The Top Albums, Songs and Performances by Kansas City Musicians in 2019

Favorite Albums and EPs by Kansas City Artists
1. The Sextet- Among Friends
2. Samantha Fish- Kill Or Be Kind
3. Matt Villinger- All Day
4. Heather Newman- Rise From the Flames
5. Making Movies- Ameri’kana
6. Adam Larson- Listen With Your Eyes
7. Rich the Factor- The Tonite Show
8. Jay McShann- Live in Tokyo
9. Keaton Conrad- Nova
10. Drugs and Attics- Clean Their Room

11. Dylan Pyles- Popular Songs for the Heart
12. Hmph!- Hmph!
13. The Get Up Kids- Problems
14. Wing Walker Orchestra- Hazel
15. Joyce DiDonato- Songplay
16. Norman Brown- The Highest Act of Love
17. Jan Kraybill- The Orchestral Organ
18. Kevin Morby- Oh My God
19. The Greeting Committee- I’m Afraid I’m Not Angry
20. Julian Vaughn- Supreme

21. Merlin- The Mortal
22. A’Sean- One Big Happy Family
23. The Kansas City Chorale- Artifacts: The Music of Michael McGlynn
24. Le Grand- Plastic Jazz
25. Calvin Arsenia- LA Sessions


Favorite Songs by Kansas City Artists
Spotify playlist
1. Keaton Conrad- “What Am I Supposed to Do?”
2. Drugs and Attics- “Dad Party”
3. Samantha Fish- “Love Letters”
4. The Sextet- “To Be Determined”
5. Heather Newman- “Rise From the Flames”
6. Pat Metheny- “America Undefined”
7. Reggie B and the Popper- “Not Funky”
8. Sara Morgan- “Church in a Bar”
9. Tech N9ne- “Like I Ain’t”
10. The Sluts- “Break Their Heart”

11. Ubi- “Gameshow”
12. Norman Brown- “Free”
13. The Get Up Kids- “The Problem Is Me”
14. Stik Figa- “More or Less”
15. The Freedom Affair- “Rise Up”
16. Matt Villinger- “Shot Roulette”
17. Godemis- “Eye Zkreem”
18. Making Movies- “Accidente”
19. Puddle of Mudd- “Uh Oh”
20. Brody Buster’s One Man Band- “Week Long”

21. JL and Joey Cool- “That’s Him”
22. Drop Dead XX- “Betty Ford”
23. The Creepy Jingles- “Atom & Evolution”
24. Nick Schnebelen- “Crazy All By Myself”
25. Other Americans- “Neon Sunrise”


Favorite Performances by Kansas City Artists
1. Logan Richardson’s Blues People- Capsule
2. The Greeting Committee- West Bottoms (Boulevardia)
3. The Sextet- RecordBar
4. Ensemble Ibérica- MTH Theater
5. My Brothers & Sisters- The Brick (Crossroads Music Fest)
6. Bobby Watson & Horizon- White Recital Hall
7. Jerry Hahn and Danny Embrey- Recital Hall at the Carlsen Center
8. Making Movies- KC Live
9. Heather Newman- Legacy Park Amphitheater
10. Doubledrag- Riot Room

11. Matt Otto Quartet- Black Dolphin
12. The Kansas City Symphony- Helzberg Hall
13. Una Walkenhorst- Songbird Cafe (Middle of the Map Fest)
14. Ben Tervort’s Classically Trained- Westport Coffee House
15. Rod Fleeman and Gerald Spaits- Green Lady Lounge
16. Brian Scarborough Quintet- RecordBar
17. Tech N9ne- KC Live (StrangeFest)
18. Soul Revival- Nelson-Atkins Museum of Art
19. Peter Schlamb Trio- Capsule
20. Guitar Elation- Green Lady Lounge

21. Midwest Chamber Ensemble- Lutheran Church of the Resurrection
22. ARQuesta Del SolSoul- RecordBar
23. Katy Guillen’s Womanish Girl- The Brick (Middle of the Map Fest)
24. Black Creatures- West Bottoms (Boulevardia)
25. Jason Vivone & the Billy Bats- PorchFestKC

(Original image of the Matt Otto Quartet at Black Dolphin by There Stands the Glass.)

September Recap

Top Five Performances
1. Eddie Palmieri, Ben LaMar Gay, Camila Meza, et al.- Millennium Park (The Chicago Jazz Festival)
My review.
2. Carrie Underwood- Sprint Center
My review.
3. Little Joe Hernandez- Barney Allis Plaza (Fiesta Hispana)
My Instagram clip.
4. Logan Richardson, Peter Schlamb, Dominique Sanders and Ryan J. Lee- The Ship
My Instagram clip.
5. The Sextet- RecordBar
My Instagram clip.

Top Five Albums
1. Jóhann Jóhannsson- 12 Conversations With Thilo Heinzmann
My review.
2. Alasdair Roberts- The Fiery Margin
My review.
3. Samantha Fish- Kill or Be Kind
Murderous.
4. Monty Alexander- Wareika Hill: Rastamonk Vibrations
My review.
5. Dylan Pyles- Popular Songs for the Heart
Lo-fi KC freak-folk a la Eugene Chadbourne and Jeff Mangum.

