Thursday, December 31, 2009
What a silly exercise! For starters, I scarcely recall most of the live performances I took in the first half of this decade. And it would make a lot more sense if I made separate genre lists- classical, country, jazz, metal, etc. But I didn't. In order to lessen the absurdity by just a fraction, I didn't include any shows from 2009. That list is here. I've added representative (but not same show) video links for the uninitiated. Here goes:
1. The Hold Steady- Jackpot Saloon, 2006
2. Roy Harper- boat on Sacramento River, 2001
3. Maxwell- Uptown Theater, 2008
4. X- Madrid Theater, 2002
5. The Architects- innumerable times, innumerable places
6. Alison Krauss and Robert Plant- Starlight Theater, 2008
7. Ray Price- Knuckleheads, 2007
8. Roy Hargrove- Folly Theater, 2007
9. Ian McLagan- Davey's Uptown Rambler's Club, 2006
10. Jay McShann- Kansas City Kansas Street Blues Festival, 2004
11. Electric Wizard- SXSW, 2002
12. Dee Dee Bridgewater- Gem Theater, 2007
13. Ike Turner- Liberty Memorial, 2004
14. Guy Clark/Joe Ely/John Hiatt/Lyle Lovett- Uptown Theater, 2005
15. The Mars Volta- Beaumont, 2007
16. Trio Mediaeval- Cathedral of the Immaculate Conception, 2006
17. U-Roy LIberty Memorial, 2000
18. Isaac Hayes- VooDoo Lounge, 2006
19. Motorhead- Community America Ballpark, 2006
20. Tool- Kemper Arena, 2006
21. Twista- seemingly random field in Jackson County, Missouri, 2005
22. The National- The Record Bar, 2005
23. Emmylou Harris- Yardley Hall, 2005
24. Tech N9ne- Beaumont Club, 2005
25. Stone Temple Pilots- Liberty Memorial, 2008
(Original image by There Stands the Glass.)
Wednesday, December 30, 2009
It's been a particularly challenging year.
This sad acknowledgement of the passing of Tim Hart marks the last of such dismal notices for the year here at There Stands the Glass. An incomplete listing of the musical passings of 2009 follows.
According to Maddy Prior's illuminating liner notes to this out-of-print live collection of Australian performances, that's Hart going nuts on the wah-wah pedal on this 1982 rendition of "Sligo Maid." Here's the official (and unfortunate) video of Steeleye Span's biggest hit. Hart's legacy is perhaps better served by this bit of magic.
1/05 Sam Taylor, 74, blues musician
1/06 Ron Asheton, 60, Stooges guitarist
1/06 Claude Jeter, 94, Swan Silvertones
1/11 Andrew Martinez, 26, Necromantix drummer
1/20 David "Fathead" Newman, 75, sideman extraordinaire
1/20 Mickey Gee, 64, Welsh rock guitarist
1/28 Billy Powell, 56, Lynyrd Skynyrd pianist
1/29 John Martyn, 60, British singer-songwriter
1/29 Hank Crawford, 74, jazz saxophonist
1/31 Dewey Martin, 68, drummer for Buffalo Springfield
2/04 Lux Interior, 60, The Cramps
2/04 Tom Brumley, 73, steel guitarist in Buck Owens' Buckaroos
2/07 Blossom Dearie, 82, jazz vocalist
2/09 Orlando "Cachaito" Lopez, 75, bassist in Buena Vista Social Club
2/10 Kelly Groucutt, 63, former bassist for ELO
2/11 Estelle Bennett, 67, The Ronettes
2/12 Gerry Niewood and Coleman Mellett, members of Chuck Mangione's band
2/12 Mat Mathews, 84, Dutch jazz accorionist
2/14 Louie Bellson, 84, jazz drummer
2/15 Joe Cuba, 78, salsa's "Father of Boogaloo"
2/18 Snooks Eaglin, 73, blues artist
2/22 Paul Skelton, 55, Austin roots guitarist
2/23 Vince Bilardo, 80, Kansas City jazz drummer
2/25 Ian Carr, 75, Scottish jazz musician
3/01 Arch Martin, (?), Kansas City jazz trombonist
3/04 John Cephas, 78, Piedmont blues guitarist
3/08 Hank Locklin, 91, country star
3/18 Kent Henry, 60, guitarist with Steppenwolf and Blues Image
3/24 Uriel Jones, 74, Motown drummer
3/25 Dan Seals, 61, England Dan and John Ford Coley
3/25 Manny Oquendo, 78, Latin band leader
3/28 Maurice Jarre, 84, film composer
4/01 Duane Jarvis, 51, songwriter and guitarist
4/02 Bud Shank, 82, jazz saxophonist
4/03 Charlie Kennedy, 81, saxophonist for Gene Krupa and Louis Prima
4/05 Nancy Overton, 83, singer in The Chordettes
4/08 Pops Winans, 76, gospel patriarch
4/11 Randy Cain, 63, Delfonics vocalist
4/13 Ron Stallings, 62, saxophonist for Huey Lewis
4/17 Rubin "Zeke" Zarchy, 93, big band trumpeter
4/26 Tilahun Gessesse, 68, Ethiopian singer
4/28 Vern Gosdin, 74, country singer
5/06 Donald "Ean Evans, 48, Lynyrd Skynryd bassist
5/06 Viola Wills, 69, pop singer
5/09 Stephen Bruton, 60, Texas roots musician and producer
5/09 Travis Edmonson, 76, California folkie
5/15 Wayman Tisdale, 44, basketball star and jazz bassist
5/15 Buddy Montgomery, 79, jazz vibraphonist, Wes' brother
5/18 Dolla, 21, rapper
5/24 Jay Bennett, 45, Wilco, etc.
