Showing posts with label Eminem. Show all posts
Showing posts with label Eminem. Show all posts
Saturday, February 01, 2020
January 2020 Recap: A Monthly Exercise in Critical Transparency
Top Five Albums
1. Jeremy Pelt- The Art of Intimacy, Vol. 1
I usually can’t be bothered with new mainstream jazz albums, but this tender trio recording buckles my knees.
2. Bill Fay- Countless Branches
I’m only slightly embarrassed to admit to being profoundly moved by Fay’s loopy mysticism and sentimental folk-rock.
3. Jennifer Curtis and Tyshawn Sorey- Invisible Ritual
Avant-garde hoedown.
4. Diana Damrau- Richard Strauss
Wandering in darkness.
5. Majid Bekkas- Magic Spirit Quartet
Visionary gnawa.
Top Five Songs
1. Future and Drake- “Life is Good”
Turnt.
2. 070 Shake- “Guilty Conscious”
The pop of tomorrow sounds a lot like the pop of yesterday.
3. Sa-Roc- “Hand of God”
Sacred ground.
4. Eminem featuring Royce da 5’9” and Black Thought- “Yah Yah”
Bring da ruckus.
5. Moneybagg Yo featuring DaBaby- “Protect Da Brand”
Goon squad.
Top Performances
An extended period of mourning, a debilitating illness and the trip of a lifetime prevent me from listing five worthwhile shows. I intend to make up for the uncharacteristic breach in February.
You can pick up where I left off in 2019 here.
(Original image by There Stands the Glass.)
Wednesday, December 20, 2017
Year-End Clearance
All bets are off. I suppose it’d be nice to act my age in 2018, but I don’t think it’s in me. I walked out of a distinguished jazz concert on Sunday. Blame Brockhampton.
The urgency of Saturation III, the third album of 2017 from self-professed “best boy band since One Direction” obliterated my patience for bop formalism. How can I relish the sound of June 1964 when “Boogie” is happening in December 2017? Saturation III isn’t perfect- the new release contains the best and worst songs of Brockhampton’s crazed career- but its vitality makes almost everything else seem stale.
N.E.R.D’s No One Ever Really Dies is similarly inconsistent. Even so, the highs are the stuff of codeine dreams. Had I waited another week to publish my year-end best-of lists, Saturation III and No One Ever Really Dies would have placed prominently.
I wish I also embraced Revival. While I’m predisposed to like Eminem, his new album induces involuntary eyerolls and reflexive raspberries. I should have known that there’d be side effects to my obsessive listening to Future all year.
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I was a guest on Chris Haghirian’s Eight One Sixty radio show on December 5. I featured tracks by Samantha Fish, Vince Staples, Isaac Cates & Ordained, Brother Ali, Pistol Pete, Bobby Watson and Syd in the year-end best-of program.
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An article about my work on behalf of the Kansas City Jazz Calendar is in the December issue of Jazz Ambassador Magazine magazine.
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I recently named The Matchsellers, The Kansas City Jazz Orchestra and The Floozies the KCUR Bands of the Week.
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John Scott of the Green Lady Lounge is Plastic Sax’s Person of the Year.
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My most recent weekly music previews for The Kansas City Star were published here and here.
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Pat DiNizio of the Smithereens has died. He appeared to be in very poor health when the band performed at a community festival in downtown Overland Park in 2016.
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Kevin Mahogany has died.
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Johnny Hallyday has died.
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Keely Smith has died.
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The jazz guitarist Mundell Lowe has died.
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The jazz drummer Sunny Murray has died.
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Leon Rhodes of the Texas Troubadours has died.
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The Chicago jazz pianist Willie Pickens has died.
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Saxophonist Ralph Carney has died.
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Blues man Leo “Bud” Welch has died.
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After dreading the obligation for months, I finally hit play on Chuck Berry’s posthumous album Chuck. It’s fine.
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I regret overlooking Downtown Boys’ Cost of Living this year. RIYL: the Clash, relevant rock, Priests.
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The vintage Ghanaian party album Ebo Taylor and the Pelikans has been reissued. RIYL: Osibisa, highlife, Fela.
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Tyler, the Creator’s Tiny Desk Concert outing is vastly superior to his recent perfunctory concert at the Truman.
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Dustin Lovelis adds a polished spin to the psychedelia of Syd Barrett and Ty Segall on Been Hit Before. (Via S.S.)
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My former coworker Glenn Jones delivers “A Different Kind of Christmas Carol”.
(Original image by There Stands the Glass.)
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