Concert Review: Maxwell at the Midland Theatre

“They don’t make ‘em like they used to, but I think I make ‘em like they used to,” Marsha Ambrosius told an audience of more than 1,500 at the Midland theater as she opened for Maxwell on Wednesday.  The British star with a colossal voice specializes in recreating the sound and feel of Michael Jackson’s ballads.  (She co-wrote his 2002 smash “Butterflies.”)

Accompanied only by her keyboard and an intrusive hype man, Ambrosius ran through a handful of old favorites and excellent new material like “Luh Ya”.  I was disappointed that she entertained only 30 minutes but I was absolutely infuriated when Maxwell and his six-piece band walked off the stage after playing 90 minutes.

I expected more.

Maxwell’s 2008 concert at the Uptown Theater in Kansas City is one of the most rousing exhibitions of soul music I’ve witnessed, and I’ve attended shows by legends including James Brown, Marvin Gaye, Isaac Hayes and Prince.  My glowing memory of his 2008 appearance caused me to merely flinch when I discovered that the least expensive ticket at the door last night was $60.

I barely got my money’s worth.

I was among the majority of the people in the “cheap” seats who never stood to dance during the 32nd installment of Maxwell’s 50 Intimate Nights tour.  Anticipating transcendence, I settled for satisfaction.  The absence of a horn section was a nasty surprise, but I was gutted that the setlist didn’t include “We Never Saw It Coming”, a protest song that's the “What’s Going On” of our time.

As much as I love Maxwell’s party material like “Sumthin’ Sumthin’”, “We Never Saw It Coming” is the type of song that differentiates Maxwell from hackneyed nostalgists.  I love Maxwell partly because he’s not a corny mimic of old-time R&B.  He keeps the music vital by giving it a contemporary edge even as he honors soul’s traditions.  Sadly, Maxwell’s concert at the Midland was slightly stale.

(Original image by There Stands the Glass.)

I'm Trying To Keep My Faith: The Top Albums, Songs and Concerts of 2016

I made only one music-oriented trip in 2016.  I traveled to Atlanta to attend an ill-fated Kanye West concert.  Yet as these lists indicate, my ears weren't jilted at my home in Kansas City.

The Top 50 Albums of 2016

1. Kanye West- The Life of Pablo
2. Chance the Rapper- Coloring Book
3. Hélène Grimaud- Water
4. Logan Richardson- Shift
5. Rich the Factor- Smile
6. Rihanna- Anti
7. Jóhann Jóhannsson- Orphée
8. David Bowie- Blackstar
9. David Murray, Geri Allen and Terri Lyne Carrington- Perfection
10. Miranda Lambert- The Weight of These Wings

11. Maxwell- BlackSUMMERS’night
12. Nels Cline- Lovers
13. Danny Brown- Atrocity Exhibition
14. Childish Gambino- Awaken, My Love!
15. Pat Metheny Unity Group- The Unity Sessions
16. Kevin Gates- Islah
17. Amina Claudine Myers- Sama Rou
18. Eddie Moore and the Outer Circle- Kings & Queens
19. Savages- Adore Life
20. Joyce DiDonato- In War & Peace: Harmony Through Music

21. Adrian Younge- Something About April II
22. Kendrick Lamar- Untitled Unmastered
23. Leonard Cohen- You Want It Darker
24. Allison Miller’s Boom Tic Boom- Otis Was a Polar Bear
25. The Conquerors- Wyld Time
26. Walker Family Singers- Panola County Spirit
27. Kvelertak-Nattesferd
28. Rokia Traoré- Ne So
29. Anderson Paak- Malibu
30. Céu- Tropix

31. A Tribe Called Quest- We Got It From Here...
32. Willie Nelson- For the Good Times: A Tribute to Ray Price
33. Exmortus- Drive Forth
34. BJ the Chicago Kid- In My Mind
35. Corinne Bailey Rae- The Heart Speaks In Whispers
36. Shirley Collins- Lodestar
37. Sumac- What One Becomes
38. Elliot Galvin Trio- Punch
39. Run the Jewels- 3
40. The Weeknd- Starboy

41. Nick Cave & the Bad Seeds- Skeleton Tree
42. Kandace Springs- Soul Eyes
43. Ingrid Laubrock- Serpentines
44. A$AP Ferg- Always Strive and Prosper
45. Young Thug- Jeffery
46. Volbeat- Seal the Deal & Let’s Boogie
47. Drake- Views
48. Willie Nelson- Summertime: Willie Nelson Sings Gershwin
49. YG- Still Brazy
50. The Grisly Hand- Hearts & Stars


