November Recap

Top Five Performances
1. Logan Richardson’s Blues People- Capsule
My review.
2. Wilco- Midland theater
My review.
3. Lana Del Rey- Uptown Theater
My review.
4. Bobby Watson & Horizon- White Recital Hall
My review.
5. Doubledrag- Riot Room
My review.

Top Five Albums
1. Miranda Lambert- Wildcard
My review.
2. Matt Villinger- All Day
My review.
3. Brother Ali- Secrets & Escapes
My review.
4. Terri Lyne Carrington- Waiting Game
Dreams and Desperate Measures, the 42-minute suite that concludes the contentious album, is perfect.
5. Cecilia Bartoli- Farinelli
Baroque bops.

Top Five Songs
1. José James with Ledisi and Christian Scott aTunde Adjuah- “I Need Your Love”
The collaboration of my dreams.
2. Earl Sweatshirt- “East”
West of the moon.
3. Norah Jones featuring Tarriona Tank Ball- “Playing Along”
I knew she had it in her.
4. Atmosphere- “Bde Maka Ska”
Slug takes the plunge.
5. Michael Kiwanuka- “Living in Denial”
Haunting throwback soul.

I conducted the same exercise in October, September, August, July, June, May, April, March, February and January.

(Original image of Wilco by There Stands the Glass.)

Album Review: Ibibio Sound Machine- Uyai

So-called “world music” radio programming in the pre-internet era frustrated me.  The majority of the specialty DJs on college and public radio stations condescendingly prized rigid stylistic purity.  Performers like Angelique Kidjo who dared to incorporate contemporary styles into their sounds were dismissed in favor of “authentic” artists.  Selections like ”Give Me a Reason” on Ibibio Sound Machine’s Uyai that betray the influence of acts ranging from Dr. Buzzard’s Original Savannah Band to Thomas Dolby would never would have been played by those patronizing gatekeepers.  And that’s a large part of what makes Uyai wonderful.


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I reviewed Art Garfunkel’s concert at Helzberg Hall.

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I reviewed Joseph’s concert at the Madrid Theatre.

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I write weekly concert previews for The Kansas City Star and Ink magazine.

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I wrote an extended concert preview about Sunny Sweeney for The Kansas City Star and Ink magazine.

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I commended the popularity of the Elders on KCUR.

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Dave Valentin has died.

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Tommy Page has died.

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The Kansas City rapper CB channels Atlanta on his latest track.

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Would you rather be an elite name in an esoteric realm or a mid-tier performer in a more popular format?  José James has opted for the latter.   He discards almost every trace of the sound that once made him a rising star in the jazz world on his fine neo-soul album Love In a Time of Madness.  RIYL: Robin Thicke, successful transitions, Ledisi.

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No matter how hard I try, I just can’t get with the new wave of stylish rock-informed jazz bands led by Snarky Puppy.  Kneebody’s Anti-Hero makes me wish I was listening to my old James “Blood” Ulmer, Billy Cobham or King Crimson albums instead.

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Chicano Batman’s Freedom Is Free may be my all-time favorite Grateful Dead album.  Here’s ”Friendship (Is a Small Boat in a Storm”.

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Fat Joe and Remy Ma’s Plata O Plomo is old-school fun.  RIYL: Big Pun, 2000, New York.  Here’s “Money Showers”.

(Original image by There Stands the Glass.)

Album Review: Jodeci- The Past, The Present, The Future

Several weeks after attending an embarrassingly inept concert featuring Guy, K-Ci & JoJo, El DeBarge and Doug E. Fresh at Municipal Auditorium, I cued up Jodeci’s comeback album with great trepidation. 

Against all odds, The Past, The Present, The Future is amazing.  The sex songs are sexy and the love songs are dreamy.  The new effort is clearly superior to the band’s 1991 debut album.

Instead of jeering when K-Ci and JoJo spoke about a forthcoming Jodeci reunion during their outing at Municipal Auditorium, I should have applauded.

Here’s a video for ”Every Moment”.


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Hearing David Lindley in a concert hall setting was a nice change of pace.  I reviewed his concert at Johnson County Community College.

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I contributed a Local Listen segment about Rex Hobart and the Misery Boys to KCUR’s Up To Date.

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GlassField’s The Answer’s In the Pit of Your Stomach is RIYL: Fleet Foxes, Missouri indie-folk, Iron & Wine.

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Stik Figa and Leonard Dstroy have a video for ”More Or Less”.

