Showing posts with label Bummer. Show all posts
Showing posts with label Bummer. Show all posts

Saturday, December 16, 2017

The Ten Best Kansas City Music Videos of 2017



I was goaded into pledging to compile a list of my favorite locally sourced music videos of 2017 when I was a guest on Chris Haghirian’s Eight One Sixty radio show earlier this month.  I’m a man of my word.

1.
Bummer- "Freedom Cobra"
I’ll always love rock that’s big, dumb and dangerous. 

2.
Isaac Cates & Ordained- "Hold On"
Harrowing images are paired with unshakable faith.

3.
Ssion- "Comeback"
Just a wee bit over-the-top.

4.
Kawehi- "(Not Another Lame) Fight Song"
A not-so-casual stroll down Massachusetts Street.

5.
Samantha Fish- "Chills & Fever"
Cold sweat.

6.
Stik Figa- "Cold"
Top City in slo-mo.

7.
Pistol Pete- "Konichiwa"
Hijinks at an east side tavern.

8.
Wick & the Tricks- "Tough As Nails"
Party time.

9.
Aaron Alexander- "Faces"
Post-“Get Out” anxiety.

10.
Hermon Mehari- "I've Grown Accustomed To Her Face"
Mehari is one of the few Kansas City jazz musicians who bothers to use visuals to promote his work.

Monday, July 20, 2015

Way Down Yonder On the Chattahoochee



One of the most common transgressions made by music fans is judging a genre by the people it supposedly attracts.

I encounter it daily:  Country fans are drunken homophobes.  Only elitists listen to jazz.  Hip-hop heads are illiterate. 

I’m also guilty of making rash generalizations.  Thankfully, I caught myself before I responded to a friend's direct provocation regarding Sturgill Simpson (a musician I appreciate).  I was going to suggest that most members of the audience at Simpson's concert in Kansas City last week were status-conscious bandwagoners who wouldn’t be caught dead at an Alan Jackson show.

That wouldn't have been nice.

Jackson's music may not be worthy of consideration by Pitchfork obsessives, but it will always have a place in my life.  In the parlance of 2015, plenty of the songs on his new album Angels and Alcohol are “basic.”  I'm not bothered that the album demonstrates no musical or ideological progression.

“Mexico, Tequila and Me” may be just as tired as its title suggests, but I genuinely appreciate the cliches of “Jim and Jack and Hank.”  I also think that the spiritual cheese of “God Paints” is delicious.  And the title track- easily the album’s best song- hits close to home.

Now, for the rest of the story: I wore a pink shirt to an Alan Jackson concert in 2007.  Harassed for hours by drunken homophobes, I thought I’d be killed in Bonner Springs, Kansas.


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I reviewed Tech N9ne’s Special Effects for KCUR.

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I reviewed a concert by Keith Sweat and Blackstreet featuring Teddy Riley and Dave Hollister.

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I reviewed a concert by the Dave Matthews Band.

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A segment about Jeff Black is among the recent Local Listen items I've contributed to KCUR.

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Shades of Jade’s new single ”That One” is RIYL: Brian McKnight, Kansas City neo-soul, Bilal.

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Bummer’s punishing Spank EP is shockingly great.  The Olathe band’s new EP is RIYL: Paw, blind rage, Tad.

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The Kansas City Star recalls the infamous Ozark Music Festival of 1974.

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Joan Sebastian has died.  I reviewed his concert at Cricket Wireless Amphitheater last year.

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Max Richter’s Sleep is “an eight-hour lullaby.”

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Man Plans God Laughs is the title track of Public Enemy’s new album.

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Heads of State’s Search For Peace is a standard-issue post-Coltrane jazz date.  RIYL: Gary Bartz, old school jazz, Larry Willis.

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”God bless Rod Stewart.”

(Original image by There Stands the Glass.)

Tuesday, April 08, 2014

Surface Noise at Ink's Middle of the Map Fest


I don't share the musical sensibilities of the organizers of Ink's Middle of the Map Fest.  That doesn't mean that I couldn't find plenty to enjoy last weekend.  I caught at least two sets at each of the event's six stages in the 17 hours I logged at the festival.  All of my favorite performances, however, took place at the Riot Room.  Here's the top five:


Some of my commentary is incorporated into reports here and here.


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Your Friend's session for KJHK at the KU Natural History Museum is impressive. 

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I ponder Mike Dillon's Band of Outsiders at Plastic Sax.

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Wayne Henderson of the Jazz Crusaders has died.

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Atmosphere's "Kanye West" is a bit disappointing.

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The European piano trio Phronesis is doing interesting things.

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Dave Koz's rendition of the "Game of Thrones" theme has gone viral.

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B.B. King's performances continue to deteriorate.

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Kansas City Click: My official picks are published here.

(Original image of James Dewees by There Stands the Glass.)

Thursday, March 13, 2014

Album Review: Bohren & der Club of Gore- Piano Nights


I was initially mystified by the fashionable set's interest in Bohren & der Club of Gore.  The German ensemble approaches jazz from a unique angle on the new album Piano Nights.  It took me about 20 minutes to figure out that Bohren & Der Club of Gore wasn't merely a jazz-on-codeine novelty.  Nor is it a somnolent swing parody.  The narcoleptic jazz of Piano Nights is truly brilliant.  Sometimes the cool kids are right.


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The new album by The Kansas City Symphony is titled Miraculous Metamorphoses.

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Here's a very nice performance of "Any Other Way" by the Grisly Hand.

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Marc Myers wrote a history of the song "Kansas City."

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This footage of Sharon Jones interacting with fans at Liberty Hall is great.

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Bummer covered Gary Numan's "Cars" in a promo video for the Middle of the Map festival.

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Here's a video of Claire and the Crowded Stage performing "Spanish Sun."

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Pharrell Wiliams' G I R L is absolutely nuts, and not necessarily in a good way.  RIYL: Hooked on Classics, "Get Lucky", Stars on 45.

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St. Vincent's self-titled album is every bit as good as everyone says it is.

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Inner Fire, the new album by the Souljazz Orchestra, makes me very happy.  RIYL: Mulatu Astatke, spirituality, Fania Records.

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Ledesi's The Truth is a by-the-numbers R&B album.  And I like it.  RIYL: Tamar Braxton, the radio, Marsha Ambrosius. 

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Expectations can be a bear- I'm underwhelmed by my first impression of Ambrose Akinmusire's The Imagined Savior Is Far Easier to Paint.  It's obviously "good," but… RIYL: Miles in '65, "The One," Dave Douglas.

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Kelis' performance Thursday at SXSW was triumphant.  Here's a track from her forthcoming album.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)