The Top Five Reissues and Archival Releases of 2016
1. Charlie Parker- Unheard Bird: The Unissued Takes
2. Urgent Jumping: East African Musiki Wa Dansi Classics 1972-1982
3. Soul Fever: Afro Funk, Disco And Boogie: West African Disco Mayhem!
4. Miles Davis- Freedom Jazz Dance: The Bootleg Series, Vol. 5
5. Gov’t Mule- The Tel-Star Sessions


The Top Five EPs of 2016
1. T.I.- Us Or Else
2. Sarah Borges- Good and Dirty
3. Spoek Mathambo- Badimo
4. Chris Bathgate- Old Factory
5. Vince Staples- Prima Donna


The Top 50 Songs of 2016
1. Kanye West- “Ultralight Beam”
2. Anderson Paak- “Come Down”
3. Andre Williams- “Bury Me Deep”
4. Chance the Rapper- “Same Drugs”
5. Joe- “Our Anthem”
6. Danny Brown- “Really Doe”
7. Tedeschi Trucks Band- “Anyhow”
8. Miike Snow- “I Feel the Weight”
9. BJ the Chicago Kid- “Church”
10. Krizz Kaliko- “Didn’t Wanna Wake You”

11. Anthony Hamilton- “Ain’t No Shame”
12. T.I.- “40 Acres”
13. A Tribe Called Quest- “Kids...”
14. Rihanna- “Love On the Brain”
15. Sarah Borges- “Tendency to Riot”
16. Childish Gambino- “Redbone”
17. Frank Ocean- “Pink & White”
18. Parker Millsap- “Heaven Sent”
19. The Pretty Reckless- “Oh My God”
20. Kvelertak- “1985”

21. Boosie Badazz- “Cancer”
22. 21 Savage- “No Heart”
23. Babymetal- “Karate”
24. Rich the Factor- “Got ‘Em For Cheap”
25. Schoolboy Q- “That Part (Black Hippy remix)”
26. 5 Seconds of Summer- “Girls Talk Boys”
27. Descendants- “No Fat Burger”
28. YG- “Why You Always Hatin’?”
29. Agoraphobic Nosebleed- “Not a Daughter”
30. Jamie Lidell- “I Live to Make You Smile”

31. Kevin Gates- “Thought I Heard (Bread Winner’s Anthem)”
32. Phantogram- “You Don’t Get Me High Anymore”
33. Regina Belle- “He’s Alright”
34. Miranda Lambert- “Ugly Lights”
35. 2 Chainz and Lil Wayne- “Bounce”
36. Margo Price- “Hurtin’ (On the Bottle)”
37. Mayhem Lauren- “Badmon Ting”
38. Volbeat- “The Devil’s Bleeding Crown”
39. Various Blonde- “All Bases Covered”
40. Soul Revival- “If You Ask Me Again (I Do)”

41. Josh Hoyer and Soul Colossal- “Parts of a Man”
42. Famous Dex- "I Get the Drip From My Walk"
43. Shirley Caesar and Anthony Hamilton- “It’s Alright, It’s Ok”
44. Maxwell- “Lake By the Ocean”
45. Solange- “Don’t Touch My Hair”
46. Macklemore & Ryan Lewis- “Bolo Tie”
47. Psychic Heat- “Anxiety Eater”
48. M.I.A.- “Visa”
49. Car Seat Headrest- “Drunk Drivers/Killer Whales”
50. Allen Toussaint- "American Tune"


The Top 50 Shows of 2016
1. Maxwell and Mary J. Blige- Sprint Center
2. Chance the Rapper- Midland theater
3. Lee Fields and the Expressions- The Granada
4. Aida Cuevas with Mariachi Reyna de Los Angeles- Yardley Hall
5. Bonnie Raitt- Midland theater
6. Florence + The Machine- Providence Medical Amphitheater
7. Marilyn Maye- Quality Hill Playhouse
8. Exmortus- Aftershock
9. Tortoise- The Granada
10. Stephonne Singleton- Tank Room

11. Adia Victoria- Riot Room
12. Bruce Springsteen and the E Street Band- Sprint Center
13. Eddie Moore and the Outer Circle- Tank Room
14. Twenty-One Pilots- Sprint Center
15. Goddamn Gallows- Riot Room patio
16. Dolly Parton- Sprint Center
17. Steven Wilson- Folly Theater
18. R. Kelly- Sprint Center
19. Be/Non- Scottish Rite Temple
20. The Who- Sprint Center

