Showing posts with label Doug E. Fresh. Show all posts
Showing posts with label Doug E. Fresh. Show all posts
Monday, October 19, 2015
Concert Review: Arlo Guthrie at Yardley Hall
I’ve always thought of the people who listen to “Alice’s Restaurant” every Thanksgiving as intemperate masochists. Arlo Guthrie’s signature song really doesn’t need to be heard more than once in a lifetime.
Then again, I’ve never been an Arlo fan. I’d succeeded in avoiding his concerts until Sunday. I cringed as I bought the ticket that would break my winning streak.
As is often the case, I had it all wrong.
Once I became acclimated to the nursing home odor that emanated from a few dozen members of the audience of more than 1,000 at Yardley Hall, I thoroughly enjoyed the concert.
Before Arlo and a tasteful band played his biggest hits, Sarah Lee Guthrie performed a charming opening set. Partly because Arlo implied that he was also sick of the song, I wasn’t even inclined to flee during “Alice’s Restaurant.” I may or may not have teared up during “Highway In the Wind,” a tribute to Arlo’s late wife Jackie.
Arlo dismissively characterized folk sing-alongs as “all that 'Kumbaya' stuff” near the end of his appearance. It was a trap. The sing-alongs that followed swelled my heart.
Even so, I won’t tolerate any suggestions that “Alice’s Restaurant” be cued up in my presence on Thanksgiving.
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I reviewed the Kansas City debut of Chance the Rapper.
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I reviewed Gregg Allman’s concert at a casino.
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I wrote an extended preview about Passion Pit for Ink.
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I write weekly music previews for The Kansas City Star.
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I reviewed Ron Carlson’s Kind Folk at Plastic Sax.
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The Popper made a Royals-centric remix of “I’m KC.”
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Here’s the video for Tech N9ne’s “Roadkill.”
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Here’s the video for Radkey’s “Glore.”
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Smokin’ Joe Kubek has died.
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I somehow missed the September release of John Scofield’s Past Present. It’s so good that I’m mourning the weeks that I could have spent listening to the funky collaboration with Joe Lovano, Larry Grenadier and Bill Stewart. RIYL: Grant Green, soul jazz, Charlie Hunter.
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I endured BET’s “Hip-Hop Awards” broadcast last week. It was rough sledding. As usual, the cyphers provided the highlights. I loved seeing Casey Veggies and Vince Staples and was tickled by the efforts of Erick Sermon, Redman and Keith Murray, but the clear winner was the beat-boxing trio of Doug E. Fresh, Nicole Paris and Rahzel.
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Here’s the trailer for the B.B. King/UGK mashup that the world needs now.
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I’m just beginning to learn that the European jazz/prog releases I’ve written about in recent months aren’t anomalies. As the kids say, it’s a thing. My latest discovery is Samuel Hällkvist’s Variety of Live. Men affiliated with Pink Floyd and King Crimson are among the project’s participants. RIYL: Terje Rypdal, anti-swing, Soft Machine.
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Joe Ely has an uncommon ability to conjure colorful Tex-Mex atmospheres. Too many of the songs on Panhandle Rambler, however, are clunky. RIYL: Jimmie Dale Gilmore, songs about Bob Wills, Butch Hancock. ”When the Nights Are Cold” is my favorite song on the album.
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I was so tempted by Rhymesayers’ 20th Anniversary Concert that I checked on airfare to Minneapolis. It’s only $150....
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Alegria de Viver, a new recording featuring the duet of Brazilian vocalist Leny Andrade and New York guitarist Ari Ben-Hur, might be perfect.
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Marbin’s Aggressive Hippies is RIYL: Jacob Fred Jazz Odyssey, DIY jazz, Mahavishnu Orchestra.
(Original image by There Stands the Glass.)
Monday, June 08, 2015
Misusing Your Influence: Music Midway in 2015
I’m embarking on a blogging break. I’ll return in two or three weeks. Here are listings of my favorite things from the first half of 2015. See ya, suckers!
