Showing posts with label Eminem. Show all posts
Showing posts with label Eminem. Show all posts

Saturday, February 01, 2020

January 2020 Recap: A Monthly Exercise in Critical Transparency



Top Five Albums
1. Jeremy Pelt- The Art of Intimacy, Vol. 1
I usually can’t be bothered with new mainstream jazz albums, but this tender trio recording buckles my knees.

2. Bill Fay- Countless Branches
I’m only slightly embarrassed to admit to being profoundly moved by Fay’s loopy mysticism and sentimental folk-rock.

3. Jennifer Curtis and Tyshawn Sorey- Invisible Ritual
Avant-garde hoedown.

4. Diana Damrau- Richard Strauss
Wandering in darkness.

5. Majid Bekkas- Magic Spirit Quartet
Visionary gnawa.


Top Five Songs
1. Future and Drake- “Life is Good”
Turnt.

2. 070 Shake- “Guilty Conscious”
The pop of tomorrow sounds a lot like the pop of yesterday.

3. Sa-Roc- “Hand of God”
Sacred ground.

4. Eminem featuring Royce da 5’9” and Black Thought- “Yah Yah”
Bring da ruckus.

5. Moneybagg Yo featuring DaBaby- “Protect Da Brand”
Goon squad.


Top Performances
An extended period of mourning, a debilitating illness and the trip of a lifetime prevent me from listing five worthwhile shows.  I intend to make up for the uncharacteristic breach in February.

You can pick up where I left off in 2019 here.

(Original image by There Stands the Glass.)

Wednesday, December 20, 2017

Year-End Clearance


All bets are off.  I suppose it’d be nice to act my age in 2018, but I don’t think it’s in me.  I walked out of a distinguished jazz concert on Sunday.  Blame Brockhampton.

The urgency of Saturation III, the third album of 2017 from self-professed “best boy band since One Direction” obliterated my patience for bop formalism.  How can I relish the sound of June 1964 when “Boogie” is happening in December 2017?  Saturation III isn’t perfect- the new release contains the best and worst songs of Brockhampton’s crazed career- but its vitality makes almost everything else seem stale.

N.E.R.D’s No One Ever Really Dies is similarly inconsistent.  Even so, the highs are the stuff of codeine dreams.  Had I waited another week to publish my year-end best-of lists, Saturation III and No One Ever Really Dies would have placed prominently.

I wish I also embraced Revival.  While I’m predisposed to like Eminem, his new album induces involuntary eyerolls and reflexive raspberries.  I should have known that there’d be side effects to my obsessive listening to Future all year.


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I was a guest on Chris Haghirian’s Eight One Sixty radio show on December 5.  I featured tracks by Samantha Fish, Vince Staples, Isaac Cates & Ordained, Brother Ali, Pistol Pete, Bobby Watson and Syd in the year-end best-of program.

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An article about my work on behalf of the Kansas City Jazz Calendar is in the December issue of Jazz Ambassador Magazine magazine.

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I recently named The Matchsellers, The Kansas City Jazz Orchestra and The Floozies the KCUR Bands of the Week.

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John Scott of the Green Lady Lounge is Plastic Sax’s Person of the Year.

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My most recent weekly music previews for The Kansas City Star were published here and here.

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Pat DiNizio of the Smithereens has died.  He appeared to be in very poor health when the band performed at a community festival in downtown Overland Park in 2016.

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Kevin Mahogany has died.

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Johnny Hallyday has died.

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Keely Smith has died.

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The jazz guitarist Mundell Lowe has died.

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The jazz drummer Sunny Murray has died.

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Leon Rhodes of the Texas Troubadours has died.

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The Chicago jazz pianist Willie Pickens has died.

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Saxophonist Ralph Carney has died.

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Blues man Leo “Bud” Welch has died.

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After dreading the obligation for months, I finally hit play on Chuck Berry’s posthumous album Chuck.  It’s fine.

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I regret overlooking Downtown Boys’ Cost of Living this year.  RIYL: the Clash, relevant rock, Priests.

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The vintage Ghanaian party album Ebo Taylor and the Pelikans has been reissued.  RIYL: Osibisa, highlife, Fela.

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Tyler, the Creator’s Tiny Desk Concert outing is vastly superior to his recent perfunctory concert at the Truman.

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Dustin Lovelis adds a polished spin to the psychedelia of Syd Barrett and Ty Segall on Been Hit Before.  (Via S.S.)

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My former coworker Glenn Jones delivers “A Different Kind of Christmas Carol”.

(Original image by There Stands the Glass.)