Good Timing

Rolex watches don’t tempt me.  I’ve never even touched one of the expensive status symbols.  And while I haven’t been inside one of the luxury cars, I’m sure top-of-the-line Mercedes sedans merit their price tags.  I have the same sort of conflicted feelings about RoundAgain, the new album by the reunited quartet of saxophonist Joshua Redman, pianist Brad Mehldau, bassist Christian McBride and drummer Brian Blade.  I was initially floored by the shimmering summit of four of the world’s best musicians.  Yet I grew increasingly irritated by the quartet’s relentless perfection with each subsequent listen.  Is there such a thing as being too good?  Happening: Live at the Village Vanguard, the second most notable acoustic jazz album released July 10, is far from flawless.  The sound is surprisingly sketchy for a Blue Note Records release, and the quintet of pianist and bandleader Gerald Clayton, saxophonists Logan Richardson and Walter Smith III, bassist Joe Sanders and drummer Marcus Gilmore occasionally flirts with chaos.  While it’s clearly inferior, I find the slightly derelict Happening: Live at the Village Vanguard more interesting than the crystalline RoundAgain.  Then again, I wear a $50 watch and prefer Fords to Ferraris.


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The latest diary entry essay at Plastic Sax addresses the reevaluation of my priorities during the pandemic.

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Opera update: I eagerly devoured all four hours of last night’s free stream of Richard Wagner’s “Tristan und Isolde.”  The tally currently stands at 113 operas in 113 days.

(Original image of the primary clock at Grand Central Station by There Stands the Glass.)

When You Are Sad and Lonely and Have No Place to Go

Even though the last ten days have been miserable for me, I managed to pull off the enjoyable items listed below.  And yes, I’m putting a lot of satisfying time into compiling my year-end lists.


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I reviewed Tech N9ne’s Gift of Rap concert at Silverstein Eye Centers Arena for The Kansas City Star.

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I named Logan Richardson the Plastic Sax Person of the Year.

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I yakked about my favorite music of 2019 on the weekly radio show Eight One Sixty.

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I write concert previews for The Kansas City Star every week.

(Original image by There Stands the Glass.)

The Top Albums, Songs and Performances by Kansas City Musicians in 2019

Favorite Albums and EPs by Kansas City Artists
1. The Sextet- Among Friends
2. Samantha Fish- Kill Or Be Kind
3. Matt Villinger- All Day
4. Heather Newman- Rise From the Flames
5. Making Movies- Ameri’kana
6. Adam Larson- Listen With Your Eyes
7. Rich the Factor- The Tonite Show
8. Jay McShann- Live in Tokyo
9. Keaton Conrad- Nova
10. Drugs and Attics- Clean Their Room

11. Dylan Pyles- Popular Songs for the Heart
12. Hmph!- Hmph!
13. The Get Up Kids- Problems
14. Wing Walker Orchestra- Hazel
15. Joyce DiDonato- Songplay
16. Norman Brown- The Highest Act of Love
17. Jan Kraybill- The Orchestral Organ
18. Kevin Morby- Oh My God
19. The Greeting Committee- I’m Afraid I’m Not Angry
20. Julian Vaughn- Supreme

21. Merlin- The Mortal
22. A’Sean- One Big Happy Family
23. The Kansas City Chorale- Artifacts: The Music of Michael McGlynn
24. Le Grand- Plastic Jazz
25. Calvin Arsenia- LA Sessions


Favorite Songs by Kansas City Artists
Spotify playlist
1. Keaton Conrad- “What Am I Supposed to Do?”
2. Drugs and Attics- “Dad Party”
3. Samantha Fish- “Love Letters”
4. The Sextet- “To Be Determined”
5. Heather Newman- “Rise From the Flames”
6. Pat Metheny- “America Undefined”
7. Reggie B and the Popper- “Not Funky”
8. Sara Morgan- “Church in a Bar”
9. Tech N9ne- “Like I Ain’t”
10. The Sluts- “Break Their Heart”

