Album Review: Ces Cru- Codename: Ego Stripper

My knock on Ces Cru has always centered on the content of the Kansas City duo's lyrics.  Godemis and Ubiquitous possess great flows, superior intelligence and wondrous energy, but I'm not terribly interested in songs about inebriation, conspiracy theories or their standing in the rap game.  Yet everything comes together on Codename: Ego Stripper.  I still prefer the beats on Ces Cru's self-released stuff, but there's no denying the additional power provided by the typically slick Strange Music production.  Besides, "Pressure" references my late friend Anne Winter.  I don't know where Codename: Ego Stripper will debut on Billboard's charts this week, but the project is clearly one of the best Kansas City albums of 2014.


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Teen pop sensation Gracie Schram made a video for "Yellow Shoes".

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The video for Shy Boys' "Life Is Peachy" is amusing.

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Dutch Newman's "Go Chicken Go" isn't about the Kansas City restaurant.

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Electric Needle Room have released a split EP with the Pennsylvania band the Worsh Ahts.

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I can't get the late Jimmy Scott out of my mind as I listen to Cold World, the new album by Naomi Shelton & the Gospel Queens.  RIYL: The Soul Stirrers, God, Albertina Walker.  Here's a video for "Sinner".

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Miriam of Norton Records has released an album of her own.  "My Love Has Gone" is the first single.

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Melissa Aldana & Crash Trio is an uncompromising jazz recording led by the winner of the 2013 Thelonious Monk competition.  RIYL: Matt Otto, freedom, Sonny Rollins.

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Lawrence English's noise on Wilderness of Mirrors is right up my alley.  Here's "Hapless Gatherer".  RIYL: the hum of machinery, Harold Budd, ringing ears.

(Original image by There Stands the Glass.)

Concert Review: Brendan Kinsella at Grant Hall

After playing a rendition of Frederic Rzewiski's thorny "The People United Will Never Be Defeated" that lasted for exactly one hour, Brendan Kinsella returned for an encore at Grant Hall on Monday.

"One more time," he joked.

I laughed along with the rest of the audience of about 50.  Funny thing, though- I would have stuck around for another 60 minutes to hear it again.  Kinsella's piano recital was a test of endurance.  And I won.

Kinsella sold me on Rzewiski's political statement, a work I'd never heard.  He also played an additional set of variations by Bach and Justin Writer.


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I reviewed Wednesday's Kings of Leon and Gary Clark, Jr. concert.

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My thoughts on the first volume of Stanley Crouch's biography of Charlie Parker are published at Plastic Sax.

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Charles Love of the Kansas City band Bloodstone has died.  Our paths crossed several times.  He was an old-school gentleman.  Here's a video montage that focuses on his final years.  And I'm still astounded that Bloodstone starred in the film Train Ride To Hollywood.

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Korn is the headliner of the 2014 edition of Rockfest.

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The latest episode of the KC Cypher series gets off to a rough start.  It doesn't get much better.  KD is the best of a sorry bunch.

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Shy Boys released a video for "And I Am Nervous".

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Former Kansas City resident Steve Cardenas is doing really interesting things as a member of Ben Allison's band.  RIYL: Jim Hall, the new thing, John Abercrombie.

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Teddy Dibble has a lot going on online.  Start here, here or here.   (Tip via There Stands the Glass reader Phil.)

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Phil also turned me on to Harold Ousley's obviously seminal "Uncle Funky" from the 1972 album Sweet Double Hipness.

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Well, this is embarrassing.  I'm smitten by Rick Ross' patently offensive new album Mastermind.  The fact that his relentless boasting, sexism and homophobia don't become tiresome makes me question my self esteem.  "Sanctified" features Big Sean, Kanye West and Betty Wright.

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I feel as if I'm the only fan of contemporary hip-hop who's not down with Schoolboy Q.  At its best, the new album Oxymoron resembles a poor man's version of Kendrick Lamar's good kid, m.A.A.d city.  At its worst, it sounds like an anemic Odd Future spinoff.  Here's "Break the Bank".

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Kris Bowers' Heroes + Misfits is the kind of album I dream about.  RIYL: Esperanza Spalding, the ideal balance of jazz and R&B, José James.