Top Five Songs
1. Fat Joe featuring Cardi B and Anuel AA- “Yes”
I apologize in advance.
2. Earthgang featuring T-Pain- “Tequila”
“Life is full of catchy hooks and uppercuts.”
3. Ameer Vann- “Emmanuel”
Cancel at your own risk.
4. The Highwomen- “Cocktail and a Song”
“Time’s running out.”
5. Alexandra Billings- “Let Her Be Okay”
I’m a crier.

I conducted the same exercise in August, July, June, May, April, March, February and January.

(Original image of Eddie Palmieri by There Stands the Glass.)

Are You Ready for the Country?

A musician friend recently repeated Steve Earle’s assertion that contemporary country music is “hip-hop for people who are afraid of black people.”  I objected.  In addition to reeking of sour grapes, Earle’s quip epitomizes the sort of divisive cultural classism that’s contributing to the ongoing societal rupture. 

I’m living proof that owning a MAGA hat isn’t required to appreciate current country hits.  Sure, the audience at last night’s Carrie Underwood concert was almost entirely white.  So what?  The audience at the Little Joe Hernandez concert I attended last weekend was almost entirely Latino.  I may not like the elective (or the officially mandated) segregation policies in Kansas City, but that doesn’t mean every music lover is racist.

As someone raised on the songs of Waylon Jennings and Willie Nelson, I take it personally when an outsider puts down any form of country.  I may prefer Colter Wall to Rascal Flatts, but it’s never occurred to me to categorically impugn the character of fans of pop-country.  Even though I often joke that lots of people like bad music, I'm won't slander those who choose to listen to sounds I deem inferior.


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I reviewed a concert by Carrie Underwood, Maddi & Tae and Runaway June for The Kansas City Star.

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I write weekly concert previews for The Kansas City Star.

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I critique every set I caught at the Chicago Jazz Festival at Plastic Sax.

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The audio component of my KCUR feature about Robert Castillo and the Sextet is now available for streaming.

(Original image by There Stands the Glass.)

Album Review: Alasdair Roberts- The Fiery Margin

As a white Midwestern male of humble stock, I’ve had the luxury of never needing to give much thought to my identity.  My American ancestors- a long lineage of obscure farmers, teachers and preachers- allow me to follow a path that’s largely free of expectations, obligations and encumbrances.

The results of the genetic test I recently took weren’t particularly surprising.  While it’s amusing to confirm my hunch that I’m a modern-day Neanderthal, I learned that a substantial chunk of my nuts-and-bolts are directly traceable to Glasgow.

Do my roots explain my dark disposition?  I account for ten of the 200 views of the stark solo performance of "A Keen" filmed in the home of Alasdair Roberts.  The bleak song about “the grief of a parent upon the early death of a child” is agonizing.  It could be the Scot in me that’s compelled to relish the misery.

The expanded instrumentation of the reading of “A Keen” on the Scotsman’s new album The Fiery Margin is reminiscent of Joe Boyd’s brilliant production for the likes of Nick Drake and Richard Thompson.  While based in tradition, Roberts has more in common with his Drag City labelmate Bonnie “Prince” Billy than with a typical folk purist.

My adamant rejection of the concept of historical trauma led to a heated argument with one of my children last year.  Yet Roberts’ brooding songs about uniquely Scottish forms of torment seem to stir dormant memories in my soul.  The Fiery Margin sounds so much like a home I’ve never known that I may owe my kid an apology.


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My audio feature about Robert Castillo and his Kansas City groove-jazz band The Sextet aired on KCUR yesterday.  The sound will eventually be added to my text.

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“Look at all the murderers and rapists here!” Joe Hernandez exclaimed as he surveyed the harmonious crowd of more than 3,000 at Fiesta Hispana last night.  The Tex-Mex legend who rose to fame as the leader of Little Joe y La Familia pilloried the President’s attacks on the Latin American community.  He asked for a moment of silence to acknowledge victims of gun violence and for “children in cages” before leading his band in a heartbreaking reading of “America the Beautiful.”  Hernandez insisted that “I know who I am and what we are- we don’t need a target on our backs.”  I captured a bit of Hernandez’s defiant “Redneck Meskin Boy”.

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The discounted five-dollar tickets I bought for yesterday’s matinee concert by The Four Italian Tenors at the Folly Theater paid off in the form of complimentary champagne and chocolate.  The ensemble’s hammy popera was just a bonus.

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“I run the town daily like Super Jesus.”  Here’s the music video for “Super Jesus”, the Popper’s new song about the Kansas City cult figure Mike Wheeler.

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I first saw Eddie Money at Royals Stadium in 1978.  Kansas, the Steve Miller Band and Van Halen were also on the bill of Summer Jam.  I last saw Money at the suburban festival Old Shawnee Days in 2012.  Here’s my review..  The bookends are a perfect encapsulation of the career arc of a typical pop star.  Money died on Friday.

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The familiar sample of the Sylvers’ “Stay Away from Me” on Sampa the Great’s “Final Form” sent me down a dusty R&B rabbithole yesterday.  I discovered the bonkers “I’ll Never Let You Go”.  I’d like someone to explain the lyrics on to me.  It’s a metaphor, right?

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Three good songs- “Old Soul”, “Loose Change” and “Cocktail and a Song”- salvage the otherwise drearily mundane self-titled album by The Highwomen.

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You’d be correct if you suspect that I’m over the moon about (almost) everything related to this.

(Screenshot of my 23andMe’s site by There Stands the Glass.)