Showing posts with label Dutch Newman. Show all posts
Showing posts with label Dutch Newman. Show all posts

Friday, August 08, 2014

Album Review: Ces Cru- Codename: Ego Stripper


My knock on Ces Cru has always centered on the content of the Kansas City duo's lyrics.  Godemis and Ubiquitous possess great flows, superior intelligence and wondrous energy, but I'm not terribly interested in songs about inebriation, conspiracy theories or their standing in the rap game.  Yet everything comes together on Codename: Ego Stripper.  I still prefer the beats on Ces Cru's self-released stuff, but there's no denying the additional power provided by the typically slick Strange Music production.  Besides, "Pressure" references my late friend Anne Winter.  I don't know where Codename: Ego Stripper will debut on Billboard's charts this week, but the project is clearly one of the best Kansas City albums of 2014.


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Teen pop sensation Gracie Schram made a video for "Yellow Shoes".

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The video for Shy Boys' "Life Is Peachy" is amusing.

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Dutch Newman's "Go Chicken Go" isn't about the Kansas City restaurant.

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Electric Needle Room have released a split EP with the Pennsylvania band the Worsh Ahts.

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I can't get the late Jimmy Scott out of my mind as I listen to Cold World, the new album by Naomi Shelton & the Gospel Queens.  RIYL: The Soul Stirrers, God, Albertina Walker.  Here's a video for "Sinner".

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Miriam of Norton Records has released an album of her own.  "My Love Has Gone" is the first single.

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Melissa Aldana & Crash Trio is an uncompromising jazz recording led by the winner of the 2013 Thelonious Monk competition.  RIYL: Matt Otto, freedom, Sonny Rollins.

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Lawrence English's noise on Wilderness of Mirrors is right up my alley.  Here's "Hapless Gatherer".  RIYL: the hum of machinery, Harold Budd, ringing ears.

(Original image by There Stands the Glass.)

Wednesday, February 19, 2014

Album Review: Young Fathers- Dead


A certain subset of my friends doesn't realize it yet, but Young Fathers' Dead is going to be our shared go-to album of 2014.  It's often difficult to find common musical ground in friendships that aren't based on music.  The Scottish trio has us covered.  Dead's synthesis of hip-hop and indie-rock appeals to listeners partial to Joy Division, Chvrches, Yeezus and/or Death Grips.  "Get Up" and "Low" are the album's would-be hits.  As the gloomy title suggests, Dead isn't a typical party album, but the stuff my friends and have been going through lately isn't exactly a picnic.


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Maze featuring Frankie Beverly, El DeBarge, SWV and Slick Rick made me happy on Sunday.  Here's my review.

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Here's a list of the hundreds of artists performing at this week's Folk Alliance Conference in Kansas City.

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I finally listened to the Shy Boys' self-titled album.  It's solid.  RIYL: The Four Freshmen, dreaming, Weezer.

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Look at those fuc… Wait a minute- Hunter Long's "Preliminary Studies #3" is really good.

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Bob Casale, Devo's guitarist, has died.

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"The Worst Songs of All Time?" episode of All Songs Considered has become a meme of sorts.  Because mocking incontestably "bad" music is pointless, I made a list of ten songs I loathe by artists I love: Chuck Berry- "My Ding-A-Ling"; Beyoncé- "Drunk In Love"; The Clash- "Train In Vain"; Aretha Franklin- "Freeway of Love"; Marvin Gaye and Tammi Terrell- "Ain't No Mountain High Enough"; Jay-Z- "Girls, Girls, Girls"; Bob Marley- "Jamming"; Dolly Parton- "9 to 5"; Bruce Springsteen- "Glory Days"; Tech N9ne- "Slacker."

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Zara McFarlane's If You Knew Her has all the attributes of an important album.  I expect If You Knew Her to be the toast of the Starbucks and Pitchfork cliques in the next few months. RIYL: Nina Simone, the next big arty thing, Cécile McLorin Salvant.