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"You wanna see a dead body?"  I championed Pusha T's "Numbers On the Boards" last year.  I still love the song, but "Nosetalgia", Pusha T's collaboration with Kendrick Lamar, may be the single best track released in 2013.

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Here's a bracing new rendition of Cursive's "A Gentleman Caller".

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Regina Carter's impeccable Southern Comfort is RIYL: Mark O'Connor, NPR bumper music, Bela Fleck.

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Ume realizes its potential on Monuments.  RIYL: Deafheaven, metallic shards, Joy Formidable.

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The way the lineup of the Big Blues Bender festival is listed reveals just how far the fortunes of a few former stars of the genre have fallen.

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I've publicly denounced modern blues in this space, so my endorsement of Damon Fowler's Sounds of Home  may send shock waves through the There Stands the Glass community.  RIYL: Dickey Betts, alcohol, Little Feat.

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Shirazette Tinnin's Humility: Purity of My Soul is a mixed bag for fans of adventurous R&B-inflected jazz.  Her drumming is great, but the occasionally wacky vocals are a deal-breaker.  RIYL: Tia Fuller, the new freshness, Stevie Wonder.

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Holy Out to Lunch!  Matt Bauder's Nightshades is very nice.  RIYL: Eric Dolphy, 1966 rebooted, Joe Henderson.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)

Album Review: Young Fathers- Dead

A certain subset of my friends doesn't realize it yet, but Young Fathers' Dead is going to be our shared go-to album of 2014.  It's often difficult to find common musical ground in friendships that aren't based on music.  The Scottish trio has us covered.  Dead's synthesis of hip-hop and indie-rock appeals to listeners partial to Joy Division, Chvrches, Yeezus and/or Death Grips.  "Get Up" and "Low" are the album's would-be hits.  As the gloomy title suggests, Dead isn't a typical party album, but the stuff my friends and have been going through lately isn't exactly a picnic.


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Maze featuring Frankie Beverly, El DeBarge, SWV and Slick Rick made me happy on Sunday.  Here's my review.

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Here's a list of the hundreds of artists performing at this week's Folk Alliance Conference in Kansas City.

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I finally listened to the Shy Boys' self-titled album.  It's solid.  RIYL: The Four Freshmen, dreaming, Weezer.

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Look at those fuc… Wait a minute- Hunter Long's "Preliminary Studies #3" is really good.

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Bob Casale, Devo's guitarist, has died.

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"The Worst Songs of All Time?" episode of All Songs Considered has become a meme of sorts.  Because mocking incontestably "bad" music is pointless, I made a list of ten songs I loathe by artists I love: Chuck Berry- "My Ding-A-Ling"; Beyoncé- "Drunk In Love"; The Clash- "Train In Vain"; Aretha Franklin- "Freeway of Love"; Marvin Gaye and Tammi Terrell- "Ain't No Mountain High Enough"; Jay-Z- "Girls, Girls, Girls"; Bob Marley- "Jamming"; Dolly Parton- "9 to 5"; Bruce Springsteen- "Glory Days"; Tech N9ne- "Slacker."

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Zara McFarlane's If You Knew Her has all the attributes of an important album.  I expect If You Knew Her to be the toast of the Starbucks and Pitchfork cliques in the next few months. RIYL: Nina Simone, the next big arty thing, Cécile McLorin Salvant.

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The dudes in Behemeth might hunt me down if they happen to stumble upon my perspective, but the Polish metal band's new release The Satanist is actually an excellent Christian rock album.  After all, people who expend so much energy quoting scripture and denouncing God obviously has a thing for J.C.

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9th Wonder was a "Hip-hop Fellow" at Harvard.

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I'm not really interested in Chino Moreno's Depeche Mode fetish.  Here's Crosses' audaciously titled "Bitches Brew".

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Morning… Dreaming… by Thomas Clausen and Steve Swallow is RIYL: Chick Corea, zen, Carla Bley.

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I don't even recognize Grieves in the rapper's new video for "Shreds".  RIYL: Atmosphere, weird changes in physical attributes, Ces Cru.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)

Love My Way: Saluting the New Wave of Classic Rock

In the last 28 days I've attended concerts by Alice In Chains, Soundgarden, Cheap Trick, Urge Overkill, Limp Bizkit, They Might Be Giants, Blue Öyster Cult and the Psychedelic Furs.   Scheduling conflicts kept me away from performances by the Smithereens and Greg Ginn's Black Flag.