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Loyal readers of There Stands the Glass will recall that I fell head over heels for José James’ No Beginning No End.  The smooth, innovative project was my fifth favorite album of 2013.  James’ followup album was a funky mess.  Aside from the rendition of “Strange Fruit” that closes the recording, the new Yesterday I Had the Blues: The Music of Billie is as straightforward as a Tony Bennett album.  I can’t imagine anyone not liking it.  Yet I doubt I’ll ever love it.

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I’m worried for myself.  I was repeatedly moved to the brink of tears as I listened to Valentina Lisitsa’s solo piano album Plays Philip Glass. 

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Donny McCaslin’s fascinating electro-jazz album Fast Future is RIYL: the Pat Metheny Group, 2015, Nile Rodgers.

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Hilary Hahn’s new Mozart set is nice.

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After viewing their ”What’s In my Bag” segment, I want to hang out with the Decemberists.

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Danya Stephens’ Reminiscent is uneventful.  RIYL: Walter Smith III, Blue Note blowing sessions, Ravi Coltrane.

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I can’t stand Ben Goldberg’s Orphic Machine, but I suspect a few There Stands the Glass readers will adore the hybrid of jazz and art-rock.  RIYL: Bjork, intellectuals, Becca Stevens.  Here’s an EPK.

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Pending the availability of cheap flights, I might attend the Free Press Summer Festival in Houston.  The lineup that includes R. Kelly, Slim Thug, Pentagram, Yung Lean, Mastodon, Z-Ro, Chance the Rapper, Sturgill Simpson, Lecrae, Charles Bradley, Bun-B, Diarrhea Planet, Ilovemakonnen and Paul Wall is calling my name.

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I didn’t have high expectations for Kaleo’s set at the Tank Room last Thursday but I didn’t expect generic blues-rock from the Icelandic band.  It’s not the worst show I’ve seen in 2015, but it’s certainly among the most disappointing.

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As I was appreciating the Norwegian tubist Daniel Herskedal’s excellent Slow Eastbound Train, a resident jazz-hater suggested that he admired the sound and asked “what kind of music is this?”  I didn’t have a good answer.  I suppose it’s contemporary Nordic classical music.

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I freely admit that Sufjan Stevens’s Carrie & Lowell is quite good.  RIYL: Iron & Wine, hushed indie folk, Alexi Murdoch.

(Original image by There Stands the Glass.)

Opry Lament

The Grand Ole Opry took a lot of my money in the 1990s.  I felt like a doofus every time I joined the throngs of tourists for the Opry's cheesy skits in the soulless environs of the Opryland Hotel complex.  Yet those were the only times I saw legends including Roy Acuff, Little Jimmy Dickens, Jack Greene, Jimmy C. Newman, Johnny Russell, Hank Snow and Porter Wagoner perform.  Newman died on June 21.  Here's scratchy old footage of "Alligator Man."


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I reviewed Monday's concert by Peter Murphy, Ringo Deathstarr and Cinemaphonic.

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Why isn't Charlie Hunter a star?  Hunter and Jacob Fred Jazz Odyssey performed at the Brick last Thursday.  Here's my review.

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"Hometown", a collabo between Kansas City's Skiem Hiem and Oakland's the Jacka, may be the definitive Kansas City music video of 2014.

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Stik Figa represents Topeka in the video for "Knowhere."

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Take me to the river.  Mabon "Teenie" Hodges has died.

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I comment on the late Horace Silver's connection to Kansas City here. 

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Gerry Goffin has died.

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I adore songs about God, Satan and Elvis.  Nick Cave's performance at the Midland on Wednesday, consequently, made me deliriously happy.  Tim Finn reviewed the show.

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I would pay good money to watch a comment reconstruction depicting the moronic chatter attached to a video of T.I. and Iggy Azalea's "No Mediocre".

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A lot of critics are hailing Willie Nelson's Band of Brothers as a comeback album.  Longtime readers of There Stands the Glass know that I'm quite fond of many of his recent releases.  Band of Brothers is merely adequate.  Here's the video for the title track.

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The Roots' …and then you shoot your cousin is a strange album. RIYL: N.E.R.D, middle age, De La Soul.

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"Release your wiggle!"  Big Freedia's Just Be Free is RIYL: 5th Ward Weebie, New Orleans, Sissy Nobby.