11. Ubi- “Gameshow”
12. Norman Brown- “Free”
13. The Get Up Kids- “The Problem Is Me”
14. Stik Figa- “More or Less”
15. The Freedom Affair- “Rise Up”
16. Matt Villinger- “Shot Roulette”
17. Godemis- “Eye Zkreem”
18. Making Movies- “Accidente”
19. Puddle of Mudd- “Uh Oh”
20. Brody Buster’s One Man Band- “Week Long”

21. JL and Joey Cool- “That’s Him”
22. Drop Dead XX- “Betty Ford”
23. The Creepy Jingles- “Atom & Evolution”
24. Nick Schnebelen- “Crazy All By Myself”
25. Other Americans- “Neon Sunrise”


Favorite Performances by Kansas City Artists
1. Logan Richardson’s Blues People- Capsule
2. The Greeting Committee- West Bottoms (Boulevardia)
3. The Sextet- RecordBar
4. Ensemble Ibérica- MTH Theater
5. My Brothers & Sisters- The Brick (Crossroads Music Fest)
6. Bobby Watson & Horizon- White Recital Hall
7. Jerry Hahn and Danny Embrey- Recital Hall at the Carlsen Center
8. Making Movies- KC Live
9. Heather Newman- Legacy Park Amphitheater
10. Doubledrag- Riot Room

11. Matt Otto Quartet- Black Dolphin
12. The Kansas City Symphony- Helzberg Hall
13. Una Walkenhorst- Songbird Cafe (Middle of the Map Fest)
14. Ben Tervort’s Classically Trained- Westport Coffee House
15. Rod Fleeman and Gerald Spaits- Green Lady Lounge
16. Brian Scarborough Quintet- RecordBar
17. Tech N9ne- KC Live (StrangeFest)
18. Soul Revival- Nelson-Atkins Museum of Art
19. Peter Schlamb Trio- Capsule
20. Guitar Elation- Green Lady Lounge

21. Midwest Chamber Ensemble- Lutheran Church of the Resurrection
22. ARQuesta Del SolSoul- RecordBar
23. Katy Guillen’s Womanish Girl- The Brick (Middle of the Map Fest)
24. Black Creatures- West Bottoms (Boulevardia)
25. Jason Vivone & the Billy Bats- PorchFestKC

(Original image of the Matt Otto Quartet at Black Dolphin by There Stands the Glass.)

November Recap

Top Five Performances
1. Logan Richardson’s Blues People- Capsule
My review.
2. Wilco- Midland theater
My review.
3. Lana Del Rey- Uptown Theater
My review.
4. Bobby Watson & Horizon- White Recital Hall
My review.
5. Doubledrag- Riot Room
My review.

Top Five Albums
1. Miranda Lambert- Wildcard
My review.
2. Matt Villinger- All Day
My review.
3. Brother Ali- Secrets & Escapes
My review.
4. Terri Lyne Carrington- Waiting Game
Dreams and Desperate Measures, the 42-minute suite that concludes the contentious album, is perfect.
5. Cecilia Bartoli- Farinelli
Baroque bops.

Top Five Songs
1. José James with Ledisi and Christian Scott aTunde Adjuah- “I Need Your Love”
The collaboration of my dreams.
2. Earl Sweatshirt- “East”
West of the moon.
3. Norah Jones featuring Tarriona Tank Ball- “Playing Along”
I knew she had it in her.
4. Atmosphere- “Bde Maka Ska”
Slug takes the plunge.
5. Michael Kiwanuka- “Living in Denial”
Haunting throwback soul.

I conducted the same exercise in October, September, August, July, June, May, April, March, February and January.

(Original image of Wilco by There Stands the Glass.)