With the possible exception of They Might Be Giants and Soundgarden, these bands are well past their artistic and/or commercial primes.  And while I'm far more interested in contemporary sounds than in music from past decades, I enjoyed all but one of these nostalgia-fueled events.  A ranking of the shows in the order of my appreciation of each performance follows.

1. Limp Bizkit Ticket price: $32.  Audience: 800.  Look, I'm not particularly fond of Limp Bizkit, but there was no denying the electrifying nature of its performance at the Granada.

2. They Might Be Giants Ticket price: $24.  Audience: 500.  I have great memories of seeing They Might Be Giants and Poi Dog Pondering at the Grand Emporium on Halloween in 1988.  TMBG is an even better band 25 years later.

3. The Psychedelic Furs Ticket price: $13.65.  Audience: 800.  As Tim Finn's review of last night's concert suggests, the band's enthusiasm was infectious. 

4. Blue Öyster Cult Ticket price: free. Audience: 3,000.  The oldest band in this grouping opened its headlining performance at Old Shawnee Days with the proto-speed metal classic "The Red & the Black".  Aside from dodgy drum and bass solos, the underrated band's 90-minute set remained taut.   BOC deserve to be as revered as Judas Priest, Kiss and Motörhead.

5. Cheap Trick Ticket price: $50.  Audience: 500.  Cheap Trick has returned to its roots.  The band played early influential jams like "Heaven Tonight" with childlike glee. 

6. Alice In Chains Ticket price: $50.  Audience: 40,000.  Alice In Chains' headlining appearance at Rockfest was a slick, by-the-numbers effort.  The songs are great but the polished approach was too slick for me.

7. Urge Overkill Ticket price: free.  Audience: 500.  Like a poor man's version of Cheap Trick, this woulda-shoulda-coulda band played with exuberance. 

8.  Soundgarden Ticket price: $40.  Audience: 3,000.  Soundgarden is my favorite of these eight bands, but their concert was spoiled by nightmarish sound. 

While I'm not too cool to appreciate REO Speedwagon, Styx and Ted Nugent, I passed on their triple-bill appearance at Starlight Theatre last month.  The new and surprisingly vital face of classic rock with roots in the '80s, '90s and 00's has overtaken the previous generations of rock and rollers. 


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Chad Kassem and his Salina-based Acoustic Sounds are featured in a The New York Times story about the vinyl resurgence.  

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The newly announced Buzz Beach Ball concert doesn't replace Kanrocksas- it lacks the hip hop and R&B acts I was most eager to see at the ill-fated festival- but it boasts a pretty darn impressive lineup nonetheless.

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As evidenced by this telling fan footage of the Shy Boys, people standing near the stage would not STFU at the Crossroads Summer Block Party last weekend. 

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Damir Out Loud consists of "eight Berlin-based musicians from five different countries."  The band's new Graduation Day album is RIYL Balkan brass bands, Bobby Hutcherson, ECM. 

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King Khan & the Shrines' "Born to Die" is mindblowingly great.  RIYL: Cream, Nuggets, Ty Segall.

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Who doesn't love Wayne Coyne?

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A video for Dessa's "Call Off Your Ghost" was released today.  RIYL: Ani DiFranco, Doomtree, Alanis Morissette. 

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I can't wait to hear the new album by David Murray Infinity Quartet featuring Macy Gary and Gregory Porter.  Also out this week are new releases from Joseph Arthur, The Black Dahlia Murder, Black Sabbath, Boards of Canada, Marc Cary, Children of Bodom, Davell Crawford, Jason Isbell, Chrisette Michele, Aoife O'Donovan, Gary Peacock and Marilyn Crispell, Carmen Souza and Hezekiah Walker.

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Kansas City Click: The Riot Room hosts Lord Huron on Monday.

David Ramirez appears at the Czar Bar on Tuesday.

David Nail sings at Kanza Hall on Wednesday.

Gee Watts hits the Czar Bar on Thursday.

(Original image by There Stands the Glass.)