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José James' No Beginning, No End was my #5 album in 2013.  I have yet to make up my mind about his new While You Were Sleeping.  RIYL: Roy Ayers, risk takers, War.

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Because I've long admired Ian McLagan, I'm predisposed to love everything about his (average) new album. United States is RIYL: pubs, the Faces, taverns.

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Joshua Redman's Trios Live is fire.  RIYL: Sonny Rollins, live albums, James Carter.

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Raise your hand if you've been waiting decades for Jonathan Richman to quit goofing around and finally make another album in the vein of the Modern Lovers.  The members of Parquet Courts have taken matters into their own hands.  Sunbathing Animal is RIYL: Lou Reed, wondering what happened to Jonathan Richman, Pavement.

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Die Antwoord's transgressive Donker Mag is surely a sign of end times.  RIYL: Rob Zombie, drone strikes, 2 Live Crew.

(Original image by There Stands the Glass.)

No Postcode Envy: The Top Albums of 2013

My lifelong fantasy of securing instant access to most of the world's recorded music was realized in 2013 when streaming services became seamless.  I listened to almost 1,000 new releases in their entirety this year.  It's no coincidence that 96 of my favorite 100 selections are represented on this corresponding Spotify playlist. 

1. Earl Sweatshirt- Doris
2. Pat Metheny- Tap: John Zorn’s Book of Angels, vol. 20
3. Kanye West- Yeezus
4. The Grisly Hand- Country Singles
5. José James- No Beginning No End
6. Dave Holland- Prism
7. Kvelertak- Meir
8. Ghostface Killah- Twelve Reasons To Die
9. Tech N9ne- Something Else
10. Lorde- Pure Heroine

11. Beyoncé- Beyoncé
12. Terri Lyne Carrington- Money Jungle: Provocative in Blue
13. Fidlar- Fidlar
14. M.I.A.- Matangi
15. A$AP Rocky- Long Live A$AP
16. Nick Cave & the Bad Seeds- Push the Sky Away
17. Mark Lowrey- Tangos for 18th Street
18. John Legend- Love In the Future
19. Daora: Underground Sounds of Urban Brasil
20. Barbara Hannigan and Orchestre Philharmonique de Radio France- Dutilleux: Correspondances

21. George Strait- Love Is Everything
22. Revocation- Revocation
23. King Khan & The Shrines- Idle No More
24. Gary Burton- Guided Tour
25. Otis Clay- Truth Is
26. Baptists- Bushcraft
27. Joe Lovano's Us Five- Cross Culture
28. Bassekou Kouyate and Ngoni Ba- Jama Ko
29. James Blake- Overgrown
30. The Architects- Border Wars Episode 1

31. Pusha T- My Name Is My Name
32. Bill Frisell- Big Sur
33. Charles Bradley- Victim of Love
34. Alaturka- Yalniz
35. The Haxan Cloak- Excavation
36. Pat Metheny- The Orchestrion Project
37. Buika- La Noche Mas Larga
38. Orrin Evans- It Was Beauty
39. Frank Wess- Magic 101
40. Childish Gambino- Because the Internet

40. Diarrhea Planet- I'm Rich Beyond Your Wildest Dreams
41. Jay Z- Magna Carta... Holy Grail
42. Monsieur Doumani- Grippy Grappa
43. Brandy Clark- 12 Stories
44. Skeletonwitch- Serpents Unleashed
45. Janelle Monáe- The Electric Lady
46. Rudresh Mahanthappa- Gamak
47. The Delfonics- Adrian Younge Presents the Delfonics
48. Vieux Farka Touré- Mon Pays
49. Willie Nelson- Let's Face the Music and Dance
50. Ka- The Night's Gambit

51. Il Sogno del Marinaio- La Busta Gialla
52. Ben Goldberg- Subatomic Particle Homesick Blues
53. Brad Goode- Chicago Red
54. Deafheaven- Sunbather
55. Deer Tick- Negativity
56. Action Bronson- Saaab Stories
57. King Carnage- Ounce of Mercy, Pound of Flesh
58. Umphrey's McGee- Live From Summer Camp
59. Salif Keita- Talé
60. Cowboy Indian Bear- Live Old, Die Young

61. Pistol Annies- Pistol Up
62. Booker T- Sound the Alarm
63. Soweto Kinch- The Legend of Mike Smith
64. Dan Nicholls- Ruins
65. Mulatu Astatke- Sketches of Ethiopia
66. L'Orange & Stik Figa- The City Under the City
67. Bad Rabbits- American Love
68. Marc Cary Focus Trio- Four Directions
69. Emmylou Harris and Rodney Crowell- Old Yellow Moon
70. DJ Muggs- Bass For Your Face