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The dudes in Behemeth might hunt me down if they happen to stumble upon my perspective, but the Polish metal band's new release The Satanist is actually an excellent Christian rock album.  After all, people who expend so much energy quoting scripture and denouncing God obviously has a thing for J.C.

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9th Wonder was a "Hip-hop Fellow" at Harvard.

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I'm not really interested in Chino Moreno's Depeche Mode fetish.  Here's Crosses' audaciously titled "Bitches Brew".

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Morning… Dreaming… by Thomas Clausen and Steve Swallow is RIYL: Chick Corea, zen, Carla Bley.

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I don't even recognize Grieves in the rapper's new video for "Shreds".  RIYL: Atmosphere, weird changes in physical attributes, Ces Cru.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)

Monday, April 29, 2013

The 20 Best Kansas City-Related Albums of 2013 (so far)


Much of the Kansas City music community is rightfully engaged in self-congratulatory praise inspired by the notably strong showing of new releases in 2013.  A comment made by Matt of Jeopardy of Contentment at this site last week compelled me to join the chorus.  Here's a list of my twenty favorite Kansas City-related new releases of the past four months.  I created a Spotify playlist that includes all but five of my selections.


1. Mark Lowrey- Tangos For 18th Street (review at Plastic Sax)
2. The Grisly Hand- Country Singles
3. Pat Metheny- The Orchestrion Project
4. Eddie Moore and the Outer Circle- The Freedom of Expression (review at Plastic Sax)
5. Cherokee Rock Rifle- Ta-Li (review at There Stands the Glass)
6. Alaturka- Yalniz (review at Plastic Sax)
7. Dutch Newman- Schorre's Son
8. Cowboy Indian Bear- Live Old, Die Young
9. Reach- Live at the RecordBar (review at There Stands the Glass)
10. Ces Cru- Constant Energy Struggles (review at There Stands the Glass)
11. The Eldar Djangirov Trio- Breakthrough
12. Kutt Calhoun- Black Gold
13. The BD Trio- Live (review at Plastic Sax)
14. Appleseed Cast- Illumination Ritual
15. Heartfelt Anarchy- Heartfelt Anarchy
16. The Matt Kane Trio- Suit Up! (review at Plastic Sax)
17. Beau Bledsoe/Victoria Botero- Un Ramo de Voz
18. The Great Vehicle- The People's Cathedral of Wavelengths
19. Tate Stevens- Tate Stevens
20. Soft Reeds- Blank City


My list is not comprehensive.  I haven't heard a lot of stuff.  And there's plenty of music that simply doesn't appeal to me.  I encourage readers to investigate the sites linked to the right for additional commentary about the music being created in Kansas City.  The Mailbox features several new releases in today's podcast.  And The Mills Record Company Blog has been on fire lately. 

(Original image by There Stands the Glass.)

Tuesday, April 09, 2013

Fat Loser Problems


Going to Coachella? You’re a Loser and Part of the Problem and Probably Fat, an essay currently making the usual social media rounds, amused me.

Still a bit punch-drunk from the 24 hours I logged at the three-day Middle of the Map festival, I'm sympathetic to the sentiment expressed in the cynical screed.  The truth, however, is that I relish excess.  I embrace the novel opportunity to take in performances by honky tonk, punk and hip hop acts within a single hour.

Putting up with chatty Cathys and drunk Daves who would otherwise rarely set foot in a live music venue is a small price to pay for the experience.  (I even grew fond of the wasted Wendy who followed me around on Saturday.)

Besides, the relatively small scale of Middle of the Map meant that the furthest I ever stood from any performer was when I retreated to the balcony of the Uptown Theater during Grizzly Bear's stellar set to take this crummy shot.  The irrepressible Dutch Newman even collided with me during his performance.


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My notes on the final day of the Middle of the Map festival are part of this report.

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Regarding the "Accidental Racist" brouhaha: The controversy shouldn't center on the well-intentioned Brad Paisley or the deeply regrettable contribution of LL Cool J.  The real issue is that the milquetoast star is considered a "visionary" (Brian Mansfield in today's USA Today) by the Nashville establishment.  As a wise man once said, "It's been the same way for years- we need to change."

