Stylz- "Lookin' Boy"
19. Lyfe Jennings- "Never Never Land"
20. Lee Ann Womack- "Last Call"
21. Young Jeezy- "Put On"
22. Solange- "I Decided"
23. Janelle Monae- "Many Moons"
24. Sevendust- "Prodigal Son"
25. Ben Folds with Regina Spektor- "You Don't Know Me"
Lord, how I love "The River."

The Ten Best Songs of 2008 By Kansas City Artists
1. Donta Slusha- "Check My Posture"
2. XTA-C- "2 Fingers and a Hook (KC Anthem)"
3. Tech N9ne- "Crybaby"
4. The Abracadabras- "Petty Politics"
5. Ghosty- "Dumbo Wins Again"
6. Sliccs Gotcha- "Off Da Chain"
7. Barclay Martin- "Queen of This Town"
8. Innate Sounds- "Raise Up"
9. Mac Lethal- "Black Widow Spider"
10. Koufax- "Any Moment Now"
Although the rest of the world isn't paying much attention, it's been a great year for local music.

The 25 Best Live Performances of 2008
1. Alison Krauss & Robert Plant- Starlight Theater (fan video)
2. Maxwell- Uptown Theater
3. Tech N9ne- Uptown Theater (April show) (fan footage)
4. Stone Temple Pilots- Liberty Memorial (fan footage)
5. Kid Rock- Sprint Center (fan footage)
6. Sarah Buxton- Power & Light
7. Luciano- Beaumont Club (backstage footage)
8. Nikka Costa- Record Bar
9. Fourth of July- McCoys
10. The Mars Volta- Beaumont Club (fan footage)
11. Mac Lethal- Riot Room
12. Wynton Marsalis & the Jazz at Lincoln Center Orchestra- Folly Theater
13. ZZ Top- Midland Theater
14. T.I.- Sandstone Amphitheater
15. Rodney Crowell- Frontier Park
16. Stefon Harris- Folly Theater
17. The Misfits- VooDoo Lounge
18. Busy Bee- Liberty Hall
19. Kristin Hersh- house party in Lee's Summit, MO
20. Ashes Divide- Liberty Memorial
21. Slipknot- Sandstone Amphitheater (fan footage)
22. Drowning Pool- VooDoo Lounge
23. The Redwalls- The Record Bar
24. Say Anything- Power & Light
25. Atmosphere- Liberty Hall
These are the best of the 253 individual performances I've witnessed so far in 2008.

The Five Best Opening Acts of 2008
1. Brandi Carlile (for Sheryl Crow at Starlight Theater)
2. Thrice (for Rise Against at the Uptown Theater)
3. Tesla (for Queensryche at the Midland Theater)
4. Meg & Dia (for Plain White T's at the Beaumont Club)
5. Lil Mama (for Chris Brown at the Sprint Center) (fan footage)
The headliners never stood a chance.

The Five Most Disappointing Live Performances of 2008
1. The Roots- VooDoo Lounge (fan footage)
2. Bruce Springsteen & the E Street Band- Sprint Center (fan footage)
3. Lazy Lester- KCK Street Blues Festival
4. M.I.A.- Liberty Hall (fan footage)
5. Matisyahu- Crossroads KC (fan footage)
I had high hopes for each of these concerts; my expectations were not met.

(Original image of Dia Frampton of Meg & Dia by There Stands the Glass.)

Robert Lucas, 1962-2008

Farewell.

Robert Lucas was signing autographs the last time I saw him. He had just played a set with Canned Heat at a blues festival in Kansas City three or four years ago. I didn't catch the performance; I have a strong antipathy for recycled boogie. Yet I recall that image for two reasons. Almost every one of his fans was a biker. I was also struck by the thought that Lucas seemed far too young to be in the band. He was just 46 when he died Sunday. Layaway is one of several solid solo albums in which Lucas splits the difference between Howlin' Wolf and Tom Waits. (Tip via BGO.)