September Recap

Top Five Performances
1. Eddie Palmieri, Ben LaMar Gay, Camila Meza, et al.- Millennium Park (The Chicago Jazz Festival)
My review.
2. Carrie Underwood- Sprint Center
My review.
3. Little Joe Hernandez- Barney Allis Plaza (Fiesta Hispana)
My Instagram clip.
4. Logan Richardson, Peter Schlamb, Dominique Sanders and Ryan J. Lee- The Ship
My Instagram clip.
5. The Sextet- RecordBar
My Instagram clip.

Top Five Albums
1. Jóhann Jóhannsson- 12 Conversations With Thilo Heinzmann
My review.
2. Alasdair Roberts- The Fiery Margin
My review.
3. Samantha Fish- Kill or Be Kind
Murderous.
4. Monty Alexander- Wareika Hill: Rastamonk Vibrations
My review.
5. Dylan Pyles- Popular Songs for the Heart
Lo-fi KC freak-folk a la Eugene Chadbourne and Jeff Mangum.

Top Five Songs
1. Fat Joe featuring Cardi B and Anuel AA- “Yes”
I apologize in advance.
2. Earthgang featuring T-Pain- “Tequila”
“Life is full of catchy hooks and uppercuts.”
3. Ameer Vann- “Emmanuel”
Cancel at your own risk.
4. The Highwomen- “Cocktail and a Song”
“Time’s running out.”
5. Alexandra Billings- “Let Her Be Okay”
I’m a crier.

I conducted the same exercise in August, July, June, May, April, March, February and January.

(Original image of Eddie Palmieri by There Stands the Glass.)

Album Review: David and Tamela Mann- Us Against the World

I took objected as I spotted people clowning on David and Tamela Mann’s new album (and book) Us Against the World.  The couple’s suggestion that the album is intended to serve as a sensual soundtrack for Christian couples struck some wags as hysterical.  I can only assume these heathens are unfamiliar with Sam Cooke, Aretha Franklin and Al Green.

The explicitness of a lot of contemporary R&B eradicates its appeal.  For instance, Trey Songz’s two repulsively graphic 2018 albums 11 and 28 make me queasy.  I’m entirely on board with the gospel-based Manns making grown-and-sexy soul.  Besides, I’m a longtime fan.

Unfortunately, Us Against the World is merely adequate.   Babyface and Toni Braxton’s like-minded 2014 collaboration Love, Marriage & Divorce and Womack & Womack’s 1988 classic Conscience are far more effective.  Even so, Us Against the World songs including “Feels Like” are refreshing examinations of marital grace.


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I touted the music of Logan Richardson, Cardi B and Kanye West on a “Best Music of 2018” program on KCUR’s Up To Date two days ago.

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I write weekly concert previews for The Kansas City Star.

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Ray Sawyer of Dr. Hook & the Medicine Show has died.  “Sylvia’s Mother” and “The Cover of ‘Rolling Stone’” were among very few radio hits my dad and I both enjoyed.

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Pegi Young has died.

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The versatile lyricist Norman Gimbel has died.

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My childhood loathing of Captain and Tennille may have been my first brush with music criticism.  Even as a credulous child, that zippity doo-dah offended my sensibilities.  Daryl Dragon has died.

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Howard Begle, the “legal eagle” who helped Big Joe Turner and Ruth Brown obtain back royalties, has died.  (Tip via BGO.)

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Honey Lantree of the Honeycombs has died.  Here’s “Have I the Right?”.  (Tip via BGO.)

(Original image by There Stands the Glass.)

The Top Ten Albums of 2018 by Kansas City Musicians

Musicians associated with Kansas City released dozens of albums in 2018.  A few of the most prominent projects aren’t included here.  Rather than acting as a barometer of parochial groupthink, my list contains the ten albums with the most artistic merit.