5/30 Richard Nadler, 60, local conservative pundit once in Pavlov's Dog
6/03 Koko Taylor, 80, blues giant
6/03 Sam Butera, 81, Louis Prima's saxophonist
6/05 Jeff Hanson, 31, singer-songwriter
6/07 Hugh Hopper, 64, bass player in Soft Machine
6/07 Kenny Rankin, 69, singer-songwriter
6/10 Jack Nimitz, 79, jazz saxophonist
6/10 Barry Beckett, 66, producer and keyboard player
6/10 Huey Long, 105, guitarist for the Ink Spots
6/14 Bob Bogle, 75, co-founder and guitarist of the Ventures
6/16 Charlie Mariano, 85, jazz saxophonist
6/18 Ali Akbar Khan, 87, Indian musician
6/24 Tim Krekel, 58, journeyman rock'n'roller
6/25 Michael Jackson, 50, King of Pop
6/25 Sky Saxon, 63, the Seeds
6/27 Fayette Pinkney, 61, original member of the Three Degrees
7/04 Drake Levin, 62, guitarist for Paul Revere & the Raiders
7/17 Gordon Wailer, 63, of Peter & Gordon
7/21 John Dawson, 64, New Riders of the Purple Sage
7/27 George Russell, 86, jazz theorist
8/02 Billy Lee Riley, 75, rockabilly star
8/06 Willy DeVille, 58, roots rock musician
8/07 Mike Seeger, 75, folk musician
8/12 Les Paul, 94, guitar legend
8/12 Rashied Ali, 74, jazz drummer
8/15 Jim Dickinson, 67, Memphis musician
8/20 Larry Knechtel, 69, session musician
8/21 John E. Carter, 75, vocalist in the Flamingos and the Dells
8/24 Joe Maneri, 82, jazz clarinetist
8/26 Ellie Greenwich, 68, songwriter
8/26 Bongo Berry, 55, Kansas City-area children's musician
8/28 DJ AM, 36, DJ
8/28 Jack Nead, (?), Kansas City saxophonist
8/29 Chris Connor, 81, jazz vocalist
8/31 Eddie Higgins, 77, jazz pianist
9/01 Wycliffe Johnson, a.k.a. "Steely", 47, reggae producer
9/01 Erich Kunzel, 74, conductor
9/11 Jim Carroll, 60, writer and rocker
9/14 Bobby Graham, 69, session drummer
9/16 Mary Travers, 72, of Peter, Paul and Mary
9/17 Leon Kirchner, 90, classical composer
9/19 Arthur Ferrante, 88, Ferrante & Teicher
9/19 Roc Raida, 37, DJ
9/29 Amy Farris, 40, Austin fiddler
9/21 Sam Carr, 83, blues drummer
10/02 Mr. Magic (John Rivas), 53, hip hop DJ/radio personality
10/03 Robert Kirby, 61, arranger for Nick Drake and others
10/04 Mercedes Sosa, 74, Argentine folk artist
10/07 Steve Ferguson, 60, co-founder of NRBQ
10/08 Rusty Wier, 65, Austin singer-songwriter
10/11 Al Martino, 82, romantic pop singer
10/17 Vic Mizzy, 93, composed Green Acres and Adams Family themes
10/22 Anne Winter, 45, beloved Kansas City retailer
10/27 Stacy Rowles, 54, jazz trumpeter
10/30 Norton Buffalo, 58, blues harmonica player
11/08 Jerry Fuchs, 34, drummer
11/18 Johnny Almond, 63, Marc-Almond band
12/01 Liam Clancy, 76, Clancy Brothers
12/01 Jack Cooke, 72, bassist and vocalist for the Clinch Mountain Boys
12/02 Eric Woolfson, 64, co-founder of the Alan Parsons Project
12/04 Liam Clancy, 74, Clancy Brothers
12/05 Jack Rose, 38, indie rock guitarist
12/20 James Gurley, 69, guitarist of Big Brother and the Holding Company
12/24 Tim Hart, 61, Steeleye Span guitarist
12/25 Vic Chesnutt, 45, singer-songwriter
12/28 James "The Rev" Sullivan, 28, Avenged Sevenfold drummer
12/30 Rowland Howard, 50, guitarist in the Birthday Party
Tuesday, December 29, 2009
Safe at home.
Heads up, There Stands the Glass readers! I received an Ion turntable for Christmas. While I was in no danger of running out of fresh material on CD, this gift will allow me to dig into my long neglected cache of vinyl.
The first album I reached for was Solomon Burke's hopelessly out-of-print We're Almost Home. I hadn't heard it in twenty years. It's possible that no one else has, either. If it wasn't for Robert Christgau's rude dismissal of the title, I'd think I had obtained some sort of private pressing. The production is pure 1972, but I kind of like those dated flourishes. And hearing Burke suggest, "You're gonna love my sweet ol' mother... I love her chicken and gravy" is priceless.
This is going to be fun.
Anyone who has tips about improving the fidelity from my new Ion is more than welcome to contact me with their suggestions. I don't mind the crackles and pops; it's the distortion that really bugs me. (I'm using EZ Audio Converter software on a Mac.)
Kansas City jazz blog Plastic Sax named Hermon Mehari as its Person of the Year.
I want two things from a year-end 2009 music list. It must be free of Animal Collective and it must force me to reappraise my assumptions and biases. (I recognize the contradiction.) A list identical to mine would be useless to me. For those reasons, the intriguing selections by Joe Caramanica of the New York Times is my favorite effort of the season. And keep in mind that I absolutely loathe his top pick.
James Gurley of Big Brother and the Holding Company died December 20. He was 69.
Kansas City Click: AZ-One play reggae Tuesday at the Levee.
I intend to celebrate New Year's Eve a night early. Weather permitting, I'll be at Knuckleheads for Hot Club of Cowtown on Wednesday.
Saturday, December 26, 2009
I freaked out the last time I saw Vic Chesnutt perform. It wasn't Chesnutt who had me loopy. I'd seen him before and there was no reason to think I wouldn't see him again.
The reclusive Van Dyke Parks was sitting in with Chesnutt to promote Ghetto Bells. Few in the SXSW crowd at the Austin brewpub in 2005 shared my hopelessly geeky enthusiasm. I'm rarely inclined to shush people, but I couldn't help myself that night. "Hey!" I scolded jerks who were talking over the underground legend. "That's Van Dyke Parks! The Van Dyke Parks!" My mania was met with blank stares. I suppose fans of cult artists should be accustomed to that indifferent response.