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MC Breed died Saturday.

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Richey Edwards of the Manic Street Preachers has been declared dead. It's a sad story. (Tip via BGO.)

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I reviewed Tech N9ne's show Saturday night.

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Mac Lethal's life almost ends at the 3:30 mark of this otherwise pointless Soulcrate Music tour vlog.

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I briefly ponder MURS, the Clash and the concept of selling out here.

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Kansas City Click: I could stop at the Czar Bar after tonight's Kansas-Syracuse game to catch Ghosty.

Corey Crowder- Love

The affair has ended.

Mainstream country radio hasn't quite figured out that dudes don't want to hear Taylor Swift. Most men want beer-drinkin' music with brains and (please forgive the crude indiscretion) balls.

That's Corey Crowder. He's staked out some valuable property on the musical landscape somewhere to the south of Dierks Bentley and just a little to the west of the Allman Brothers. He'd be an appropriate opening act for both Kid Rock and Tim McGraw.

I could use a little more punk-styled grit on his new Tooth & Nail release Gold and the Sand, but Crowder's tendency to keep James Taylor's melodic monolith in sight will probably serve him well.

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Stop the presses! There's a late contender for 2008's song of the year. It's Wiley's "Cash In My Pocket". The accompanying video is also great.

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This video moves me, and I'm not even a big Coldplay fan. (Found via a Twitter pal.)

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Hammerlord is my new favorite local metal band.

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I finally got around to watching an episode of Celebrity Rehab. A Google search confirmed my immediate hunch- one of the counselors is Bob Forrest of Thelonious Monster!

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Kansas City Click: Tech N9ne returns to the Uptown Theater tonight.

Stefon Harris plays vibes Saturday at the Folly Theater.

Soulfly top the bill Sunday at the Beaumont.

Suzpecial- Break Away

Broken.

Musical epiphanies inevitably become less frequent with age and experience.

While sound still sends chills down my spine on a regular basis, the most recent life-changing musical revelation I experienced came via the Run the Road compilation in 2005. It was my first exposure to British grime. The combination of Joy Division's iciness and hip hop's street poetry stunned me.

Much like many tracks on Atmosphere's When Life Gives You Lemons..., "Break Away" by Suzpecial bluntly addresses immediate domestic concerns. "I wish things were better..." I don't know if Suzpecial is guy, a duo or a collective. The British act doesn't blow my mind, but it's definitely effective.

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The Plain White T's are woefully misunderstood. Their effort Sunday night represented the second best power pop performance I've seen this year. (The Redwalls were better.) Here's my review. And look out for Meg & Dia in '09.

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"We're the Get Up Kids from Kansas City, Missouri."

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I did my best to provoke Kansas City's jazz community today.

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I'm Weezer-neutral but I love Rivers Cuomo for his "Let's Write a Sawng" series. The new chapter is particularly interesting.

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Kansas City Click: Eldar's run at Jardine's continues through Thursday.

(Image from Suzpecial's MySpace.)

The Gaslight Anthem at the Uptown Theater

"Welcome to Casual Friday," Brian Fallon of The Gaslight Anthem told early arrivals Friday night at the Uptown Theater.

It was more like Opposite Day. The four bands on the tour- the Gaslight Anthem, Thrice, Alkaline Trio and Rise Against- were billed in reverse order of my personal preference.

Serving as the sacrificial opening act, the Gaslight Anthem were the most compelling band of the night. A thirty-minute opening slot at a punk show isn't the ideal forum to make a case for being the future of rock'n'roll. While the Gaslight Anthem didn't send shivers down my spine, they also did nothing to dissuade my faith in their potential.

Significantly, they weren't manic, sloppy and self-destructive like comparable true believers the Hold Steady or the Replacements. The Gaslight Anthem tried their best. Welcome to the new sincerity.

The emotional dynamics of "We Came To Dance" recalled fellow New Jersey resident Bruce Springsteen. (It was sort of like this.) "Angry Johnny and the Radio" sounded a lot like "Breakdown"-era Tom Petty & the Heartbreakers. (It felt something like this.)