1. Logan Richardson- Blues People

2. Kelly Hunt- Even the Sparrow

3. Stephonne- Caged Bird Sings Songs About Red Beard

4. Rich the Factor- CEO of the Blacktop,  CEO of the Blacktop 2 and CEO of the Blacktop 3

5. Janelle Monáe- Dirty Computer

6. The Project H- Everyday, Forever

7. Chen Yi- Concertos for String Instruments

8. Stephen Martin- Vision

9. Tech N9ne- Planet

10. Calvin Arsenia- Cantaloupe

(Original image by There Stands the Glass.)

Album Review: Drake- Scorpion

Drake’s money-infatuated album Scorpion reminds me of an incident that occurred during the Mexican beach vacation I took last year.  I thought I was living like royalty as I paid $75 per night for a clean room and all the food and booze I cared to consume at a hotel catering to Mexican families. 

Only when I snuck into a nearby resort on a futile quest to obtain an English language newspaper did I realize that I was a relative pauper.  I blew past an initial wave of security guards with the gringo excuse of “no hablo español” and discovered a hidden realm of exceptional luxury.  Dozens of perfectly-toned Europeans wearing swimsuits the size of peso notes lounged around a spectacular water complex that made the centerpiece of my hotel seem like a plastic wading pool.  I was unceremoniously escorted out before my beggarly presence spoiled the luxe setting.

Even though I’m ostensibly welcome to bask in the lavish atmosphere of Scorpion for as long as I like, the recording makes me feel like a shabby outsider crashing a swanky gala.  Drake appears to disdain everyone who hasn’t achieved similar levels of success.  Given that he seems miserable, I have no interest in trading places with the world’s most popular rapper.  He may spend more money in an afternoon than I make in a decade, but Drake seems lonely, bitter and petty on the sadly revealing Scorpion.  That’s “God’s Plan”.


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My five favorite sets at the Middle of the Map festival were by Spoon, Mx.Mrs Btrfly, Jade Jackson, Rick Maun and Becca Mancari.  I reviewed day one and day two of the event for The Kansas City Star.

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I featured Mysterious Clouds, Cubanisms and Logan Richardson in a mid-year music survey on KCUR’s Up To Date.

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I write weekly music previews for The Kansas City Star.

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I parse the disheartening results of a Downbeat poll at Plastic Sax.

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I continue to toil at The Kansas City Jazz Calendar like a sequestered monk copying holy manuscripts.

(Original image of a beach in Mexico by There Stands the Glass.)

Album Review: Hailu Mergia- Lala Belu

Friday wasn’t going well.  A couple setbacks put me in a foul mood that even a plethora of new music releases couldn’t remedy.  As I began to prepare for sleep at the end of the disappointing day, I auditioned one last album.  The dark clouds in my head dissipated five minutes into “Tizita,” the opening track of Hailu Mergia’s Lala Belu.

I’d just read The New York Times’s profile of Mergia that explained that the Ethiopian musician was now a cabdriver in Washington D.C.  The guy behind Awesome Tapes From Africa tracked Mergia down and recorded Lala Belu with him.  It’s a cool story, but I still wasn’t expecting much.  I was mistaken.

The life-affirming Lala Belu sounds as if the Ethiopian icon Mulatu Astatke is jamming with the jazz luminaries Charles Mingus and Robert Glasper.  Simultaneously old, new, African and American, the album is a potent sonic salve.


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I reviewed Logan Richardson’s Blues People at Plastic Sax.

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I featured David George in my weekly segment for KCUR.

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Cry No More, the second solo album by Kansas City blues-rock luminary Danielle Nicole, puts me in mind of the classic 1970s work of Delaney & Bonnie.  The title track is the second-best song on the new release.

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I’m as excited as everyone else about Janelle Monáe’s new songs “Django Jane” and “Make Me Feel”.

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I don’t begrudge Dessa for making crass pop moves on Chime.  It’s ridiculous that the enormously talented Doomtree standout isn’t already a household name.  I hope Chime makes her a star, but I’m not going to spend much time listening to the slick bid for mainstream acceptance.  RIYL: Madonna, commerce, Gwen Stefani.  Here’s “Half of You”.

