A familiar refrain greeted me at a subway station on my first day in Chile two weeks ago. Greg Kihn’s "The Breakup Song (They Don't Write 'Em)" blasted from the in-house sound system.
Por que?
I often felt as if I had returned to 1983 during my ten-day trip to Chile. Here’s a representative sampling of English-language hits I heard in public places: Van Halen’s “Jump,” the Police’s “Message In a Bottle,” Kenny Loggins’ “Meet Me Half Way,” Blind Melon’s “No Rain” and the Eagles’ “Hotel California” (three times).
Por que?
I encountered street performer earning tips by recreating the repertoire of Stevie Ray Vaughan.
Por que?
Pitbull seems to be the most popular contemporary artist in Chile. I also heard current pop hits by the likes of Daddy Yankee and Enrique Iglesias. I heard salsa on a bus for a few glorious minutes. I never encountered the music of famous Chilean folk artists like Inti-Illimani and Victor Jara.
Por que?
I knew that metal was big throughout Latin America. Sure enough, I saw plenty of men wearing Pantera, Iron Maiden and Metallica t-shirts. Even so, the first television commercial to air at the conclusion of an important soccer game promoted a concert by the British rock band Blur at a 15,000-seat arena.
Por que?
It’s obviously not my place to tell Chileans that they should be listening to Ana Tijoux or Violeta Parra. Instead, I’ll merely regret missing a performance by Kumbia Queers.
(Original images by There Stands the Glass.)
3 comments:
Welcome back. You probably heard that Ornette died, but at this point your blog probably doesn't need to remind anyone about it. He was more famous than I realized.
Thanks, Steve. In 2006, I praised the OC album that changed the way I experience music: http://therestandstheglass.blogspot.com/2006/07/ornette-coleman-feet-music.html
In All Languages totally rules.
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