Only time will tell if Fallon can achieve Springsteen-esque success. He may instead become a cult favorite like Joe Grushecky or Garland Jeffreys. Either way, I intend to be listening attentively. (The band returns to Kansas City December 10 for a radio station event at the Midland Theater.)

Thrice was second. Their brawny post-punk floored me. I had no idea that the Californians had progressed into an incredibly interesting band. Imagine Tool without the arena-rock impulses. A faithful cover of "Helter Skelter" seemed only natural.

Alkaline Trio provide the answer to an awkward question: What would have become of Green Day if Billie Joe Armstrong had never been struck with inspiration? The near-capacity crowd of about 1,400, however, didn't share my cynicism. Many sang along with every punk anthem. The Gaslight Anthem's Fallon joined them for a set-ending Misfits cover.

Blame it on election fatigue. I just wasn't in the mood for the strident political protest punk of Rise Against. I found watching the sea of people on the floor more entertaining than listening to the headliners. I left early.

After all, it was Opposite Day.

(Image of Brian Fallon taken from Rise of Beachmont's Flickr account.)

Jose Feliciano- Hot Burrito #1

Consumed.

Juanes may have cleaned up at last night's Latin Grammy Awards, but it also seemed that Jose Feliciano was everywhere. Univision made him the star of their red carpet coverage. He was visible when the cameras panned the audience. He was featured on the tribute to Gloria Estefan. And he even won the Best Contemporary Tropical Album award.

I had no idea that the 63-year-old remains so relevant. Young readers may be startled to hear that Feliciano's version of "Light My Fire" was probably more popular than the Doors' original. And do any of you remember his theme to Chico and the Man? Oh, (bad) memories.

Feliciano also recorded a soulful version of this Gram Parsons classic. It's contained on an insanely great collection. As good as it is, it makes me long for an Elvis Presley treatment.

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My favorite performance last night was by the wonderful Julieta Venegas. Banda El Recodo blew my mind. Just look at the size of that band! It's also going to take a lot of tequila to erase the memory of Karyme Lozano snogging Kenny G's soprano sax.

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I also watched the CMA Awards Wednesday night. How tedious was it? I thought the three best performances were by Kid Rock, the Eagles and Kenny Chesney.

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Kansas City Click: The Gaslight Anthem, the subject of the previous There Stands the Glass post, open the show tonight at the Uptown Theater.

Kelley Hunt has a Kansas City-themed show Saturday at the Blue Room.

The Get Up Kids reunite for a Sunday show at the Record Bar.

The Gaslight Anthem- Miles Davis & the Cool

On to the next town.

Passion. Desperation. Sweat. Faith. Simplicity. Hope.

Perhaps it was Chuck Berry who first successfully combined these disparate elements in a rock'n'roll song. He's been followed by the likes of Creedence Clearwater Revival, Bruce Springsteen, Social Distortion and the Hold Steady. Add the Gaslight Anthem to that distinctive list.

I'm just one of thousands who have fallen hard for the band this year. I was actually disappointed when I first heard "The '59 Sound" on commercial radio. I selfishly wanted the band to myself for a while; I'm angry that I hadn't discovered them a year or two ago. The New Jersey-based quartet is clearly the breakout rock act of 2008.

How could I resist "Miles Davis & the Cool"? In addition to the explicit reference of the title, the song alludes to Otis Redding, Bob Dylan and Elvis Costello. The '59 Sound is loaded with similarly memorable anthems.

The Gaslight Anthem's world tour takes them to Denver tonight. I hope to catch them at Kansas City's Uptown Theater on Friday. They'll also be featured on tomorrow's Fuse's "On Tour" broadcast at 6:30 p.m. EST.

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Mac Lethal, Grieves and Soulcrate Music unite for this new Black Clover video.