Favorite Songs of 2015 (So Far)
Call it the To Pimp a Butterfly stipulation- I elected not to duplicate any artists on my songs and albums lists. (Spotify playlist)
1. Tyler, the Creator- “Smuckers”
2. Venom- “Long Haired Punks”
3. Madisen Ward and the Mama Bear- “Silent Movies”
4. Sleater-Kinney- “Bury Your Friends”
5. Kenny Lattimore- “Nothing Like You”
6. Butch Walker- “21+”
7. Future- “F*ck Up Some Commas”
8. Courtney Barnett- “Dead Fox”
9. John Moreland- “Cherokee”
10. Charlie Wilson- “Touched By an Angel”
11. Maroon 5- “Sugar”
12. Ryan Bingham- “Fear and Saturday Night”
13. Big Sean featuring Dr*ke and Kanye West- “Blessings”
14. Father John Misty- “The Ideal Husband”
15. Joywave- “Nice House”
16. Chedda Da Connect- “Flicka Da Wrist”
17. Chris Stapleton- “Whiskey and You”
18. Lila Downs- “Balas y Chocolate”
19. José James- “Lover Man”
20. Little Big Town- “Girl Crush”
21. Maysa- “Last Chance For Love”
22. Kanye West- “All Day”
23. Doomtree- “Cabin Killer”
24. Mat Shoare- “Murder”
25. Pops Staples- “Better Home”
Favorite Albums of 2015 (So Far)
Call it the To Pimp a Butterfly stipulation- I elected not to duplicate any artists on my songs and albums lists.(Spotify playlist)
1. Kendrick Lamar- To Pimp a Butterfly
2. Rudresh Mahanthappa- Bird Calls
3. Mark Ronson- Uptown Special
4. Ghostface Killah and Badbadnotgood- Sour Soul
5. Marc Cary- Rhodes Ahead, Vol. 2
6. Dominique Sanders- A True Story Based On…
7. Jodeci- The Past, The Present, The Future
8. Tech N9ne- Special Effects
9. Action Bronson- Mr. Wonderful
10. Alabama Shakes- Sound & Vision
11. Young Fathers- White Men Are Black Men Too
12. Jazmine Sullivan- Reality Show
13. J.D. McPherson- Let the Good Times Roll
14. Donnie Trumpet & the Social Experiment- Surf
15. Yelawolf- Love Story
16. Dead Sara- Pleasure to Meet You
17. Bob Dylan- Shadows In the Night
18. Colin Stetson and Sarah Neufeld- Never Were the Way She Was
19. Liturgy- The Ark Work
20. Valentina Lisitsa- Plays Philip Glass
21. Donny McCaslin- Fast Future
22. Viet Cong- Viet Cong
23. Terence Blanchard- Breathless
24. Matt Kane & the Kansas City Generations Sextet- Acknowledgement
25. Earl Sweatshirt- I Don’t Like Sh*t, I Don’t Go Outside
Favorite Reissues of 2015 (So Far)
1. The Supreme Jubilees- It’ll All Be Over
2. Next Stop Soweto: Zulu Rock, Afro-Disco and Mbaqanga 1975-1985
3. Thomas Mapfumo- Lion Songs: Essential Tracks in the Making of Zimbabwe
4. Led Zeppelin- Physical Graffiti
5. Michael Angelo- Michael Angelo
Favorite Performances of 2015 (So Far)
A brief romp in New York City made a big impression on me. Aside from items 3, 6 and 24, all shows took place in the Kansas City area.
1. Mark Dresser, Myra Melford and Matt Wilson- Take Five Coffee + Bar
2. Charlie Wilson- Sprint Center
3. Lee Konitz with the Dave Douglas Quintet- Jazz Standard
4. Four Fists- Riot Room
5. Helmet- RecordBar
6. Joyce DiDonato with the Philadelphia Orchestra- Carnegie Hall
7. Sufjan Stevens- Midland theater
8. Lauren Krum with the Project H- Westport Coffee House
9. Merle Haggard- Uptown Theater
10. Avishai Cohen, Tal Mashiach and Nasheet Waits- Take Five Coffee + Bar
11. Sleater-Kinney- Uptown Theater
12. Max Raabe and Palast Orchester- Helzberg Hall
13. Crobots- Penn Valley Park
14. Luke Bell- Riot Room patio
15. Hellyeah- Midland theater
16. Bill Frisell- White Theatre
17. Peter Schlamb’s Electric Tinks- RecordBar
18. John Doe- Knuckleheads
19. Ebony Tusks- Riot Room patio
20. Chris Hazelton’s Boogaloo 7- Green Lady Lounge
21. Robert Randolph & the Family Band- Town Center Plaza
22. Duncan Burnett and the Ministry- Riot Room patio
23. Various Blonde- Pizza Bar
24. Noah Preminger Quartet- 55 Club
25. Eddie Moore and the Outer Circle- Take Five Coffee + Bar
Favorite Opening Acts of 2015 (So Far)
1. Doug E. Fresh- Municipal Auditorium, for Guy
2. Ben Miller Band- Uptown Theater, for Blackberry Smoke
3. Joe- Sprint Center, for Charlie Wilson
4. Apocalyptica- Midland theater, for Sixx:A.M.
5. Joywave- Midland theater, for Vance Joy
(Original image by There Stands the Glass.)