21. Lamb of God- Midland theater
22. Chic- Starlight Theatre (opening for Duran Duran)
23. Christian McBride Trio- Folly Theater
24. Tedeschi Trucks Band- Midland theater
25. Pablo Ziegler and the Quartet for New Tango- Polsky Theatre
26. Les Arts Florissant- Helzberg Hall
27. UFO- VooDoo
28. Logan Richardson- Blue Room
29. Lianne La Havas- Uptown Theater (opening for Leon Bridges)
30. Dwight Yoakam- Uptown Theater

31. Roy Ayers- Blue Room
32. Diana Reyes- Barney Allis Plaza
33. Allison Miller’s Boom Tic Boom- Blue Room
34. Elle King- Midland theater
35. Matt Villinger- Orion Room at the Green Lady Lounge
36. 2 Chainz and Lil Wayne- Sprint Center
37. Maarja Nuut- Westin Kansas City at Crown Center
38. Toni Braxton- Sprint Center
39. Midori with the Kansas City Symphony- Helzberg Hall
40. Matt Otto Septet- Blue Room

41. Fantasia- Starlight Theatre
42. Nathaniel Rateliff & the Night Sweats-Providence Medical Center Amphitheater
43. Elvis Costello- Yardley Hall
44. Avant- Uptown Theater
45. Helado Negro- RecordBar
46. Julion Alvarez- Sprint Center
47. Josh Groban- Starlight Theatre
48. Ebony Tusks- Midland theater (opening for Zhu)
49. Kevin Gates-  Providence Medical Center Amphitheater (opening for Snoop Dogg and Wiz Khalifa)
50. Candido- American Jazz Museum

(Original image by There Stands the Glass.)

Album Review: Ingrid Laubrock- Serpentines

Free jazz is often deliberately off-putting.  I suspect that a lot of obtuse improvised music may be little more than self-indulgent pranks.  That’s not the case with Serpentines, a new recording overseen by Ingrid Laubrock.  The saxophonist’s adventurous cohorts include the monumental drummer Tyshawn Sorey and celebrated pianist Craig Taborn, but it’s the electronics of Sam Pluta that differentiate Serpentines from less credible noisemakers.  ”Chip in Brain” is my jam.


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I reviewed a spectacular concert by Maxwell and Mary J. Blige.

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I wrote an extended concert preview about Third Eye Blind for The Kansas City Star and Ink magazine.

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I named Eddie Moore the Plastic Sax Person of the Year.

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I was a guest on a two-hour edition of the Eight One Sixty radio program on 90.9 The Bridge.

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I reviewed a concert by Milky Chance, Marian Hill, Banks & Steelz and Shaed.

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I write weekly music previews for The Kansas City Star and Ink magazine.

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Joe Ligon of the Mighty Clouds of Joy has died.

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Even as an impressionable kid attending one of his first big indoor concerts, I was nonplussed by the garish drum and keyboard workouts during Emerson, Lake & Palmer’s 1977 appearance at Municipal Auditorium.  Greg Lake’s efforts have always been considerably more appealing to me.  Lake died earlier this month.

(Original image by There Stands the Glass.

Kanye and Stanley

I fell in love with Atlanta last week.  I was smitten by the city’s Southern hospitality, collard greens, excellent public transportation and vibrant downtown.  Even so, I was unable to get past the highly publicized cancellation of Kanye West’s tour.  I had wheeled the trip around the troubled star’s concert at Philips Arena.  I settled for a Stanley Clarke show.  While the jazz-fusion legend looked and sounded amazing, I never got into his performance.   Not even keyboard whiz Beka Gochiashvili’s lovely playing on “Goodbye Pork Pie Hat” allayed my disappointment.


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I reviewed The Owen/Cox Dance Group and the People’s Liberation Big Band’s interpretation of The Nutcracker.

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I wrote an extended preview of tonight’s Mary J. Blige and Maxwell concert for The Kansas City Star and Ink magazine.

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I write weekly music previews for The Kansas City Star and Ink magazine.

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The new compilation Doing It In Lagos: Boogie, Pop & Disco in 1980s Nigeria is an amusing diversion.

(Original image by There Stands the Glass.)

Album Review: Kandace Springs- Soul Eyes

I recently selected Kandace Springs’ Soul Eyes as background music in an attempt to establish a romantic mood on a date with my life partner.  I’d hoped for smooches.  Instead,  I was mocked for my taste in music.  My Anita Baker-loving spouse found Soul Eyes syrupy and overly sentimental.  Her analysis may be valid, but I just can’t help myself.  Springs’ languid album is in the sophisticated supper club tradition of Nancy Wilson and Donny Hathaway.  I’m entranced.  Here’s Springs’ interpretation of Shelby Lynne’s ”Thought It Would Be Easier”.