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God bless Willie Nelson.  The EPK for his forthcoming album showcases the "good" Willie.  (Tip via BGO.)

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The "season finale" of the KC Cypher Series is an important document of Kansas City's hip hop scene, but I can't sign off on most of the contributions.  The three best participants are Nesto the Owner, Riv Locc and Paul Mussan.

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I'm going to listen to the latest releases from James Blake, Stone Sour, the Knife, Device, the Dave Douglas Quintet, Jake Bugg, Paramore, John Medeski, Eric Church, Steve Kuhn and Kurt Vile only after I tire of Julieta Venegas' new Los Momentos album.

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Kansas City Click: The Slide Brothers perform at Knuckleheads on Tuesday.

Garbage plays the VooDoo Lounge on Wednesday.

Rob Scheps and Jerry Dodgion appear at Take Five Coffee + Bar on Thursday.

Alaturka returns to Kansas City Academy on Friday.

(Original image by There Stands the Glass.)

Saturday, April 06, 2013

Where the Bands Are


I didn't know whether to laugh or cry after I witnessed a professional music presenter lament the diminishing "culture of supporting live music" earlier this week.  My friend was addressing an audience of less than two dozen people as he introduced a five-piece band.  An hour later I began jockeying for position at several crowded nightclubs in Westport.  Elsewhere in Kansas City that evening, Icelandic band Sigur Rós performed to a reported 4,500 fans at Starlight Theatre while the Kansas City Jazz Orchestra, an ensemble that regular attracts 1,000 people at its concerts, appeared at Helzberg Hall.  I need to invite my myopic pal out for a night on the town.


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Here's my coverage of day one and day two of the Middle of the Map festival.  My five favorite performances so far?  The Appleseed Cast, Dutch Newman, Grizzly Bear, Owen Pallett and the Last Bison.

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Hugh McCracken has died.

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A television station documents a performance by Diane "Mama" Ray.

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Here's a fundraising video for Kansas City's Fado Novato.

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Dwight Frizzell made a promotional video for his chamber opera Darwin.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)

Tuesday, March 05, 2013

Review: Joe Budden- No Love Lost


I'd characterize my viewing of the television series Love and Hip Hop as a guilty pleasure, but I don't really enjoy watching the reality show.  Yet I can't tear myself away from the shrill drama perpetuated by misguided rappers and their farcical love interests. 

The supposed real life of Joe Budden looks miserable.  I've always liked the guy and I'm a big fan of his supergroup Slaughterhouse.  Unfortunately, nothing on Budden's new hit album No Love Lost is remotely as good as the all-star collective's recent "Throw It Away.

The project contains "She Don't Put It Down", my least favorite current radio song.  It's frustrating because Budden can't be written off.  A few of No Love Lost's tracks are effective.   The guilty conscious he exposes on the confessional "Skeletons" is a hip hop rarity.  "Castles" is a solid put-down of his hangers-on.

Budden recites the Serenity Prayer on the opening track.  I'm so grateful that I don't have his problems.


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I ponder Alaturka's new album Yalniz at Plastic Sax.

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Here's footage of Tony Tixier and Diverse performing at a house concert last weekend.  (I'm hiding in a back corner of the elegant room.)

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Readers can also spot me in the video of the Beautiful Bodies' "Invincible".

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Schorre's Son, the latest release by Dutch Newman, includes features by Ron Ron, Stik Figa, B Double E, the Phantom and Joey Cool.

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The lineup for the 2013 edition of Rockfest is solid. There are even a couple bands- including Heaven's Basement- that I haven't already seen.

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I encourage anyone who's Austin-bound for SXSW to check out the Midcoast Takeover.

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Hey, Paul Weller digs Os Mutantes, Gilberto Gil and Ethiopian jazz!

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Free Lil' Poopy!

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Kansas City Click: Patrick Krief performs at the RecordBar on Tuesday.

J.P. Harris appears at Knuckleheads on Wednesday.

The Blue Room hosts Amina Figarova and her band on Thursday.

(Original image by There Stands the Glass.)