Showing posts with label Jason Moran. Show all posts
Showing posts with label Jason Moran. Show all posts

Monday, February 22, 2016

Folks Back Home


I reviewed 19 showcases at the Folk Alliance Conference on Thursday, Friday and Saturday.  I’m not particularly enthused by dust bowl ballad revivalists, bluegrass traditionalists or fiddle champions, but I found plenty of international acts, outsider musicians and straight-up rock bands to embrace.  Video links to my ten favorite Folk Alliance acts of 2016 follow.

  1. Lady Maisery (absurdly talented British trio)
  2. Maarja Nuut (visionary Estonian woman)
  3. Tarabband (dance band led by an Iraqi refugee)
  4. Chris Bathgate (Midwestern chamber-rock)
  5. WÖR (the Belgian band goes “back to the 1780s”)
  6. Sutari (enchanting Polish trio)
  7. Birds of Chicago (Joe Henry produced the freaky rock band’s new album)
  8. Twelfth Day (Scottish art-folk duo)
  9. Ben Caplan & the Casual Smokers (Canadian beardos)
  10. Leyla McCalla (a former Carolina Chocolate Drop)

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I reviewed Bill Frisell’s concert at the Nelson-Atkins Museum of Art on Sunday.

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I reviewed a concert by Vance Joy, Elle King and Jamie Lawson on Thursday.

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reviewed Live at Pilgrim Chapel, the new album by David Basse and Joe Cartwright, for KCUR.

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I write weekly music previews for The Kansas City Star and Ink magazine.

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Denise Matthews, the woman better known as Vanity, has died.  She was my first celebrity interview.  I met her in a hotel suite as she was promoting the action movie The Last Dragon.  I haven’t forgotten the scent of her perfume and each alluring fold of her bathrobe. 

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The EPK about Lou Tavano doesn’t convince me that I need to hear the French vocalist’s album, but her speaking voice… oh man.

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Lawrence Brownlee and Jason Moran for the win.

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Herlin Riley’s New Direction has a few nice moments.  RIYL: jazz drummers, Roy Haynes, swing.

(Original image of Chris Bathgate’s band by There Stands the Glass.)

Monday, October 13, 2014

Concert Review: Lalah Hathaway at KC Live


I've witnessed performances by Tony Bennett, Deborah Brown, Joyce DiDonato and Bettye LaVette this year.  Lalah Hathaway out-sang all of them at the KC Live stage in the Power & Light District on Sunday.  About 5,000 people attended the free concert.

From the vocal trickery of the Grammy-winning "Something" to the emotional histrionics of the big hit "Forever, For Always,  For Love", Hathaway's repertoire allowed her to demonstrate that she's among the best vocalists in popular music. 

Poor Ruben Studdard didn't stand a chance against Donny's daughter.  He and Hathaway shared a band.  The concert was successful in part because the needless ambient noise I complained about in my review of Eric Benét's recent concert in the same space was blessedly silenced on Sunday. 


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I reviewed the 18th & Vine Jazz & Blues Festival.

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Paul Revere has died.

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Flying Lotus's stunning new album You're Dead! is equal parts hip-hop, jazz and electronic music.

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Jason Moran's All Rise: A Joyful Elegy for Fats Waller RIYL: Meshell Ndegeocello, high concept, Joni Mitchell.  Here's a recast rendition of "Ain't Misbehavin'.

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It was nice to see the longtime There Stands the Glass favorite Lazerbeak support Lizzo on the Late Show with David Letterman.  (My notes on Lizzo's 2014 appearance at the RecordBar are here.)

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Mark Kozelek has jokes.

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Bill Frisell's new surf-oriented Guitar in the Space Age is RIYL: The Ventures, baby boomers, Steely Dan.

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The self-titled album by Béla Fleck and Abigail Washburn is wondrous.  RIYL: banjer, Raymond Fairchild, no frills.

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My selections among the recently nominated candidates for the Rock and Roll Hall of Fame, in order: Chic, N.W.A., Lou Reed, Kraftwerk and War.

(Original image by There Stands the Glass.)