Labels:
Dominique Sanders,
Doug E. Fresh,
Four Fists,
Joyce DiDonato,
Kansas City,
Kendrick Lamar,
Mark Dresser,
Matt Wilson,
music,
Myra Melford,
Tech N9ne,
The Project H,
Tyler the Creator,
Venom
Monday, February 16, 2015
Concert Review: Guy, K-Ci & JoJo, El DeBarge and Doug E. Fresh at Municipal Auditorium
While I’ve been to worse concerts, the disparity between the high quality of artists’ recorded output and embarrassingly inept performances has rarely been greater than it was at Municipal Auditorium last Friday.
Even after Bobby Brown canceled due to a well-reported family tragedy, I wasn’t about to miss a show that included appearances by grown-and-sexy hit-makers Guy, K-Ci & JoJo, El DeBarge and Doug E. Fresh.
Fresh's opening set with the Get Fresh Crew was the highlight of the evening. While billing himself as “the world’s greatest entertainer” is a laughable conceit, “the original human beatbox”’s old-school presentation was a lot of fun.
El DeBarge is one of the most under-appreciated artists in popular music. His career may have been derailed by personal problems, but every time I see him perform I feel as if I’m witnessing a man with talent commensurate to that of Michael Jackson.
K-Ci & JoJo was a mess. Cedric "K-Ci" Hailey dominated the proceedings like a deranged preacher of a sinister church. His voice remains powerful, but the presentation was downright creepy. Even renditions of the wonderful songs from the Jodeci catalog were off-putting. How did the guys behind great hits like ”Wanna Do You Right” go so wrong?
Guy's headlining performance was so incompetent that members of the audience of about 2,500 were booing even before the duo hit the stage.
The pioneers of New Jack Swing repeatedly missed their introductory cues. When Guy finally arrived it was immediately apparent that Teddy Riley- the group’s primary creative force- was absent. Not only were a third of the harmonies missing, the backing tracks were also muddled. (DeBarge’s keyboard and the Get Fresh Crew’s turntables were the only instruments performed on Saturday). Adding insult to injury, Aaron Hall kept mistakenly insisting that he was in Kansas.
People walked out in droves. I captured the embedded image the moment the lights went up at the show’s conclusion to document the fiasco.
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I reviewed Todd Snider’s appearance at Knuckleheads on Saturday.
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Rudresh Mahanthappa’s Bird Calls is the leading candidate for my favorite album of 2015. I hail the recording at Plastic Sax.
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My Local Listen feature on the Bon Ton Soul Accordion Band aired on KCUR last Friday.
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Kansas City organist John Obetz has died.
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Jazz drummer Richie Pratt has died.
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I've been woefully negligent in addressing the recent passing of Don Covay. A trip to
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Steve Strange has died.
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Danny McCullough of the Animals has died. (Tip via BGO.)
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Madisen Ward and the Mama Bear performed on The Late Show with David Letterman.
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Admirers of the blues mural at BB’s Lawnside BBQ will be interested in a reception with the artist on Sunday, February 22.
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Monta At Odds created a video for “Android Dreams.”
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Gary Shindler reviewed a concert that featured Vinnie Appice, Kofi Baker, Ripper Owens and Uli Jon Roth.
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After spotting Africa Express Presents’ In C Mali on Big Steve’s playlist, I cued up the project on a lark. I had it pegged as an amusing novelty. I was hooked after five minutes. At the 20-minute mark I was on cloud nine. I had an out-of-body experience around the 30-minute juncture.
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Insane Clown Posse knows what’s up. (Not kidding.)
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The Rez Abbasi Quartet plays acoustic versions of jazz fusion classics on Intents and Purposes. I’m all about it. RIYL: John McLaughlin, remixed nostalgia, Chick Corea.
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Eddie Henderson’s Collective Portrait is lovely. RIYL: Gary Bartz, Sextant, George Cables.
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The Paradox of Independence, a new live album by Tisziji Muñoz and Marilyn Crispell, is RIYL: James “Blood” Ulmer, skronk, Arto Lindsay.
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The Cursive-like rocker “The Ideal Husband” aside, I don’t have much use for Father John Misty’s I Love You, Honeybear. Even so, I’m glad so many people like it. The value of my dusty crate of overwrought 1970s folk albums just went up.
(Original image by There Stands the Glass.)
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