The brief "Blanket Over the Head" is from The Salesman and Bernadette, Chesnutt's excellent 1998 collaboration with Lambchop.
Chesnutt died Christmas Day.
Tim Finn's year-end recap in the Star alerted me to the great deal being offered by The Record Machine. All five of the label's 2009 releases- Perhapsy, Max Justus, Capybara, Sam Billen and The Parade Schedule- are available as a $15 download.
Kansas City Click: The Elders, the most popular act in Kansas City not named Tech N9ne, perform at the Beaumont on Saturday.
Coyote Bill plays blues at Knuckleheads on Sunday.
Wednesday, December 23, 2009
1. Mac Lethal- Speak Low
The gorgeous cinematography makes familiar Kansas City landmarks seem startlingly foreign. Oh, and the song is pretty great too.
2. Nuthatch 47- Russian Gangster's Grandma
The low production value is perfect for this hilarious ditty.
3 Miles Bonny- On Impulse
This is some funny stuff. Westport, Loose Park and Liberty Memorial are among the attractions featured in the excellent video.
4 Ron Ron- Hey Honey/Throbacc
105,000 views! Don't let anyone tell you that Ron Ron isn't already a star.
5 Stik Figa- Starched Dickies
The amateurish, homespun feel of this video is ideally suited for the song's earnest content. Stik Figa is keeping it real.
6. The Architects- Bastards At the Gate
The amusing video for Kansas City's rock stalwarts was shot in the West Bottoms.
7. Tech N9ne- Leave Me Alone
Tech N9ne at his best- conflicted, confused and persecuted. And Kansas City's skyline has been viewed over 279,000 times in under two months. Tech should be on the payroll of the Kansas City Convention & Visitors Association.
8. SSion- Bullsh*t
Kansas City has no use for Lady Gaga.
9. Krizz Kaliko- Misunderstood
The best song out of Kansas City in 2009 gets a deluxe video treatment.
10. Greg Enemy- Fly A** Glasses
Low budget? No problem.
11. Big Scoob- Salue
I regret to inform the world that this is my town's anthem.
12. Making Movies- Libertad
This otherwise unremarkable video makes my list for three reasons. It features the obligatory shots of Kansas City's skyline, the song is memorable and I'm in one of the crowd shots. No wonder it has less than 500 views.
Just missing the cut:
Mac Lethal- Heart of a Pig
Steddy P- No Matter How
The Belated- Intelligent Redesign
Tech N9ne- Red Nose
Irv da Phenom featuring Big Scoob- How I Feel
Rondoe- I Do That There
Nuthatch 47- D.U.I. Song
XV- Fall Out of the Sky is ineligible because of the Wichita problem.
Monday, December 21, 2009
I attended two shows at The Record Bar last week. The first was a Monday jazz matinee. The second was a hip hop blowout on Saturday night.
One of the shows felt stale and was poorly attended. The other crackled with the expectant energy that can only be attained with the presence of an enthusiastic crowd.
And it's not what you might think. The jazz gig crushed the hip hop show in both audience size and artistry.
Diverse may be the darlings of Plastic Sax and other observers of the Kansas City jazz scene, but a Monday show with a ten dollar cover at a rock-oriented club is not exactly a sure-fire recipe for success. A youthful crowd of about 100 showed up for Diverse's dynamic show. Joined by exciting saxophonist Logan Richardson, the band offered a riveting hard bop performance.
The two revelations of the night, at least for me, were the hip hop-informed drumming of Ryan Lee and the clever colorings added by keyboardist John Brewer. The perpetually surprised look Brewer favors reflects his startling improvisational approach. His concepts steer the group safely away from any hint of fogeyism. I had to leave during the second set. I trust the final thirty minutes were even better.
Fans of Soul Providers are also attractive. There just weren't very many of them on hand Saturday. Even though the hip hop collective is firmly established on the scene, only about 60 fans paid five dollars to see them.
Young Storm (pictured above), Reach, Dutch Newman and Hozey-T were among the night's featured entertainers. While none were less than good, only Les Izmore was great. He's not the best MC in the collective, but his artistic vision is more compelling than that of his colleagues. While others fall back on cliches, Izmore embraces his experimental streak.
The Soul Providers would benefit from mixing it up at their next event. May I suggest a collaboration with Diverse?
(Original images of Diverse with Logan Richardson and Young Storm of the Soul Providers by Plastic Sax. Cross-posted from Plastic Sax.)
Thursday, December 17, 2009
The 25 Best Shows of 2009
My goal had been to catch 365 live performances in 2009. I'm going to fall just short. That's still a lot of music. Here's the top seven percent.
1. Nas and Damian Marley- Beaumont Club (Same show footage.)
2. Leonard Cohen- Midland Theater (Same show footage.)
3. Esperanza Spalding- Folly Theater (Performance at The White House.)
4. Steve Coleman- Blue Room (Different show.)
5. AC/DC- Sprint Center (Same show footage.)
6. Solange- VooDoo Lounge (On Jools Holland's show.)
7. Mastodon- Uptown Theater (Same show footage.)
8. People's Liberation Big Band- Pistol Social Club (Different show.)
9. Fito Olivares- Crown Center (Different show.)
10. James Christos- Riot Room (Same show footage.)
11. Unearth- Beaumont Club (Different show.)
12. Kris Kristofferson- Uptown Theater (Different show.)
13. Mars Volta- Midland Theater (Same show footage.)
14. Tony Bennett- Midland Theater (Different show.)
15. Blind Pilot- Record Bar (Same show footage.)
16. Lil Wayne- Sprint Center (Same show footage.)
17. The Pogues- The Midland (Same show footage.)
18. Slipknot- Sprint Center (Same show footage.)
19. Cannibal Corpse- Sandstone (Same show footage.)
20. Afinidad- Folly Theater (Incredibly, no video of any kind exists.)
21. Karrin Allyson- Jardine's (Performance at Montreux.)
22. Katie Herzig- Crosstown Station (Different show.)
23. Tech N9ne- Independence Events Center (Same show footage.)
24. Aterciopelados- Beaumont Club (Different show.)
25. Hearts of Darkness- Crosstown Station (Different show.)
The 25 Best Albums of 2009
I also recommend taking a peak at the lists of dozens of Kansas City-area music fans that are compiled at Back To Rockville.