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I still don’t understand why my forthright review of the Dave Matthews Band’s concert in Bonner Springs is controversial.

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I write weekly music previews for The Kansas City Star and Ink magazine.

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I admired Brewer & Shipley on KCUR’s Up To Date program last week.

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I wrote an extended preview about Brand New for The Kansas City Star and Ink magazine.

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I reported on Bobby Watson’s participation in the Black Archives’ Community Stories series at Plastic Sax.

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Sir Mack Rice has died.  (Tip via BGO.)

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As the regional sales rep for Scotty Moore’s 1997 album All the King’s Men, I enjoyed backstage access for a related SXSW showcase at the Austin Music Hall that included guest appearances by Dwight Twilley, David Hidalgo, Cesar Rojas, Joe Ely, Tracy Nelson, and Rocky and Billy Burnette.  Moore died last week.

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Rob Wasserman has died.  The bassist last performed in Kansas City in 2014 with Bob Weir’s Ratdog.  His 1989 appearance at Memorial Hall as a member of Lou Reed’s band was probably the first time I saw him perform.

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Maxwell’s BLACKsummers’night was my favorite album of 2009.  I’m not sure that blackSUMMERS’night is worth the seven-year wait.  The new release is merely very good.  RIYL: Marvin Gaye, soul giants, Prince.  Here’s ”Gods”.

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Spoek Mathambo’s hypnotic Badimo EP is RIYL: Sister Sledge, the almighty beat, FaltyDL.  (Tip via Big Steve NO.)

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Marquis Hill bested Kansas City’s Hermon Mehari in the the 2014 Thelonious Trumpet Competition.  The eclectic The Way We Play indicates that Hill a formidable talent.

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Manu Katché's excellent Unstatic is RIYL: Paul Motian, genuinely smooth jazz, Jack DeJohnette.

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I get inordinately excited every time the words “jazz” and “punk” are commingled.  I’m invariably disappointed.  I don’t care for Melt Yourself Down’s Last Evenings On Earth.

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The first set of Allison Miller’s Boom Tic Boom at the Blue Room last week was one of the most exciting things I’ve heard in 2016.  I posted a clip to Instagram.

(Original image by There Stands the Glass.)

Swinging Doors: Remembering Merle Haggard

As I’ve mentioned several times in this space, I was raised on country.  A few portions of my indoctrination didn’t initially take.  Ray Price’s countrypolitan hits, for instance, struck me as corny until my hair began to gray. 

I always loved the music of Merle Haggard.  The Songs I’ll Always Sing compilation was my dad’s preferred Merle album.  And hearing the latest Hag hit on the radio pleased both of us.  One of the biggest mindblowers in my dad’s record collection was A Tribute to the Best Damn Fiddle Player in the World (or, my salute to Bob Wills).   The crazed Western swing broadened my horizon. 

My dad allowed me to tag along with him to a few Merle concerts when I was a kid.  When I later took dates to Merle’s shows, I desperately hoped I wouldn’t run into my old man.  That confession is especially painful now that both Merle and my dad are gone.

I reviewed Haggard’s final Kansas City show last year.


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I reviewed a concert by Joe Ely, Ruthie Foster and Paul Thorn.

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I reviewed the Christian McBride Trio’s concert at the Folly Theater.

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My favorite selection of the master’s recital by Garrett Torbert at St. John’s United Methodist Church last Friday was a reading of Aaron Copland’s ”The Promise of Living.”  Here’s a rendition by a larger group. 

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Tony Conrad has died.

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Leon Haywood has died.  (Tip via BGO.)

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Ralph Peterson’s ably played but entirely predictable Triangular III is precisely the sort of mainstream jazz album that causes me to question my commitment to the form.

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The EPK for In Movement, the new collaboration between Jack DeJohnette, Ravi Coltrane and Matthew Garrison, is compelling.

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Maxwell’s BLACKsummer’snight was my top album of 2010.  I’m atwitter about ”Lake By the Ocean”, the lead track from the long-anticipated follow-up.

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Phronesis’ Parallax is RIYL: Esbjörn Svensson Trio, Euro-jazz, The Bad Plus.  Here’s ”Stillness”.

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Bombino’s lovely Azel is RIYL: Tinariwen, the Sahara, Terakaft.  Here's ”Inar (If You Know the Degree of My Love For You)”.

(Original image by There Stands the Glass.)