71. Dutch Newman- Schorre's Son
72. Quest- Live In Paris
73. Matmos- The Marriage of True Minds
74. Wavves- Afraid of Heights
75. Eddie Moore and the Outer Circle- The Freedom of Expression
76. Psychic Ills- One Track Mind
77. Damir Out Loud- Graduation Day
78. Helker- En Algun Lugar del Circulo
79. Lyal Strickland- Balanced on Barbed Wire
80. Broadcast- Berberian Sound Studio

81. Hospital Ships- Destruction In Yr Soul
82. Children of Bodom- Halo of Blood
83. Wayne Shorter- Without a Net
84. No Age- An Object
85. Wampire- Curiosity
86. Kasey Musgraves- Same Trailer Different Park
87. Pissed Jeans- Honeys
88. Samba Touré- Albala
89. Reggie B- DNA
90. The Relatives- Electric Word

91. Sallie Ford and the Sound Outside- Untamed Beast
92. Ellery Eskelin- Mirage
93. Philip H. Anselmo & the Illegals- Walk Through Exits Only
94. David Binney- Lifted Land
95. Run the Jewels- Run the Jewels
96. Akkilles- Something You'd Say
97. Son Volt- Honky Tonk
98. Jaimeo Brown- Transcendence
99. Linda Oh- Sun Picture
100. Justin Timberlake- The 20/20 Experience

I conducted similar year-end surveys in 2012, 2011, 2010, 2009, 2008, 2007 and 2006.

(Original image by There Stands the Glass.)

Tompall Glaser, 1933-2013

My dad wore out the grooves of Wanted!: The Outlaws.  The album resounded hundreds of times in our home in the years following its release in 1976.  I relished the repetition, although I was a little creeped out by the lusty way my dad sang along to the songs about women.  Tompall Glaser, one of the four artists featured on the compilation, died Tuesday.  Glaser's rendition of "T For Texas" was my introduction to Jimmie Rodgers.  Put another log on the fire.


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Eydie Gormé has died.  (Video selection via BGO.)

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Jody Payne, Willie Nelson's guitarist, has died.

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Akkilles' Something You'd Say is streaming at Bandcamp.  RIYL: Sea Change, America (the band), Toro y Moi.

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Bowinero's Asterism is recommended if you like Antennas Up, Modest Mouse, Young the Giant. 

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The Floozies' new single ""Love, Sex and Fancy Things"" is RIYL: "Blurred Lines," "More Bounce To the Ounce" and "Suit & Tie."

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Antennas Up has a new video for The Awkward Phase".

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Red Kate's When the Trouble Comes is RIYL: the Big Boys, the Wipers, Naked Raygun.

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The video for Tech N9ne's "Party the Pain Away" is what you thought it was. 

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Dolls on Fire created a video for "Fem vs the Volcano".

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Tim Finn checks in with Matt Pryor of the Get Up Kids.

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I'm glad hundreds of thousands of people are excited about Kendrick Lamar's explosive verse on Big Sean's "Control."  I dig it too.  A similar reaction supposedly greeted Coleman Hawkins' famous solo on "Body and Soul" in 1939.  My ongoing fantasy is that a similar number of active music lovers will lose their collective minds over a new solo by someone like Rudresh Mahanthappa. 

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Thanks in large part to the contributions of Julian Lage, Gary Burton's Guided Tour is one of my favorite jazz albums of 2013.  Here's the EPK.

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The critical acclaim that's greeted Grant Hart's unlistenable new album The Argument strikes me as insane.

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Music critics occasionally know what they're talking about.  Ka's The Night's Gambit is every bit as good as the scores of breathless reviews suggest.  RIYL: Ghostface Killah, Rakim, Cut Chemist.

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The National's set at last weekend's Outside Lands festival featured the Kronos Quartet and Bob Weir. My interest in the mopey band is renewed.

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Myron & E's retro soul album Broadway sounds incredible.  Unfortunately, it's done in by extremely awkward lyrics.

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José James' new Come To My Door EP compliments his stunning full-length 2013 album.

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I recommend No Age's An Object to fans of the harsh post-punk sound of 1983. 

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Trillwave 3 is the deliriously fun new mixtape by mashup masters the Hood Internet. 