1. Maxwell- BLACKsummers'night
This is the album I hoped Michael would make.
2. P.O.S.- Never Better
A supremely intelligent genre-defying opus.
3. Ron Ron- Skitzofrinik
Kansas City's hip hop scene is on fire. This inventive concept album is simultaneously hilarious and harrowing.
4. Green Day- 21st Century Breakdown
The intersection of punk rock and classic rock.
5. Joe Lovano- Folk Art
Clever and soulful jazz.
6. Cecilia Bartoli- Sacrificium
Underneath the creepiest of concepts lies ravishing music.
7. Steddy P- Style Like Mind
As if Chuck D was born in Kansas City and raised on Tech N9ne.
8. Neko Case- Middle Cyclone
A rose with toxic thorns.
9. Graciela Beltran- La Reina de la Banda
I listened to this album more than any other in 2009. It makes me happy.
10. The Life and Times- Tragic Boogie
The Flaming Lips meet Sonic Youth.
11. Heartless Bastards- The Mountain
12. Diverse- Diverse
A throwback to a time when mainstream jazz wasn't self-conscious and insular.
13. Jay-Z- The Blueprint 3
Egotism is attractive.
14. Mac Lethal- Love Potion 5
My neighbor sure is cranky lately.
15. We Were Promised Jet Packs- We Were Promised Jet Packs
Like an agoraphobic Arctic Monkeys.
16. Sugarland- Live On the Inside
Captured in their native habitat.
17. Krizz Kaliko- Genius
Out of Tech N9ne's shadow.
18. XV- Everybody Is Nobody
May become the biggest thing out of Kansas since Dorothy.
19. Speech Debelle- Speech Therapy
20. Mike Farris- Shout!
I didn't see this one coming.
21. Lee Barber- Thief and Rescue
The Tom Waits of Texas.
22. Kid Cudi- Man On the Moon
23. Eilen Jewell- Sea of Tears
Woman out of time.
24. Sachal Vasandani- We Move
A crooner for the new millennium.
25. Jon Hassell- Last Night The Moon Came Dropping Its Clothes In the Street
And it looks good naked.
The 25 Best Songs of 2009
When it comes to singles, I'm truly a man of the people.
1. George Strait- Living For the Night (YouTube)
I've had better years.
2. Kid Cudi- Day 'n' Night (YouTube)
State of the art.
3. Miley Cyrus- Party in The U.S.A. (YouTube)
4. Jay-Z- D.O.A. (Death of Auto-Tune) (YouTube)
Moment of silence.
5. Soulja Boy- Turn My Swag On (YouTube)
What? Why are you looking at me like that?
6. Lily Allen- The Fear (YouTube)
The zeitgeist in 3:26.
7. The Lonely Island- I'm On a Boat (YouTube)
It never gets old.
8. Regina Spektor- Laughing With (YouTube)
9. Jamey Johnson- High Cost of Living (YouTube)
10. Rick Ross- Maybach Music 2 (YouTube)
Even funnier than "I'm On a Boat" and all the better for it.
11. Dirty Projectors- Stillness Is the Move (YouTube)
The cool kids got one right.
12. New Boyz- You're a Jerk (YouTube)
13. Major Lazer- Hold the Line (YouTube)
14. Anthony Hamilton- The Point of It All (YouTube)
15. Noisettes- Never Forget You (YouTube)
I'm a sucker for this faux-soul formula.
16. Sick Puppies- You're Going Down (YouTube)
Bring the pain.
17. Dave Matthews Band- Why I Am (YouTube)
A surprising blast of soul.
18. Taking Back Sunday- Sink Into Me (YouTube)
Hey! Hey! Hey!
19. Beyonce- Halo (YouTube)
20. Manchester Orchestra- I've Got Friends (YouTube)
God is great, beer is good and people are crazy. Oh wait- wrong song.
21. Ghostface Killah- Baby (YouTube)
One of the weirdest songs ever.
22. Slaughterhouse- The One (YouTube)
23. Melanie Fiona- It Kills Me (YouTube)
24. Darius Rucker- Alright (YouTube)
Making the best of it.
25. GS Boyz- Stanky Legg (YouTube)
I can't do it.
(Original image by There Stands the Glass.)
Wednesday, December 16, 2009
In order to keep Kanye West from dominating this inherently absurd endeavor, I imposed a couple of rules on myself. I could list nothing from 2009 and no artist could appear more than once. Radiohead's not here. That's on purpose. I shudder to think, however, of the unintentional omissions that are bound to keep me up at night.
The 25 Best Albums
1. Johnny Cash- My Mother's Hymn Book 2004
2. Kanye West- Graduation 2007
There's a lot to loathe about Kanye. There's even more to love.
3. Wilco- Yankee Hotel Foxtrot 2002
C'mon- break my heart again.
4. The Hold Steady- Separation Sunday 2005
A mash up of "Janie Jones" and "Thunder Road"? I'm in heaven.
5. Super Furry Animals- Rings Around the World 2002
The DVD version changed the way I experience recorded music.
6. Robert Glasper- In My Element 2007
Breaking rules and dissolving divisions.
7. The Streets- A Grand Don't Come For Free 2004
My personal soundtrack from a parallel universe.
8. Gillian Welch- Time (The Revelator) 2001
9. D'Angelo- Voodoo 2000
A long and loopy groove.
10. Ralph Stanley- Ralph Stanley 2002
America doesn't get much older or weirder than this.
11. The White Stripes- White Blood Cells 2001
The decade wouldn't have been nearly as good without Jack White.
12. Rodney Crowell- The Houston Kid 2001
The living and breathing successor to Johnny and Townes.
13. Jay-Z- American Gangster 2007
I hear your gasps. Yes, I prefer this homage to Marvin, Isaac and Curtis to The Blueprint.