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Mitch Mitchell died this week. I was shocked to learn that he was only 62; Mitchell was just a baby while drumming for Jimi Hendrix. This essay is disrespectful but highly entertaining. The author references this remarkable video footage. It's probably how Mitchell would like to be remembered.

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Kansas City Click: Bram Wijnands is joined by Hal Melia at the Blue Room.

(Image from the Gaslight Anthem's MySpace.)

Miriam Makeba, 1932-2008

Farewell.

I can't find the link, but I recently read about a prominent entertainer who had set funding aside for the making of a biopic with an as-yet undetermined subject. "That's crazy," I thought at the time. "Just pick a person already." If that celebrity read an obituary of Miriam Makeba this week, that speculation has surely ended. What an epic life "Mama Africa" lived! The high political, social and personal drama of Makeba's life spanned continents. She's heard here on a 1959 selection available on a typically excellent Rough Guide disc.

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Cafe Tacuba disappointed me Saturday night. Here's my review.

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Blip continues to wreck my life.

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Kansas City Click: I continue to believe that "Dumbo Wins Again" is one of the best songs of 2008. Ghosty will play it tonight at the Czar Bar.

Esbjorn Svensson Trio- From Gagarin's Point of View

Farewell.

Five months have passed since the accidental death of Esbjorn Svensson. It's become increasingly apparent that the loss is one of the most significant of 2008. The European musician was 44. The Swede might have had decades of innovative, groundbreaking ahead.

I'll confess that I've resisted acknowledging the fact that much of the most interesting jazz of the last decade has come from Europe. Perhaps it's because musicians there are not confronted daily with the American politics of jazz. Europeans are freer.

Svensson infused jazz with elements of rock, new age, classical and electronica without cheapening the music. That's a rare feat. This track from an out-of-print 2001 release is a fine example. This stylized video is also instructive.

I'm a strong advocate of forward-thinking jazz acts like the Bad Plus. While Svensson was certainly part of that generational surge, he was also doing something that felt deeper and even more promising.

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I must have a minimum of five hours of sleep in order to function as a human being. The outstanding Atmosphere show I attended Thursday night/Friday morning wiped me out. Here's my zombie-esque review.

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Ray Ellis, arranger for the likes of the Four Lads, Bobby Darin and Doris Day, died October 24. (Tip via BGO.)

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Kansas City Click: Tim Finn composed a great feature about Abigail Henderson. I previewed Saturday's benefit show at Davey's Uptown and Sunday's benefit show at the Record Bar in Tuesday's post.

Welcome To the Future

"Welcome to the future" is the annoying catchphrase of one of my good friends. It serves as an appropriate theme as I break with the usual format of There Stands the Glass to comment on three irregular topics.

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I caught Hat Triq at my neighborhood shopping center the other day. Their very existence brings to life the theory that Guitar Hero and Rock Band are changing the way popular music is being consumed. I don't know these pre-teens and this video of them struggling through the Red Hot Chili Peppers' "Dani California" isn't mine. The original version of the song is featured on Rock Band; I'd be willing to wager everything that the band grew directly out of video play. Is this a good thing? I think so.

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I laughed at the recent spate of essays suggesting that Twitter will render blogging irrelevant. How could a 140-character post compete with this format? Well, I discovered Blip last week. The ingenious site marries the social networking of Twitter with the joyous sense of discovery provided by music blogs. I became addicted instantly. Here's my Blip account.

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While I'm on the subject, here's my Twitter account and my new Facebook account. There Stands the Glass will return to its usual format tomorrow- if I find the willpower to break away from Blip.

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Kansas City Click: Joey DeFrancesco hits the Blue Room tonight.

Benefit For Abigail Henderson

Thanks, Howard.

Start making your plans for the weekend. Two of the best parties in Kansas City will be benefits in support of Abigail Henderson. The full schedule is here.

Friends and fans of the songwriter and vocalist, best known as a member of The Gaslights, are assisting Henderson with medical bills incurred by a bout with inflammatory breast cancer. Details are at Apocalypse Meow. I also recommend Hope Is My Middle Name, Henderson's deeply affecting blog.

