Concert Review: Paolo Nutini at Knuckleheads

Sometimes you get what you pay for.

I jumped at the chance to catch a free show by the male version of Adele at one of my favorite venues on Saturday. 

Realizing that the room housing the primary indoor stage would reach capacity quickly, I showed up at Knuckleheads 75 minutes early.  As Paolo Nutini and his band conducted a sound check, I waited in line outside with a couple hundred shivering people.  I was the only member of the queue without a canned food donation.  The event was apparently promoted by 90.9 The Bridge as a charitable benefit, but I rarely listen to the station.

After buying a PBR man-can for $3.50, I secured a seat at the back of the room and immediately sensed trouble.  Everyone around me was in the celebratory mood associated with holiday weekends.  No one was talking about Nutini.

Sure enough, half of the people in attendance didn't even acknowledge Nutini and his band when the 55-minute show began.  After 15 minutes of not being able to make out individual songs, I fought my way to the front.  A generous friend found room for me at a prime table 20 feet from the stage.  I still couldn't hear. 

I sensed that  Nutini's sound crew created a lush mix that would have been ideal if no one was talking.  Yet chatter overwhelmed the music.  Two bros squeezed next to me were talking about "locking down" women, whatever that means.

While I couldn't make out individual instrumentation, Nutini's voice occasionally rose above the din.  His recordings don't lie.  Nutini is a superb singer who has staked out a prime territory between Otis Redding and Maxwell.

At least, that's what I think I heard.


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(Original image by There Stands the Glass.)

The Kendrick Conundrum

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(Original image by There Stands the Glass.)