14. Solomon Burke- Don't Give Up On Me 2002
I love the new school, but Solomon's still out there.
15.. Chris Whitley- Rocket House 2001
Unless you count Jack White, Whitley was the last great blues artist.
16. Bob Dylan- Love and Theft 2001
My man had his best decade since the '70s. Imagine that.
17. Arvo Part- Alina 2000
Even better than silence.
18. Cat Power- The Greatest 2006
I know these places well.
19. Jimmy Scott- Mood Indigo 2000
Ignore the jazz hands on the cover. This stuff is no joke.
20. Tool- Lateralus 2001
And I don't even smoke.
21. Brad Mehldau- Live 2008
There's hope yet.
22. Los Hombres Calientes- New Congo Square 2001
Of all the Marsalis brothers, it's Jason who makes my list. Go figure.
23. Juana Molina- Son 2006
24. Joe Strummer- Streetcore 2003
I miss him so much.
25. Gregory Hickman-Williams- Passages 2006
My status as the most visible of the late vocalist's advocates saddens me. Please join me.
The 25 Best Songs
1. Mystikal- Bouncin' Back (Bumpin' Me Against the Wall) (YouTube) 2001
Ferocious post-9/11 defiance from New Orleans.
2. M.I.A.- Paper Planes (YouTube) 2008
I've impatiently waited for the pop music of the future to arrive. It's finally here.
3. The Hidden Cameras- AWOO (YouTube) 2006
Liberation and relief.
4. The Thrills- One Horse Town (YouTube) 2003
5. Brother Ali- Forest Whitiker (YouTube) 2003
Keeping it real.
6. E-40- Tell Me When To Go (YouTube) 2006
Hip hop now provides most of my rock'n'roll kicks.
7. Nas- Be a... Too (YouTube) 2008
Nas airs it out.
8. Public Enemy- Harder Than You Think (YouTube) 2007
Just like that.
9. Metric- Monster Hospital (YouTube) 2005
Bobby Fuller meets Saddam Hussein.
10. Dizzee Rascal- Sirens (YouTube) 2007
A convincing foretelling of doomsday.
11. Marvin Sapp- Never Would Have Made It (YouTube) 2007
Gospel's popularity is a contrary indicator.
12. The Flaming Lips- Do You Realize? (YouTube) 2002
Right back at you, Wayne.
13. Macy Gray- I Try (YouTube) 2000
I can't play it off.
14. Lil Wayne- Shooter (YouTube) 2006
15. Young Jeezy- Go Crazy (YouTube) 2005
Thug motivation, indeed.
16. Mary J. Blige- Family Affair (YouTube) 2001
I've heard this more often than any other song this decade. And that's alright with me.
17. TechN9ne- Einstein (YouTube) 2001
Leiber & Stoller's song has been replaced.
18. Drowning Pool- Bodies (YouTube) 2001
Nothing wrong with me.
19. Amy Winehouse- Rehab (YouTube) 2006
I'm pulling for you, Amy.
20. Outkast- Hey Ya (YouTube) 2003
21. Missy Elliott- Get Ur Freak On (YouTube) 2001
22. Taking Back Sunday- Cute Without The 'E' (Cut from the Team) (YouTube) 2002
Timeless teen angst.
23. T.I.- Be Easy (YouTube) 2003
The South rose again.
24. Snoop Dogg featuring Pharrell- Drop It Like It's Hot (YouTube) 2004
I'm not convinced that Pharrell isn't from another planet.
25. Brakes- Heard About Your Band (YouTube) 2005
My life is laughable.
Friday, December 11, 2009
One of the biggest compliments I can pay musicians is suggesting that I don't know what to make of them. That's certainly the case with Mouth. My first inclination was to dismiss them as a just another jam band. But Mouth deserves better.
The free Escape From the North Pole mix tape (download it here) contains dub, weedy reggae, jazz fusion and yes, jam band noodling. There are also a couple of hip hop collaborations. The obvious delight Reach takes in working with an energetic live band is infectious. Reach is also heard to great effect in this new video.
I've only seen Mouth perform once, but it's not as if they're hard to find. They play the Jazzhaus in Lawrence Saturday and the Beaumont in KC on December 18.
I love the new Stika Figa video. No glamor. Just Topeka. Talk about keeping in real.
Mary J. Blige! Sugarland! Tegan and Sara! Emmylou Harris! Brandi Carlile! Erykah Badu! I can't believe I'm saying this, but I'm excited about the 2010 edition of Lilith Fair.
My friend Chris remembers the ill-fated career of Kansas City band The Front.
Marva Whitney was the guest on The Walt Bodine Show yesterday. Here's the podcast.
I'm working as hard as I can at Plastic Sax to make everyone angry.
Kansas City Click: Friday's Murder Ballad Ball at Crosstown Station is billed as "a night honoring the folk tradition of storytelling and murder ballads through song." Many of Kansas City's premier singer-songwriters, country-rockers and folkies are on the bill.
An ambitious one-off tribute to Tommy Bolin goes down Saturday at Crosstown Station. Surviving members of Energy and Zephyr will pay homage to the guitarist best known for his work with Deep Purple and the James Gang. (This vintage footage of Zephyr is worth a peek, if only to make you feel better about not being on the scene in 1970.)
It seems really improbable, but Italian jazz pianist Roberto Magris is scheduled to perform with Tootie Heath and Logan Richardson Sunday at the Phoenix.
Diverse will team up with Logan Richardson Monday at The Record Bar.
(Image of Reach with Mouth from the MySpace account of Janel.)
Wednesday, December 09, 2009
Had the MP3 of "Just Because It Was Christmas" not been emailed to me directly by a member of the band, I would have sworn that the new seasonal song was created by the celebrated likes of Ian McLagan, Amy Rigby, The dB's or The Rumour. It's rooted in precisely the type of British pub rock that hits me like a mug of spiked eggnog.