Ten acts are participating Saturday at Davey's Uptown. Highlights include a reunion of local favorites Parlay and Sandoval. It's also likely the only time that the off-color sleaze of Bacon Shoe and the sincere folk of Kasey Rausch will share the same bill.

The nine acts Sunday at the Record Bar may be even more impressive. They include a Sister Mary Rotten Crotch reunion, the Pedal Jets, Kristie Stremel and Pendergast.

There Stands the Glass favorite Howard Iceberg is performing at Davey's Saturday. He'll also be selling November Nights, his first CD in five years. The package includes a DVD containing footage of Henderson performing with Iceberg and the Titanics. All proceeds from the sale of November Nights will go directly to Henderson.

The Pitch recently designated Iceberg as Kansas City's Best Songwriter. "Sentimental"- available on the benefit CD- shows why.

EDIT: The Titan Records listening party at the Record Bar Saturday afternoon is also part of the Henderson benefit. Read more about the new reissue Titan: It's All Pop! at Back To Rockville.

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There Stands the Glass trainspotters: While composing this post, I discovered that this is the third time I've featured Iceberg. Ike Turner is the only other artist I've highlighted more than once in about 700 posts.

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Yma Sumac died Saturday. Man, I hadn't even realized that she was still with us. (Tip via BGO.)

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Jimmy Carl Black died Sunday. His late-career freak-folk collaboration with Eugene Chadbourne was remarkably prescient.

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My pal BGO recently let me know that Frankie Venom died on October 15. I loved Teenage Head.

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Kansas City Click: Hat Triq will almost certainly be pedestrian when they perform at Foo's this afternoon. But I love the idea of pre-teens playing Green Day and Ramones covers.

(Photo of Henderson lifted from Facebook.)

Chet Baker- Balzwaltz

We all miss Chet.

Because jazz still held a bit of cultural currency when Chet Baker died in 1988, the circumstances of his somewhat notorious demise received a great deal of media play. The stunning documentary Let's Get Lost was released the same year, and Baker's association with young rock artists including Flea had the trumpeter enjoying a late-career vogue. In spite of the presence of Larry Coryell, Buster Williams and Tony Williams, this German session from 1979 is the most obscure title in my library of Baker recordings.

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The constant campaigning is really starting to bug me. It's not politics. Horrified that I wasn't even considering Santogold for my year-end top ten list, two of my best friends are demanding that I open my ears. I don't dislike her; I just can't get over the strong sonic resemblance to Missing Persons, a band I associate with bad times.

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I'd like to begin using Yahoo's Media Player, but I'm having a hard time getting it properly installed. Please let me know if you're willing to hold my hand or give me any insider tips.

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Kansas City Click: Around the time of Baker's death I loved to hang out at the Levee. The last of the Blue Devils- including Sonny Kenner and Claude "Fiddler" Williams- regularly played there. I haven't been inside the club in ages, but I've been meaning to catch their reggae night. Elisha Israel and AZ One are featured this evening.

Merl Saunders, 1934-2008

Goodbye, Merl.

What's that saying? "Don't hate the player, hate the game."

I've always taken the opposite approach. I love the game; it's the players I don't always care for.

There Stands the Glass rarely references the jam band movement.

But in my world view, exceptions aren't just made- they're embraced.

Merl Saunders is a prime example. The man made all sorts of compelling music and diligently played small club dates both before and after the death of his sometime associate Jerry Garcia.

The genial groove of "M.S." is found on this 2000 release. And for personal reasons, I also have great affection for Saunders' Blues From the Rainforest.

Saunders died last week.

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Miles Bonny offers a free "Soundtrack to a Presidency" mix featuring the likes of Donny, Stevie and Curtis.

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Popular Russian vocalist Muslim Magomayev died October 25. This nationalist video is really creepy. (Tip via Meesha.)