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I still mourn Lou Reed.  I might even miss Mark E. Smith of the Fall someday.  But I’ll be damned if Will Toledo of Car Seat Headrest doesn’t prove himself to be a worthy heir of those innovators on Twin Fantasy.  Here’s “Nervous Young Inhumans”.

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Noah Preminger is on a roll.  Genuinity, the most recent in a string of impressive albums by the New York based saxophonist, is RIYL Ornette Coleman, jazz emancipation, Rudresh Mahanthappa.

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While the contents aren’t as interesting as the title, Leslie Pintchik’s You Eat My Food, You Drink My Wine, You Steal My Girl! is a better-than-average mainstream jazz album.  RIYL: Bill Charlap, accordion flourishes, Matt Wilson.

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Black Milk’s Fever is decent, I guess.  RIYL: Dwele, good enough, Oddisee.  Here’s “Laugh Now Cry Later”.

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A couple tracks on Soulive’s instrumental EP Cinematics Vol. 1 are spectacular.  RIYL: Booker T. & the M.G.'s, imaginary soundtracks, Badbadnotgood.

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They still make ‘em like they used to.  Even the cover art of the new recording by baritone saxophonist Gary Smulyan’s Alternative Contrafacts is straight out of 1974.  The dated packaging is belied by the freshness of the music.  Bassist David Wong and drummer Rodney Green push Smulyan into wooly terrain.  RIYL: Harry Carney, unexpected treasures, Hamiet Bluiett.

(Original image by There Stands the Glass.)

The Bourgeois Bumpkin

When Michael Stern began his defense of the placement of Dmitri Shostakovich’s Symphony No. 2 on the program to the audience of about 1,400 at Helzberg Hall on Sunday afternoon, I was embarrassed for the Music Director of The Kansas City Symphony.  I felt that his apparent need to justify the presence of the occasionally jarring and overtly Leninist composition amid the “Beethoven sandwich” of “Meersstille und glückliche Fahrt” and Symphony No. 9 was patronizing.  Then I heard the piece for the first time and loved every minute of it.  Stern’s conciliatory spiel enhanced my appreciation of the work.  I suppose that makes me a bourgeois bumpkin.


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I reviewed a concert by Lil Wayne, 2 Chainz, Tech N9ne, Rich The Factor and Stevie Stone.

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I reviewed a concert by Fantasia and Anthony Hamilton.

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I reviewed a concert by Béla Fleck & the Flecktones.

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I selected songs by Krizz Kaliko, Logan Richardson, Psychic Heat, Kanye West, Carrie Rodriguez and Allison Miller’s Boom Tic Boom for my appearance on Best Music of 2016 (So Far) show on KCUR’s Up To Date.

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I write weekly music previews for The Kansas City Star and Ink magazine.

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I documented my visit to SoJo Summerfest at Plastic Sax.

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"If You Ask Me Again (I Do)", the new single by Soul Revival, the Kansas City duo of Derick Cunigan and producer Desmond Mason, is lovely.  RIYL: John Legend, marriage, Chrisette Michele.

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The Kansas City rapper Farout’s new song “Guns” is shocking.  And I like it.

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Attrell Cordes of P.M. Dawn has died.

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Gojira’s Magma is RIYL A Perfect Circle, French metal, Lamb of God.  Here’s ”Silvera”.

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Death Grips’ Bottomless Pit is RIYL El-P, true punk, Karlheinz Stockhausen.  Here’s the title track.

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Brandy Clark’s Big Day in a Small Town sounds like money.  Almost every song could have been a hit for Miranda Lambert or Kenny Chesney.  Here’s ”Girl Next Door”.

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I’m not on the Car Seat Headrest bandwagon.  Teens of Denial leaves me cold.  I’ll stick to my dusty collection of albums by Pavement and the Fall.

