Album Review: Electric Needle Room- It's Getting Personal

Electric Needle Room missed an opportunity to perpetrate a great hoax. 

Had the Kansas City band anonymously posted a few songs from the new album It's Getting Personal and claimed they were home recordings from Brian Wilson's lost years, disheveled material like "Please Don't Forget To Take Care of Yourself" and "We'll Make It" might have become internet sensations.  The endearingly amateurish lo-fi songs contain the sort of melodies and song structures associated with Pet Sounds. 

Other guileless Electric Needle Room songs bridge the divide between untrained anti-folk and geeky nerdcore hip-hop. "Maybe Not" is like a dismal rebuttal to the Flaming Lips' "Do You Realize."  "The Colic Song" resembles a Ben Folds Five outtake. 

While it's only going to appeal to listeners receptive to its unprocessed aesthetic, It's Getting Personal is a brave little record.


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I reviewed the Winter Jam festival and a Stone Sour concert last week.

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Stan Kessler is Plastic Sax's 2013 Person of the Year.

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"So long, it's been good to know you."  I never acquired a taste for the music of Pete Seeger.  Even so, the subversive "What Did You Learn In School?" and "Little Boxes" reflect my world view.  Here's my friend Dale W. on the Weavers- "These people were reviled in their time ... the biggest pop stars and a threat to the establishment that made Johnny Rotten look tame."  Amen, brother.  Seeger died last week.

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The Marr Sound Archives posted an essay about the late Anne Winter's donation to its collection.  (Via Mark Manning.)

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Kansas City's Mime Game has a video for the Evan Dando-esque "Do You". 

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The video for Matt Pryor's "Kinda Go to Pieces" is hilarious.  (Via I Heart Local Music.)

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"Fed Up" is the latest video from Kansas City rapper Beama.

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I don't know why I expected to be bored by Helen Sung's Anthem For a New Day.  It's tasteful but not tedious.  RIYL: Chick Corea, eclectic swing, Ingrid Jensen.

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I feel like a number.  Business Week examines the demographic mining that fuels the commercial aspirations of the revived Okeh label.

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Too True, the new album by the Dum Dum Girls, doesn't contain a single original idea.  I like it anyway.  RIYL: The Jesus and Mary Chain, unvarying formulas, Siouxsie And The Banshees.

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Metal Albums With Googly Eyes is genius.  (Via Mike Stover.)

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The ballyhooed electronic elements of Mogwai's Rave Tapes are fine, but it's really nothing to write home about.  RIYL: Loud new age music, Explosions In the Sky, sterility.

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Morgan Delt's self-released spot-on recreations of kaleidoscopic psychedelia were recently re-released.  RIYL: The Dukes of Stratosphear, paisley, Red Krayola.  

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I didn't smash a single thing as I auditioned Throwdown's Intolerance. RIYL: Cro-Mags, rage, Hatebreed.

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Curtis Harding's "Keep On Shining" is an advance track from his forthcoming Soul Power album.  RIYL: Aloe Blacc, the ghost of Curtis Mayfield, Charles Bradley.

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I was initially thrilled to discover Get the Blessing.  Yet I've decided that the band is less concerned with forging a new direction for jazz than with updating the Canterbury scene.  RIYL: Soft Machine, jazz that's not really jazz, Pink Floyd.

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I'll be spending a lot of time with Mutations, the forthcoming album by Vijay Iyer.

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The Hold Steady used to be my favorite rock band.  Here's a trailer for the band's forthcoming album.  (Fingers crossed.)

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)

Album Review: Stephen Malkmus- Wig Out at Jagbags

I happened to listen to Trey Anastasio's 2012 album Traveler the same day I played Stephen Malkmus' new album Wig Out at Jagbags for the first time.  The only real difference between the two recordings is the Phish man's sincerity and the Pavement man's irony.  Both guys are obviously in thrall of the Grateful Dead.  ("Lariat" is my jam.)  I need a miracle- how about a co-headlining tour of the two oddly compatible men during the second half of 2014?

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I reviewed Allen Toussaint's concert at the Folly Theater on Saturday.

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I had an out-of-body experience on Sunday as a trio of women from the Midwest Chamber Ensemble played Claude Debussy's "Sonata for Flute, Viola and Harp" at a Lutheran church.  I also enjoyed hearing "Pendulum Quartet" by the young composer Joseph Kern.

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My review of a Steel Panther concert was referenced by the Huffington Post.

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Amiri Baraka has died.