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The new album by The Cure really appeals to me, and I'm not even much of a fan.

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Kansas City Click: The wonderful Alexi Murchoch opens for Alanis Morisette tonight at the Midland.

Mac Lethal As "The Local Opener"

With ears ringing and a bounce in my step, I hustled from the Sprint Center to the Riot Room Saturday night.

Although Metallica's concert was immensely satisfying, I also wanted to catch Mac Lethal's semi-secret show at the Riot Room.

He was billed as "The Local Opener" on a Black Clover label showcase and was on stage when I arrived. I was told that he'd spent the first portion of his set premiering new material. Someone had joined him on the new electro-style track "Go! Motorcycle"- I assume the guest was next-big-thing XV, although I never spotted my fellow Kansan. (It's interesting that both Mac and Kanye West are gravitating toward an electro-techno style.)

What I saw of Mac- particularly the renditions of "Black Widow Spider" and "Rotten Apple Pie"- was typically cathartic.

Mac's at an important crossroads in his career; the top-quality video for "Calm Down Baby," perhaps his definitive song, was officially unleashed on the world last week.

Soulcrate Music, three amiable guys from South Dakota, had improved markedly since their previous Kansas City show. Their goofy Halloween-themed "Stealing Kid's Candy" was particularly fun.

The unappealing sight of Grieves, the night's headliner, swapping spit with an attractive young lady at the bar, combined with the sudden realization that my ears were practically bleeding, had me out the door before Grieves took his turn in the spotlight.






















(Original images of Mac Lethal, top, and Soulcrate Music, bottom, by There Stands the Glass.)

Paul Mussan- 59fifty

Bald.

I don't wear a hat. And on the rare occasions when I feel the need, I just slap a beer gimme cap on my melon. Kansas City rapper Paul Mussan gets all scientific about the subject on this song. Our sartorial differences aside, I recognize that Mussan is one of his town's most promising hip hop artists.

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Maxwell was everything his fans had hoped for last night. Here's my review. Don't miss the professional photographer's stunning documentation.

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Kansas City Click: The latest reports indicate that LL Cool J will open for Janet Jackson tonight at the Sprint Center. This is one of my all-time favorite recordings.

The Black Clover Records roster will pack the Riot Room on Saturday.

Akil The MC is Sunday's headliner at the Record Bar.

Rudy Ray Moore, 1937-2008

Thanks, Rudy.

I clearly recall the smackdown I received when I made a sales call on an urban-oriented retailer about twenty years ago. The store owner made a series of references that sailed way over my head. "That's Rudy Ray Moore, son!" he chided. "Don't tell me you don't know about Dolemite!" I didn't. That entrepreneur would still disapprove of me- I can hardly listen to Moore's material to this day. It's just too dirty. "Health Department" is easily the least objectionable track on This Ain't No White Christmas. I know it's heresy, but I actually prefer the Little Richard-style material found on this collection. Moore died October 19.

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Rod Warner, one of my favorite music bloggers, is working on a book about "the street music scene in London, Paris and beyond during the sixties." Check out this evocative post.

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Here's my review of Sunday's concert by Queensryche, Tesla, MiniKiss and the Leo Project.

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I'm pretty sure I have some Dee Dee Warwick in my collection, but for now I'll just note that the R&B vocalist died October 18. (Tip via BGO.)

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Kansas City Click: Olympic Size and American Catastrophe make themselves at home at the Czar Bar tonight.

Dave McKenna, 1930-2008

Farewell.

His obituary in the New York Times quotes Dave McKenna as once suggesting that he played "saloon piano." He repeated the assertion in the liner notes to the gorgeous 1989 Maybeck Recital series session. If that's the case, I need to start hanging out in better saloons. His swing and bop-informed stride style will be missed. Thankfully, a great deal of fine McKenna footage is available on YouTube. He wrings every bit of wistfulness out of "Some Other Time".

