Showing posts with label Midwest Chamber Ensemble. Show all posts
Showing posts with label Midwest Chamber Ensemble. Show all posts

Monday, May 04, 2015

Album Review: Yelawolf- Love Story


Blame it on David Allan Coe.  I was raised on outlaw country songs like “Longhaired Redneck” and the infamous “If That Ain’t Country.”

I suppose that’s why I remain partial to decidedly uncouth music by Southern and Midwestern outsiders ranging from Kid Rock to Tech N9ne. 

Yelawolf, the controversial Alabaman who has been repeatedly excoriated by critics, speaks directly to me, partly because I relate to his intense relationships with God and alcohol. 

Yelawolf airs his dirty laundry on the deliberately offensive “Whiskey in a Bottle”, one of Love Story’s many strong tracks.  ”Best Friend”, a collaboration with Eminem, is also pretty great. 

I don't condone the hateful slurs Yelawolf employs, nor will you ever hear me utter those words.  But that doesn’t mean that I haven't been barraged by similar trash talk for much of my life. 

I may not look or sound like Yelawolf, but I know precisely where he's coming from.


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I reviewed a concert by Vance Joy, the Kooks, Joywave and Hembree.

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I contributed a Local Listen segment about Mat Shoare to KCUR.

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“Hood Crazy” is probably Tech N9ne’s most mainstream song to date.  Here’s the video.  Tech N9ne’s Special Effects drops this week.

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I saw Joseph Kern conduct the Midwest Chamber Orchestra in a performance of his dissonant but romantic new Chamber Symphony at the Lutheran Church of the Resurrection last night.  Sarah Tannehill-Anderson’s singing of a Walt Whitman text was beauteous.

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Ben E. King has died.  I suppose “Spanish Harlem” is my favorite King hit.

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Jack Ely of the Kingsmen has died.

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Reach places flowers at the graves of jazz, rock and hip-hop in the ”Pay Respects” video.

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His provocative image aside, Young Thug is kind of boring.  Barter 6 is  RIYL: Birdman, drugs, Weezy.  Here’s ”Constantly Hating”.

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Earl Sweatshirt is so sad.  "Solace" is his extremely loose new project.

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Just a Mortal Man is the debut album of 71-year-old Jerry Lawson.  RIYL: Brook Benton, classic soul, Solomon Burke.  Here’s the title track.

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I appreciate Marc Myers’ reevaluation of the collaboration between Tony Bennett and Bill Evans.

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Angry jazz is good jazz.  Terence Blanchard’s goes hard on the EPK for his new album.

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Need a lift?  I recommend "Gyae Su" by Pat Thomas the Kwashibu Area Band.

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Portions of Raekwon’s Fly International Luxurious Art are almost as good as Ghostface Killah’s recent string of outstanding albums.  RIYL: Wu-Tang Clan, the kitchen sink, Busta Rhymes.  Here’s ”All About You”.

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Bell Witch’s acclaimed metal album Four Phantoms is RIYL: vertigo, High On Fire, fashionable black metal.

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I’m disappointed by Charles Lloyd’s Wild Man Dance.  RIYL: hype, Gerald Clayton, third stream.  The EPK, however, is amazing.

(Original image by There Stands the Glass.)

Monday, January 13, 2014

Album Review: Stephen Malkmus- Wig Out at Jagbags


I happened to listen to Trey Anastasio's 2012 album Traveler the same day I played Stephen Malkmus' new album Wig Out at Jagbags for the first time.  The only real difference between the two recordings is the Phish man's sincerity and the Pavement man's irony.  Both guys are obviously in thrall of the Grateful Dead.  ("Lariat" is my jam.)  I need a miracle- how about a co-headlining tour of the two oddly compatible men during the second half of 2014?

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I reviewed Allen Toussaint's concert at the Folly Theater on Saturday.

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I had an out-of-body experience on Sunday as a trio of women from the Midwest Chamber Ensemble played Claude Debussy's "Sonata for Flute, Viola and Harp" at a Lutheran church.  I also enjoyed hearing "Pendulum Quartet" by the young composer Joseph Kern.

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My review of a Steel Panther concert was referenced by the Huffington Post.

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Amiri Baraka has died.

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I didn't see the trippy video for Reggie B's "Hypnotized" until last weekend. 

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A&R veteran Peter Lubin's new essay about the Everly Brothers is loaded with invaluable insights.

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John Newman's new album Tribute  is solid British blue-eyed soul.  RIYL: Adele, pure pop for yesterday's people, Dusty Springfield.

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I like Leo Welch's Sabougla Voices even though it's reminiscent of those awkward albums that paired the likes of Howlin' Wolf with his young English devotees.  RIYL: boogie, unblinking musings about impending death, Mississippi.

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Wayne Kramer's picks are superior to Billy Bragg's choices in an entertaining "What's In My Bag" segment.

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Kid Ink's My Own Lane is one of the most cynical boardroom-constructed albums I've heard in some time.  The gambit- creating a watered-down version of the catchiest work of 2 Chainz/Tiga/Big Sean- works.  RIYL: Katy Perry, high school, Bruno Mars.

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The Tord Gustavsen Quartet has five American gigs booked in February.  I'm eyeing the Chicago and Portland dates as I listen to samples from the forthcoming Extended Circle album.

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Have I no shame!  I genuinely enjoy Martynas' self-titled crossover-classical/Euro-pop accordion album.  RIYL: cheese, hokum, watching TV at nursing homes.

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Even though Juana Molina's Son topped my album list in 2006, I simply wasn't prepared to listen to her new release Wed 21 until recently.  RIYL: Gal Costa, dreaming, Tom Zé.

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Matt Pryor's Wrist Slitter is shockingly good.  RIYL: Elvis Costello's first five albums, contemplating suicide, the Get Up Kids.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)