The instant classic served as my introduction to the Rough Shop collective but the St. Louis band is a known commodity in their hometown. They performed at the Riverfront Times's awards showcase earlier this year. And my friend Steve Pick wrote the liner notes for their new release. Here's an excerpt:
On Just Because It Was Christmas there's no hint of ironic distance from the act of celebrating Christmas. Nor is it a leaden, overly-reverent, uncritical recitation of what everybody has heard before. It is a collection of beautiful, emotionally truthful, sometimes funny, sometimes sad songs, and it deserves to be added to the list of exceptional Christmas albums.
The eleven-song Just Because It Was Christmas album is available here.
If I end up compiling a "video of the year" list, Young Dro's "I Don't Know Y'All might be my top pick.
Kansas City Click: Jimmy Wayne and Chris Young are among the country stars crooning Wednesday at the Midland.
Ampichino appears at America's Pub on Thursday.
Tuesday, December 08, 2009
I'm crying again.
It's not as if I knew Liam Clancy. I never even saw him perform. But listening to his exquisite 1965 solo album is almost too much to bear. The disaster depicted in "Anach Cuain" is devastating. Clancy's rendition of "Dirty Old Town" is reserved while "Home Boys Home," ostensibly a jaunty sailor's song, emphasizes the damage done by wayfaring strangers. "The Water Is Wide" reduces me to a puddle of tears. It's all great.
So is this more recent live performance of "Red Is the Rose."
It's not for the parting with my sister Kate/ It's not for the grief of my mother/It's all for the loss of my bonny Irish lass/That my heart is breaking forever.
Clancy died last week.
I truly enjoyed Darius Rucker's concert a couple days ago. Here's my review.
Kansas City Click: Brian Martin headlines a hootenanny Tuesday at the Record Bar.
Thursday, December 03, 2009
Heavy metal is hilarious.
It can be the most liberating and cathartic of musical forms. It's also inherently ludicrous. The head-banging? Hysterical! The guitar solos? Absurd! The song titles? Laughable! The band logos? Preposterous!
Thunder Eagle understands this. Their implicit acknowledgment of metal's contextual silliness allows them to rock even more convincingly. Songs like "Classical Decomposer" and "Alcoholocaust" (grab the MP3 at PureVolume) demonstrate that humor and head-banging go together like vodka and tonic.
As displayed in this year-old video, Thunder Eagle masterfully fuse post-AC/DC blues with Southern rock and contemporary thrash. They've since released the five-song Ride The Timberwolf (another local gag) and are working on their first full-length album.
They hit the Riot Room on Monday.
I happily downloaded two free mixtapes by regional artists this week. There Stands the Glass-favorite Stik Figa has a new project with D/Will. It's here. And the download from Mouth, a jazz-funk-reggae-hip hop jam band, is a shockingly diverse project.
Kansas City Click: Spoon, The Bravery, Metric and Hockey play for fans of a radio station Thursday at the Midland Theater.
Angela Hagenbach croons Friday at Jardine's.
Megadeth touches down at the Beaumont Club on Saturday.
I wouldn't mind hearing Darius Rucker sing "Alright" at the Midland Theater on Sunday.
Thunder Eagle rocks the Riot Room on Monday.
(Image of Thunder Eagle pilfered from Pure Volume.)
Tuesday, December 01, 2009
If ever a pop act was suited to the unique sensibility of Christmas, it's Sugarland. The folksy and sincere voice of Jennifer Nettles is tailor-made for the season. Not only is her voice more expansive than Santa's belly, she and her partner Kristian Bush demonstrated that they're masters at interpreting familiar material on this year's impressive Live On the Inside album. (Here's my review.)
Besides, the unapologetically cornpone component of the band's sound gave Gold and Green, the band's first Christmas album, the potential to be a fully realized holiday classic.
Alas, they don't quite get there. Split between original and classic material as well as the sacred and the secular, the album is too disjointed to become a holiday staple. Still, a handful of individual tracks are excellent. The Leon Russell-style gospel-blues of "Comin' Home" works, as does "Maybe Baby (New Year's Day)." And I don't know why Nettles breaks into Spanish on "Silent Night" but I like it a lot.
It's not perfect. "Nuttin' For Christmas" is the sort of condescending hillbilly tripe that represents Sugarland at their worst. I'm not suggesting that Sugarland forsake its country roots, but the song doesn't ring true to my ears. Their ill-advised satirical advertisement for the project isn't funny either.
I remain convinced that Sugarland has a classic Christmas album in them. It'd be just fine with me if Sugarland put out a Christmas album every year until they get it right.
I compile a list of The Ten Most Important Jazz-Related Events and Stories of 2009 at Kansas City jazz blog Plastic Sax.
Jazz musician Jason Parker blogs about his experiment with "free." (Tip via AZ.)
I had occasion to interact with Bob Keane of Del-Fi Records a few times. He died November 28. (Tip via BGO.)
Folk music historian Bess Hawes has died. (Tip via BGO.)
Kansas City Click: Rex Hobart plays an early show at The Record Bar on Tuesday.
Jerry Hahn plays Jardine's on Wednesday.
Friday, November 27, 2009
I watched HBO's airing of The Jazz Baroness this week. As this trailer of sorts indicates, it's an odd little documentary. Trumpeter Eddie Henderson, the owner of a Doctors Degree in psychiatry, is one of the film's talking heads. I didn't know what to make of his explanation of the electroshock therapy administered to Thelonious Monk. Henderson's excellent mid-70s funk-fusion efforts like this are far less ambiguous. "Ceora" is from the much tamer Think On Me album from 1990.
I have no idea how many thousands of CDs, DVDs and albums I acquired during the last ten years. I imagine that the majority of the music I accumulate in the forthcoming decade will be MP3s or just borrowed and rented streams. The only way to make physical product appealing today is by offering something unique. The Old Canes and Saddle Creek have the right idea for Feral Harmonic. This video shows the Kansas band's new release being assembled by hand.
I reviewed recent shows headlined by Hatebreed and Tech N9ne.
Kansas City Click: Lenny Williams sings "Cause I Love You" Friday at the Uptown Theater.
Baroness gets loud in the Riot Room on Saturday.
Erin McKeown and Jill Sobule provide a fine double bill Sunday at the Record Bar.
It'll be date night Monday at the Uptown for The Swell Season.