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I've been at a loss as to how to memorialize Levi Stubbs. He died October 17. Substantially rougher, grittier and more emotive than Smokey, Marvin or any of the Temptations, Stubbs was easily my favorite male vocalist among Motown's top stars. The Four Tops were featured at There Stands the Glass eight months ago.

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Edie Adams died October 15. Until Friday, I'd never seen this crazy Muriel cigar spot co-starring Stan Getz.

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A drunk rock chick deliberately doused my camera in beer last night. It's ruined. Is photographing Mini Kiss really that objectionable? Until I buy a new camera I'll be copping images online. I know you're disappointed, but look at the bright side- it allows me to feature this atrocious McKenna album cover.

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Kansas City Click: I don't care what you think- I love Straylight Run's "Existentialism On Prom Night". They're on the bill at the Beaumont tonight.

Iain Matthews- New Shirt

Clean.

It was odd at the time and it seems even stranger now.

NBA fans attending a Kansas City Kings game one night in the late '70s were handed copies of an album by British folk rock artist Ian Matthews. I recall being delighted, but I can't imagine that many other people who came to Kemper Arena to see Otis Birdsong and Sam Lacey play would have had any interest in Matthews' music.

I hadn't yet heard of Matthews or his previous bands Fairport Convention (don't miss this primal footage), Matthews Southern Comfort and Plainsong, but I've kept tabs on his career ever since.

Complicating matters, Matthews changed his first name from "Ian" to "Iain" with the release of Pure and Crooked in 1990. It's filled with great songs that are somewhat hampered by an overly polite production. "New Shirt," for instance, could have been a power pop smash in the hands of someone like Marshall Crenshaw or Lindsey Buckingham.

(Incidentally, iTunes lists the song as "New Shift." The mistake is appropriate given Matthews' history of near misses.)

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European jazz/electronica artist Marc Moulin died September 26. I have a weakness for grooves like "Into the Dark". (Found via ContemporaryJazz.com.)

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Kansas City Click: Octarium sing tonight at Visitation Church.

Tickets for Luis Miguel's concert Saturday at the Sprint Center start at $50.

I'd love to see the reactions of the volunteer ushers Sunday at the Folly Theater when Los Lobos starts playing.

Johnny Darrell- Come See What's Left of Your Man

Nothing's left.

The only thing better than a drinking song is a hangover song. With its references to the shakes, "Come See What's Left of Your Man" is one of the most extreme examples on record. Bad luck, an alleged obstreperous nature and hard-living habits tagged Johnny Darrell as one of country's original outlaws. There's no reason for fans of Waylon, Willie, Cash and Kris not to own this insanely great collection. It includes the original version of "With Pen In Hand", Darrell's sole big hit.

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Say it ain't so, Kanye! You issued my favorite album of 2007. And 2004's The College Dropout almost single-handedly revived my love of hip hop. I'm all for artistic exploration, but I'm sensing that I'm not going to appreciate the electro-pop of 808s & Heartbreak.

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Kansas City Click: Broken Social Scene and Land of Talk visit the Beaumont Club tonight.

The Ray Brown Trio- Li'l Darlin'

Thanks, Mr. Hefti.

I'm ashamed to admit that I didn't realize Neal Hefti was still around in 2008 until I saw his obituary this morning. He was 85. Like every American boy my age, this TV theme song composed by Hefti is part of my DNA. As an ostensibly mature Kansas Citian, I now recognize that Hefti's greatest contribution may be the Count Basie staple "Li'l Darlin'." This relaxed, elastic arrangement of the gorgeous ballad was performed in 1988 by bass legend Ray Brown, pianist Gene Harris and drummer Jeff Hamilton. It's available on Live At the Loa.

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I'll keep my opinion of the tour vlog of Mac Lethal and Grieves to myself.

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Kansas City Click: The freakin' Flobots play a free show on the Power & Light stage tonight. Great... now I'm going to have to chant "A Milli" for a few minutes until their earworm of a hit crawls out of my noggin.