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I’m pretty sure I can find the perfect theme song for my next podcast on The Odd Tape.  Oddisee strikes a winning balance between jazz and hip-hop on his latest effort.  Here’s ”Brea”.

(Original image by There Stands the Glass.)

Speaking to God in Public

My two favorite albums of 2016 are by Chicago rappers.  Here’s the kicker: Kanye West’s The Life of Pablo and Chance the Rapper’s Coloring Book are gospel albums.  West insists that “this is a God dream.”  Chance avers that “I speak to God in public.”  Their testimonials aren’t negated by the inclusion of raps about inebriation, pride, lust and avarice.  The name of this site indicates that I’m sympathetic to their imperfections.  As a person of faith, I neither seek nor require categorical spiritual validation from artists.  Nevertheless, the praise songs on The Life of Pablo and Coloring Book inspire me.


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I reviewed a Florence + The Machine concert.

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KCUR published my review of Go, the new album by the underappreciated Kansas City musician Krizz Kaliko.

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I reviewed Andrew W.K.’s concert on Saturday.

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I logged eight hours at the Westport Roots Festival.  Here are my notes for The Kansas City Star.  I also wrote a preview of the annual event.

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I write weekly music previews for The Kansas City Star and Ink magazine.

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I admire Logan Richardson’s momentous homecoming concert at Plastic Sax.

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The Kansas City rapper Gee Watts created a video for ”Hallelujah”.

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The eponymous album by the young Tuareg band Imarhan is exciting.  Here’s a video for the title track.

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I’ve long appreciated David Bazan.  Blanco is RIYL: despair, the Magnetic Fields, lo-fi synths.

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Black Mountain might be trolling on IV.  RIYL: Dio, ‘80s nostalgia, the Tubes.  Here’s ”Mothers of the Sun”.

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I don’t enjoy playing the role of a fussbudget, but Robert Glasper's revision of Miles Davis’ music on Everything’s Beautiful is a bummer.  RIYL: Erykah Badu, jokers who like to shout “remix!”, Marcus Miller.

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A Love Electric’s exciting Psychmonde is RIYL Chris Whitley, drugs, Ziggy Stardust.

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I’ll cop to liking Otep’s dystopian pop-metal.  Generation Doom is RIYL: Nine Inch Nails, Hot Topic apparel, Korn.   Here’s ”Down”.

(Original image by There Stands the Glass.)

Concert Review: Les Arts Florissants at Helzberg Hall

I couldn’t afford not to go to the Les Arts Florissants concert at Helzberg Hall last Saturday.  The 80% discount the presenter offered to everyone on its mailing list reduced the price of the ticket I purchased in the back row of the room to $4. 

At that absurdly low sum, I was willing to bail at intermission if the show wasn’t entertaining.  Rather than finding Les Arts Florissants tiresome, I wished that the vocal and instrumental ensemble that specializes in playing baroque music on period instruments would have performed all night.

An exceedingly sober review of the concert bears the headline “Consistency, grace, good taste.”  Those words don’t reflect my reaction to the presentation.  I’d go with “Sexy, steamy, fun” instead.  Vintage footage of a Les Arts Florissants show captures only a bit of the ensemble’s sultry side that enthralled this bargain-hunter on Saturday.


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I reviewed a concert by the Tedeschi Trucks Band.

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I reviewed a concert by Magic Man, the Griswolds and Panama Wedding.

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My friends don’t call me Rain Man for nothing.  My stilted commentary is featured in an audio review of Logan Richardson’s Shift that was aired by KCUR on Wednesday.

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I chatted about Duncan Burnett with Steve Kraske on KCUR last week.

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I wrote an extended concert preview about the Arcs.

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I wrote an extended show preview for R. Kelly’s return to the Sprint Center.

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I write weekly music previews for The Kansas City Star and Ink magazine.

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Lonnie Mack has died.

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Billy Paul has died.