Wednesday, November 25, 2009
An old friend called me yesterday. He was beginning to crack under the pressure imposed on him from family and work. I told him to ignore all the needy people. Had he paid me a visit, I'd hook him up with a beverage and an album by Maria Marquez. She could help him slow down. Just listen. Some have compared the Venezuelan's voice to Nina Simone's. That's fair. She manages, however, to create an entirely unique sensibility on the quiet 2001 release Eleven Love Stories.
Johnny Almond of the Mark-Almond band died November 18. My friend BGO noted that Almond lived in the Kansas City area for a while. It's a little before my time, so I'm only now hearing "The City". I can't believe commercial radio once played this sort of folk-jazz fusion.
I heard four high school bands play at a basketball tournament last night. As heard here, Schlagle was best. It was a suburban band's arrangement of "Enter Sandman", however, that blew my mind.
While I love pop music, I was embarrassed for myself as I watched the American Music Awards. What an unmitigated disaster!
The new video for Mac Lethal's "Speak Low" is outstanding.
When I first saw the video for "Body Language", I thought it was an "I'm On a Boat"-style parody. It's not.
Kansas City Click: Hidden Pictures are at the Bulldog tonight.
As noted in the previous post, Willie Clayton appears at Bodyworks Phase II on Thanksgiving.
Friday, November 20, 2009
As I recently noted, the traditional Thanksgiving blues dance in Kansas City, Kansas, isn't happening this year. I learned this week, however, that an excellent alternative is going down on the other side of the state line. Willie Clayton is playing Bodyworks Phase II on Thanksgiving.
Since I featured Clayton at There Stands the Glass in 2006, I'm casting the spotlight today on the great soul singer Howard Tate. He hit the big time with "Ain't Noboby Home" in 1966 but subsequently experienced a couple decades of personal and professional turmoil before being "rediscovered" in recent years. "She's a Burglar" is from the astoundingly powerful Live album. The document captures an excellent 2004 gig in Denmark.
Because I've been living right, I associate Thanksgiving less with turkey and football than with Courvoisier and lewd dancing. I'll need a ride home Thursday afternoon.
I caught the fourth and final set of the Jeff Hamilton Trio's two-night stand in Kansas City. Here's my review.
The fact that Miley Cyrus' "Party In the U.S.A." is in rotation on KPRS makes me proud to be an American. Seriously.
I'm a reluctant self-promoter. Even so, I have to say that I'm absolutely killing it over at my jazz blog Plastic Sax.
Kansas City Click: The Get Up Kids return to the Record Bar on Friday and Saturday. Here's footage of the band's 2008 reunion show at the club.
Here's the promotional video for Tech N9ne's Saturday show at the Independence Events Center.
Bassist Gerald Spaits is featured at the Record Bar's monthly alternative jazz series on Sunday.
Monday, November 16, 2009
I think PacSun is brand of clothing. I'm not entirely sure. Lookin' Bros, however, are obviously all about it. A significant percentage of the 300 people at the Beaumont Club on Sunday for the PacSun PacTour were scarf-toting, guyliner-sporting, designer jeans-wearing dudes.
A schlubby music nerd, I was on hand to see P.O.S. The lookin' bros were not.
Sandwiched between four rock acts, the rap-based artist faced a hostile crowd. Underground hits like "Optimist" failed to convince much of the rockist audience. And even though his set looked and sounded much like this, many refused to be won over. They didn't even laugh when P.O.S. dedicated "P.O.S. Is Ruining My Life" to a couple of particularly venomous haters.
It's their loss. P.O.S.' Never Better is one of the best albums of 2009 regardless of genre.
Industrial dance-rock act Innerparty System went over far better. They were solid, as was A.M.I.M., the Kansas City winners of the tour's battle of the bands component. They'd do very well in an opening slot for One Republic or Maroon 5.
I wasn't nearly as tolerant of Eye Alaska. Of the 300-plus acts I've seen in 2009, I enjoyed their excruciating set the least. Plenty of footage of Saosin's performance has already been uploaded. I didn't stick around for it. I felt obliged to immediately begin shopping for hats.
Kansas City Click: DJ Logic spins Tuesday at Crosstown Station.
(Original image of Innerparty System by There Stands the Glass.)
Sunday, November 15, 2009
A few of the songs Lionel Loueke performed Thursday at the Blue Room clearly evoked the musician's roots in Benin. Yet they weren't exactly exercises in traditional African roots music. Loueke applied an Auto-Tune-style effect to his vocals. It was funny, surprising and entirely delightful. That's Lionel Loueke in a nutshell.
About fifty people- at least a third of whom were area jazz musicians- witnessed an extraordinary musical dialogue between Loueke, bassist Massimo Biolcati and drummer Ferenc Nemeth.
I told someone at intermission that the intense way Loueke and Nemeth locked eyes for minutes at a time made me slightly uncomfortable. This intimacy, however, allowed the men to interact at an incredibly high level. While their music was serious, the musicians played with a rare sense of humor. Thursday's show was one of the funniest I'd seen all year. Nemeth, in particular, is quite a comedian. He'd occasionally raise his stick as if to bash a drum only to pull back at the last moment.
A trumpet player shot some footage of the show. Suggesting that it's not representative of the trio's performance is misleading. No two selections were alike. General references points in the trio's vast stylistic range included Pat Metheny-style gracefulness, John Scofield-ish funk and a bit of James "Blood" Ulmer-style skronk in addition to the African explorations.
The trio's next gig is in Martinique on December 3. I can't imagine a place I'd rather be that day.
(Cross-posted from Plastic Sax, my Kansas City jazz site.)
Thursday, November 12, 2009
A new day.
You don't want to sit or stand next to me at a concert. I'm an emotional guy and music often brings tears to my eyes. These embarrassing incidents occurred several times in 2009.
I cried when Emanuel Ax played Chopin. Tony Bennett giving it his all made me mist up. I broke down as Shane MacGowan slurred his way through "The Old Man Drag." I wept watching Kris Kristofferson struggle to sing. Lots of people, myself included, were reduced to tears by Leonard Cohen's brilliance the other night. And I always get sentimental at the annual grave site salute to Charlie Parker.
