Blame It All On My Roots

Self awareness can be crippling.  It’s a little late in the game to be discovering myself.  Only now am I beginning to comprehend that there’s no hiding the ancestral dirt under my fingernails.

I eagerly cued up Benjamin Clementine’s At Least For Now after it won the Mercury Prize last week.  I found his art-rock so irksome that I was compelled to retreat to the latest albums from Toby Keith and George Strait. 

By most critical measures neither 35 MPH Town nor Cold Beer Conversation are superior to At Least For Now.  Yet the conventional country albums are part of my musical DNA.

I sometimes envy the rarefied people who were raised on Kurt Weill and the Brandenburg Concertos even though growing up on Waylon Jennings and Stevie Wonder probably better prepared me for the world.  While my passion for forms like free jazz is genuine, it’s self-taught.

Keith and Strait, consequently, sound like my home turf while Clementine strikes me as a pretentious twit.  It can’t be helped. 

Jason Isbell seems to be singing to me on the opening track of Something More Than Free:  “I got too far from my raisin’, I forgot where I come from.”


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I reviewed Jackson Browne’s concert at the Music Hall.

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I reviewed Diana Krall’s return to the Midland theater.

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I wrote an essay about Adele and Allen Stone for Ink magazine.

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P.F. Sloan has died.

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Bassekou Kouyate and Ngoni Ba's Ba Power is wondrous.  RIYL: Malian music, Ali Farke Touré, life.

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The bland pop of Julieta Venegas’ Algo Sucede saddens me.  Here’s the title track.

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The trailer for the new documentary “Sound of Redemption: The Frank Morgan Story” is promising.

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Julien Baker’s Sprained Ankle is RIYL: Michelle Shocked’s The Texas Campfire Tapes, tears, Joni Mitchell’s Blue.

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The Matthew Shipp Trio plays it straight on The Conduct of Jazz.  RIYL: Thelonious Monk, a semblance of structure, Cecil Taylor.

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Stop the presses- Con Funk Shun has released a new album!  The video for ”More Than Love” is… something.

(Original image by There Stands the Glass.)

Bobby "Blue" Bland, 1930-2013

I was astounded the first time I saw Bobby "Blue" Bland.  I don’t recall many details about the performance at his co-headlining appearance with B.B. King at the Uptown Theater in in 1979 or 1980.  It was the composition of the audience that surprised me.  I was one of just a few white people at the show. 

Even a surly teenager from the suburbs could recognize that Bland’s music was universal.  Yet aside from his appearances at festivals, the six or seven Bland concerts I attended were barely integrated even after the blues boom of the mid-’80s reacquainted white audiences with the form.   I still fail to comprehend why- unlike his longtime associate B.B. King- Bland never crossed over to a mainstream audience. 

Bland’s presentation- squall and all- was impeccable.  He always carried a large band.  Maybe Bland’s health stood in the way.   Even back at that show at the Uptown over thirty years ago, Bland seemed frail.  In spite of the physical challenges he faced, Bland never failed to deliver.  Even his final Kansas City appearance at the 2011 edition of the Rhythm & Ribs Jazz & Blues Festival was solid.  I envy those who saw him in his prime.

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My review of Widespread Panic’s concert last weekend has displeased a lot of people.

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I participated in a discussion of the Best Kansas City Music of 2013 (so far) on KCUR’s Up To Date.

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KCUR catches up with Charles Love of Bloodstone.

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A collabo between Tech N9ne and the Doors?  Makes sense to me.

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I have no idea what's going on in this weird art film about Don Cherry.

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There Stands the Glass reader Phil turned me on to the East River String Band podcast.

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I don’t care for most of what's in Julieta Venegas' bag.

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Dear Diary, I grew up hearing David Allan Coe’s ”If That Ain’t Country” played in my home. I didn’t think anything of it when I was a kid.

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I'm looking forward to spending quality time with this week's new releases by Amon Amarth, Andy Bey, Booker T, Bosnian Rainbows, India.Arie, Smith Westerns, Mavis Staples, Transplants, Wale and Yellowjackets after I listen to Dessa’s Parts of Speech's  album.

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Ornette Coleman’s 1970 album Friends and Neighbors has been reissued.  RIYL: proof of the existence of a higher power, genius, America.

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Kansas City Click:  My official picks are published here.  Bonus pick: Adam Marsland appears at the RecordBar on Friday. He's RIYL Billy Vera, Alex Chilton, Har Mar Superstar.

(Original image by There Stands the Glass.)

Fat Loser Problems

Going to Coachella? You’re a Loser and Part of the Problem and Probably Fat, an essay currently making the usual social media rounds, amused me.

Still a bit punch-drunk from the 24 hours I logged at the three-day Middle of the Map festival, I'm sympathetic to the sentiment expressed in the cynical screed.  The truth, however, is that I relish excess.  I embrace the novel opportunity to take in performances by honky tonk, punk and hip hop acts within a single hour.

Putting up with chatty Cathys and drunk Daves who would otherwise rarely set foot in a live music venue is a small price to pay for the experience.  (I even grew fond of the wasted Wendy who followed me around on Saturday.)

Besides, the relatively small scale of Middle of the Map meant that the furthest I ever stood from any performer was when I retreated to the balcony of the Uptown Theater during Grizzly Bear's stellar set to take this crummy shot.  The irrepressible Dutch Newman even collided with me during his performance.


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My notes on the final day of the Middle of the Map festival are part of this report.

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Regarding the "Accidental Racist" brouhaha: The controversy shouldn't center on the well-intentioned Brad Paisley or the deeply regrettable contribution of LL Cool J.  The real issue is that the milquetoast star is considered a "visionary" (Brian Mansfield in today's USA Today) by the Nashville establishment.  As a wise man once said, "It's been the same way for years- we need to change."

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God bless Willie Nelson.  The EPK for his forthcoming album showcases the "good" Willie.  (Tip via BGO.)

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The "season finale" of the KC Cypher Series is an important document of Kansas City's hip hop scene, but I can't sign off on most of the contributions.  The three best participants are Nesto the Owner, Riv Locc and Paul Mussan.

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I'm going to listen to the latest releases from James Blake, Stone Sour, the Knife, Device, the Dave Douglas Quintet, Jake Bugg, Paramore, John Medeski, Eric Church, Steve Kuhn and Kurt Vile only after I tire of Julieta Venegas' new Los Momentos album.

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Kansas City Click: The Slide Brothers perform at Knuckleheads on Tuesday.

Garbage plays the VooDoo Lounge on Wednesday.

Rob Scheps and Jerry Dodgion appear at Take Five Coffee + Bar on Thursday.

Alaturka returns to Kansas City Academy on Friday.

(Original image by There Stands the Glass.)