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Papa Wemba has died.

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The Kansas City band Making Movies created a video for “Ready For the Rain.”

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Nihil Novi, the wonderful album by Marcus Strickland’s Twi-Life, is a post-Kamasi Washington, post-Robert Glasper project.  RIYL: Randy Weston, groovin’, Meshell Ndegeocello.  The 15-minute album trailer contains a few interesting insights.

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Most of Mind of Mine, the solo debut album by former One Direction member Zayn Malik, is an unabashed homage to R. Kelly.  In other words, it’s pretty good.  Here’s ”Befour”.

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George Coleman’s A Master Speaks is a treat.  RIYL: octogenarians, Jackie McLean, standards.

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The press release for the Yellowjackets’ Cohearence suggests that the band offers a “modern take on Weather Report.”  If by “modern” the publicist meant “watered down,” the assertion is spot-on.  And I’m not even going to pretend that I’m too cool for sophisticated elevator music.  The Yellowjackets are one of my favorite contemporary jazz groups.

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Levitation Room’s Ethos is an almost perfect neo-garage-rock album.  RIYL: The Electric Prunes, “Pushin’ Too Hard,” the Pretty Things.

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Allison Miller’s Boom Tic Boom- Otis Was a Polar Bear is delightful.  RIYL: Jenny Scheinman, giving the drummer some, Myra Melford.  Here’s a promotional video.

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A$AP Ferg’s Always Strive and Prosper is immensely entertaining.  RIYL: Wu-Tang Clan, glossy production, Danny Brown’s XXX.  The uplifting ”Strive” may be my favorite song of 2016.

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Black Stone Cherry’s Kentucky is RIYL: Lynyrd Skynyrd, boogie, Kid Rock.  Here’s “Soul Machine”.

(Original image of a facade in Kansas City’s jazz district by There Stands the Glass.)

Album Review- Summertime: Willie Nelson Sings Gershwin

It’s discouraging to see one of the greatest figures in American music reduced to a punchline.  The Willie-and-weed narrative was played out 20 years ago but I still encounter many more Willie-related marijuana jokes than serious discussions of his music. 

The ongoing artistic vitality of Nelson, 82, is one of the most remarkable achievements in popular music.  While his performances are ramshackle affairs, several of his recent albums are exceptional.

The gentle swing and the unabashed sentimentality of the new Summertime: Willie Nelson Sings Gershwin brings tears to my eyes.  My emotional reaction is partly based in nostalgia.

My old man bought every Nelson album in the 1970s.  Willie's greatness was about the only thing he and I agreed upon.  The 1978 album Stardust introduced me to standards like “September Song” and “Someone to Watch Over Me.”  Summertime may be even better.


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I reviewed Logan Richardson’s magnificent new album Shift for KCUR.

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I reviewed Lee Fields’ impressive concert at the Granada.

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I previewed Kacey Musgraves’ concert for The Kansas City Star and Ink magazine.

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I write weekly music previews for The Kansas City Star and Ink magazine.

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I’m the gray blip that moves from the left to the right side of the stage at the 4:49 mark of the transfixing time lapse video of the Be/Non album release show at the Scottish Rite Temple.

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Some of the tracks on Kendrick Lamar’s new collection of outtakes and demos are merely footnotes to Good Kid M.A.A.D. City and To Pimp a Butterfly.  Other selections- particularly the jazz and funk selections- are stunning.

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Aki Rissanen’s Amorandom is an up-to-date acoustic piano trio album.  RIYL: Esbjörn Svensson, Finland, Brad Mehldau.

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Birds of Chicago’s Real Midnight is RIYL: Sonia Dada, nouveau hippies, Poi Dog Pondering.

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Esperanza Spalding’s wretched new album is a half-baked tribute to the collaborations between Joni Mitchell and Jaco Pastorius.

(Original image of a stagehand vacuuming the set of a Vance Joy concert by There Stands the Glass.)