Justin Brown was shrouded in darkness the last time I caught up with the peripatetic drummer. As a member of Thundercat’s band at the Granada in Lawrence, Kansas, Brown was heard but not seen. (I reviewed the 2017 concert at Plastic Sax.) Brown’s new album Nyeusi is imbued with a similarly enigmatic atmosphere. The straight-up jazz fusion project has a few pleasing contemporary updates. A cover of Tony Williams’ intergalactic “Circa 45” is telling. Not even a dopey promotional video can prevent me from loving Nyeusi.
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I was awed by Kesha’s headlining appearance at the Sprint Center. I reviewed her concert with Macklemore for The Kansas City Star.
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I examined Built To Spill in advance of the band’s appearance at the Middle of the Map festival.
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I write weekly music previews for The Kansas City Star.
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The storied rock drummer Vinnie Paul has died.
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XXXTentacion was killed. I’ll always love “Roll in Peace”.
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Eugene Pitt of The Jive Five has reportedly died. (Tip via BGO.)
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My pal McLain Johnson is the subject of a four-minute video profile.
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Kamasi Washington perfected his over-the-top approach to celestial jazz on Heaven and Earth. Superior in every way to his 2016 breakout album The Epic, the bigger-is-better attack on Heaven and Earth is ecstatic rather than excessive. Because it’s so long, I tried to take a nap while I absorbed the gospel-laced release last weekend. I didn’t sleep, but I’m pretty sure I communed with God.
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Arp’s freaky Zebra is beyond description. Jazz, classic rock, New Age, electronica and classical elements weave in and out of the transportive mix. RIYL: Bonobo, headphones, Weather Report. Here’s “Nzubu”.
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A piano trio led by Harold López-Nussa finds new life in the format on Un Día Cualquiera. The Cuban’s album is so good that I’m almost tempted to head out of town to a date on his tour of the United States. Almost.
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What a disappointment! Let the Trap Say Amen, a collaboration between star producer Zeytoven and Christian rapper Lecrae, had the potential to elevate the tone of the hip-hop zeitgeist. Neither man brought his a-game.
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The Record Company is as generic as its name. The band sounds as if it’s auditioning for an advertising agency that specializes in beer commercials on All of This Life. Even so, I find the journeyman rock oddly comforting. RIYL: The Wallflowers, Bob Seger fan fiction, Dan Auerbach. Here’s the Black Crowes knockoff “The Movie Song”.
(Original image by There Stands the Glass.)
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