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I didn't see the trippy video for Reggie B's "Hypnotized" until last weekend. 

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A&R veteran Peter Lubin's new essay about the Everly Brothers is loaded with invaluable insights.

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John Newman's new album Tribute  is solid British blue-eyed soul.  RIYL: Adele, pure pop for yesterday's people, Dusty Springfield.

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I like Leo Welch's Sabougla Voices even though it's reminiscent of those awkward albums that paired the likes of Howlin' Wolf with his young English devotees.  RIYL: boogie, unblinking musings about impending death, Mississippi.

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Wayne Kramer's picks are superior to Billy Bragg's choices in an entertaining "What's In My Bag" segment.

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Kid Ink's My Own Lane is one of the most cynical boardroom-constructed albums I've heard in some time.  The gambit- creating a watered-down version of the catchiest work of 2 Chainz/Tiga/Big Sean- works.  RIYL: Katy Perry, high school, Bruno Mars.

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The Tord Gustavsen Quartet has five American gigs booked in February.  I'm eyeing the Chicago and Portland dates as I listen to samples from the forthcoming Extended Circle album.

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Have I no shame!  I genuinely enjoy Martynas' self-titled crossover-classical/Euro-pop accordion album.  RIYL: cheese, hokum, watching TV at nursing homes.

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Even though Juana Molina's Son topped my album list in 2006, I simply wasn't prepared to listen to her new release Wed 21 until recently.  RIYL: Gal Costa, dreaming, Tom Zé.

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Matt Pryor's Wrist Slitter is shockingly good.  RIYL: Elvis Costello's first five albums, contemplating suicide, the Get Up Kids.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)

Tompall Glaser, 1933-2013

My dad wore out the grooves of Wanted!: The Outlaws.  The album resounded hundreds of times in our home in the years following its release in 1976.  I relished the repetition, although I was a little creeped out by the lusty way my dad sang along to the songs about women.  Tompall Glaser, one of the four artists featured on the compilation, died Tuesday.  Glaser's rendition of "T For Texas" was my introduction to Jimmie Rodgers.  Put another log on the fire.


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Eydie Gormé has died.  (Video selection via BGO.)

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Jody Payne, Willie Nelson's guitarist, has died.

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Akkilles' Something You'd Say is streaming at Bandcamp.  RIYL: Sea Change, America (the band), Toro y Moi.

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Bowinero's Asterism is recommended if you like Antennas Up, Modest Mouse, Young the Giant. 

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The Floozies' new single ""Love, Sex and Fancy Things"" is RIYL: "Blurred Lines," "More Bounce To the Ounce" and "Suit & Tie."

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Antennas Up has a new video for The Awkward Phase".

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Red Kate's When the Trouble Comes is RIYL: the Big Boys, the Wipers, Naked Raygun.

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The video for Tech N9ne's "Party the Pain Away" is what you thought it was. 

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Dolls on Fire created a video for "Fem vs the Volcano".

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Tim Finn checks in with Matt Pryor of the Get Up Kids.

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I'm glad hundreds of thousands of people are excited about Kendrick Lamar's explosive verse on Big Sean's "Control."  I dig it too.  A similar reaction supposedly greeted Coleman Hawkins' famous solo on "Body and Soul" in 1939.  My ongoing fantasy is that a similar number of active music lovers will lose their collective minds over a new solo by someone like Rudresh Mahanthappa. 

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Thanks in large part to the contributions of Julian Lage, Gary Burton's Guided Tour is one of my favorite jazz albums of 2013.  Here's the EPK.

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The critical acclaim that's greeted Grant Hart's unlistenable new album The Argument strikes me as insane.

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Music critics occasionally know what they're talking about.  Ka's The Night's Gambit is every bit as good as the scores of breathless reviews suggest.  RIYL: Ghostface Killah, Rakim, Cut Chemist.

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The National's set at last weekend's Outside Lands festival featured the Kronos Quartet and Bob Weir. My interest in the mopey band is renewed.

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Myron & E's retro soul album Broadway sounds incredible.  Unfortunately, it's done in by extremely awkward lyrics.

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José James' new Come To My Door EP compliments his stunning full-length 2013 album.

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I recommend No Age's An Object to fans of the harsh post-punk sound of 1983. 

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Trillwave 3 is the deliriously fun new mixtape by mashup masters the Hood Internet. 

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I'll eventually get around to listening to this week's new releases by Glen Campbell, Bela Fleck, Valerie June, K. Michelle, Stevie Stone, Washed Out and Barrence Whitfield and the Savages.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)