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I'll eventually get around to listening to this week's new releases by Glen Campbell, Bela Fleck, Valerie June, K. Michelle, Stevie Stone, Washed Out and Barrence Whitfield and the Savages.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)

Listen, Do You Want To Know a Secret?

Do you want to know a secret?  Do you promise not to tell?  Let me whisper in your ear. 

I've been holding out on readers of There Stands the Glass for years.  I'll finally divulge one of the choicest music-related secrets in Kansas City.

The event calendar of UMKC's Conservatory of Music and Dance is a hidden treasure trove for music lovers.  Dozens of recitals take place all over town near the end of each semester.

On Wednesday the calendar led me to Immanuel Lutheran Church to witness Michael Shults' doctoral recital.  The performance indicated that Branford Marsalis isn't the only jazz saxophonist capable of applying jaw-dropping technique to classical selections.  I'm still recovering from Shults' authoritative rendition of Luciano Berio's pernicious "Sequenza".  Shao Zhang's appearance at White Recital Hall this evening is also tempting.

Several factors contribute to the rewarding nature of these concerts.  They're usually free and almost always take place in pristine listening environments.  The modest audiences consisting largely of classmates, family, friends and faculty allow plenty of room for curious interlopers like me.  The Conservatory's faculty includes geniuses like Zhou Long and Bobby Watson.  The students' recitals, not surprisingly, are invariably excellent.  

Mum's the word.


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Zoo of B. Hood has died.

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I'm the subject of an interview with Chris DeLine of Mills Record Company.  Meanwhile, David Hudnall spoke to DeLine.

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Tech N9ne is featured on Harry Fraud's "Rising".

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Erik Voeks' new four-song EP is titled Finulu.  RIYL: the dB's, Eric Matthews, Shoes.

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77 Jefferson created a handy preview video for its new Rarities, Vol. 2 album.  RIYL: the Blue Riddim Band, Gregory Isaacs, Black Uhuru.

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The Association for Recorded Sound Collections is holding its annual conference in Kansas City on May 15-18.
(Tip via TSTG reader Gary.)

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Presented without commentary: "Meek Mill concert presented by the Jamaal Charles Foundation".

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José James shows how it's done on an absurdly sexy rendition of Al Green's "Simply Beautiful".

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The video for the Burnt Ones' "Web"  was "shot on glorious VHS."  RIYL: Ty Segall, Nuggets, tape hiss.

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Pat Martino is still tearing it up.

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I wish that I didn't have an intimate understanding of Drive-By Truckers' "Heathens".

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Kanye West's production on Pusha T's "Numbers On the Boards" is amazing.

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"Had a dream last night about you, my friend."

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)

Review: José James- No Beginning No End

The members of the sales and marketing departments of Blue Note Records almost certainly celebrated when they first heard No Beginning No End, the new album by José James.  The project is probably the most commercially viable release on the label since Norah Jones' Feels Like Home.  Sales in the hundreds of thousands and multiple Grammy nominations seem inevitable. 

While No Beginning No End contains many of the bourgeois components of hits by Jones, Diana Ross and Lionel Richie (not necessarily a liability for an album of make-out music), it's really based on D'Angelo's seminal 2000 album Voodoo.  The loose jazz-funk hybrid- itself inspired by Prince, Roy Ayers, Curtis Mayfield, Bobby Womack, Marvin Gaye, Miles Davis and the O'Jays- is the sound of now. 

A few of the live performances I've watched online aren't particularly impressive.  And yesterday's NPR feature about James is incredibly irritating.  But none of that matters when I hit play.  Unless I burn out on it, No Beginning No End should figure prominently on my year-end album list.


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I recall being told to get out of the way by cameramen during Hammerween at the Beaumont Club last October.  Based on this compelling footage of Hammerlord, I'm glad that I opted to comply with their irritating requests.

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The Great Vehicle is a Federation of Horsepower side project.  The People's Cathedral of Wavelengths should appeal to fans of Joe Satriani, Brand X and Steve Morse.  (Tip via There Stands the Glass reader Gary.)

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Destination Out's interaction with Barry Altschul is vital.

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Lawrence's Klyph Scurlock "auditioned" for adorable Oklahoma kiddie punks Skating Polly.

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Red Kross talks trash about REO Speedwagon in their "What's In My Bag" segment. 

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Watching Nardwuar vs. Riff Raff gives me the strength to carry on.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)