Organized

The owner of a Kansas City jazz establishment does an uncannily accurate impression of me.  Rolling his eyes while whining about “that f*cking organ,” the entrepreneur mocks my longstanding dislike of the Hammond B-3.  Three convincing recent releases forced me to reassess my bias.

The presence of the mighty Pharoah Sanders compelled me to check out organist Joey DeFrancesco’s In the Key of the Universe.  The grooviest tracks almost make me believe that “The Creator Has a Master Plan”.

The James Carter Organ Trio emits as much energy as the sun on the radiant Live From Newport Jazz.   The saxophonist, organist Gerard Gibbs and drummer Alexander White are committed to getting backfields in motion.

Steve Howe- yes, that Steve Howe- is joined by organist Ross Stanley and drummer Dylan Howe on New Frontier.  It’s a tasteful blend of prog-rock, jazz fusion and the conventional organ trio sound.

A few hours after composing the previous paragraphs, I plopped down in a chair three feet from the Hammond B-3’s auxiliary speaker at the Green Lady Lounge last night.  I was unexpectedly overcome with a newfound appreciation of the vintage analogue sound.  Here’s actual footage of my ecstatic response.


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I write weekly concert recommendations for The Kansas City Star.

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I contributed to KCUR’s guide to the Middle of the Map Fest.

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I extol the addition of Adam Larson to Kansas City’s jazz scene at Plastic Sax.

(Original image of an organ combo at the Green Lady Lounge by There Stands the Glass.)