The audience at Sunday's performance of music from the documentary film Zamboango: Poverty, War, Music was offered a particularly emotional experience. Most already knew the back story documented in the exceptional movie trailer embedded above. So when the choir entered at the 3:01 mark of "The Wheel," as documented in this footage of the concert, my tears weren't the only ones being shed.
I happen to completely agree with this review of the concert. Go figure. Tim Finn provides additional insights into how Barclay Martin, a Kansas City folk-based artist, became involved in the Zamboanga project.
Although Martin's songs are inspired by the struggles of the Filipino people, the emotions they convey are universal. The lovely and heart-wrenching "Miracle" is typical. I happily paid $15 for the soundtrack at the concert. Proceeds go toward the education of Filipino youth. Copies are available here.
I just noticed that The Elders, Kansas City's second most popular act, have a song on the intriguing soundtrack to Red Roses and Petrol.
Credentials Hip Hop interviews Sleep Close Death.
My deep affection for the Knowles sisters is further justified by Solange's new cover of the Dirty Projector's "Stillness Is the Move." Pitchfork has the download. (Found via Gorilla Vs. Bear's Twitter account.)
That's right, There Stands the Glass trainspotters. Barclay Martin is now the fourth artist who's been featured twice at this site.
Kansas City Click: Lionel Loueke makes his Kansas City debut Thursday at the Blue Room.
Steddy P and Stik Figa are on Friday's bill at the Record Bar.
Chuck Prophet returns to Davey's on Saturday.
P.O.S. opens for Saosin Sunday at the Beaumont.
(Image of Sunday's Zamboanga concert taken from the project's Flickr account.)
Tuesday, November 10, 2009
I didn't care for the ostentatious demeanor of the saxophonist. That concludes my negative criticism of last night's Leonard Cohen concert.
Prior to the show I'd told friends that I was only going so that I could "cross Cohen off my list" of artists I'd never seen perform. While his new Live In London album indicates that Cohen is still vital, I had my doubts. Cohen shattered my suspicions just a few minutes into his three-hour show.
Cohen was spectacular. His voice was so much stronger and more resonant than I had expected. And seeing his full band in person suddenly made the odd "European blues" setting of his albums seem more sophisticated than schmaltzy.
For a proper review and telling photos, check Tim Finn's analysis.
Kansas City Click: Danny Embrey plays solo guitar Tuesday at Jardine's.
A Halestorm hits the Uptown Theater on Wednesday when the band opens for Chevelle.
(Orginal image by There Stands the Glass.)
Friday, November 06, 2009
Back to the working week.
I lost much of my enthusiasm for Kansas City's annual Thanksgiving blues breakfast after I sustained an injury in 2007. The unfortunate combination of Stoli and Millie Jackson caught up with me a couple hours after the event. Still, I was saddened that the tradition has come to an end. As much as I'd like to think the organizers decided my absence last year was reason enough to give up the entire endeavor, I'm sure that other factors contributed to the end of an era. One of them, of course, is that many of the premier soul-blues artists have left this mortal coil. Johnny Adams, Clarence Carter, Tyrone Davis, Z.Z. Hill, Little Milton, Wilson Pickett and Johnnie Taylor are gone. At least Artie "Blues Boy" White, 72, is still among us. "The Night Before Payday" is from an album that isn't in Amazon's system. They do offer a few alternatives. It's too bad I won't be dancing to White this Thanksgiving. Missing the Stoli shots, however, is probably a blessing.
My friend Joel interviewed Paul Shirley.
In the same way I appreciated Donald Fagen's The Nightfly, I'm feeling the Norah Jones's new album.
Kansas City Click: Snoop Dogg brings Method Man, Redman and Devin the Dude to the VooDoo on Friday.
This year's Apocalypse Meow benefit takes place Saturday at Crosstown Station.
Ken Aldcroft joins the People's Liberation Big Band at the Record Bar on Sunday.
Tuesday, November 03, 2009
I bought a stack of Van Dyke Parks vinyl cutouts in the '80s. I vividly recall the sense of bewilderment that overcame me when I first played them. I knew of the man primarily through his association with the Byrds and the Beach Boys. But his meticulously produced oddball art songs struck me as unlistenable. Because I'm a glutton for punishment, I bought a handful of Parks cutouts on CD in the '90s. Yep- still weird. Tastes change. I now kind of like the way he subverted calypso on 1975's Clang of the Yankee Reaper.
I created two Twitter lists- Kansas City Hip Hop and Kansas City Jazz.
It seems as if I'm constantly expressing disappointment with Mac Lethal. I'm pleased, consequently, that he's back on track. Check out his new songs at MySpace.
The design for NPR's 50 Great Voices feature is outstanding.
I reviewed a spectacular performance by Afinidad.
Kansas City Click: McCoy tops Tuesday's bill at the Record Bar.
I've never been a huge Bouncing Souls fan, but I'm tempted by the opportunity to catch the band at the intimate Riot Room on Wednesday.
Friday, October 30, 2009
The first indication that Wednesday night would be a drag came as I queued up at the gate for the Buzz's Halloweenie Roast. I found myself amid a crush of A Flock of Seagulls fans who were loudly complaining about the music of Black Joe Lewis & the Honeybears.
"That's the worst band I've ever heard," one birdbrain remarked.
Judge for yourself. Here's fan footage.
While I adore the throwback soul act, I have to admit that their halfhearted effort disappointed me. The Raveonettes were even less enthusiastic. While I'm fairly certain that Black Joe Lewis was just having an off night, I suspect that the Raveonettes work best as a studio project.
As unlikely as it seems, Nuthatch 47, a local Gogol Bordello-style band, offered my favorite performance of the night. They were funny and they seemed genuinely happy to be there. So did Thunder Eagle. "Alcoholocaust," their best song, sounded as if Pat Travers was sitting in with his kid's screamo band.
I had intended to stick around for both Jet and the mighty Architects, but the sadsacks in A Flock of Seagulls bummed me out so badly that I took flight midway through their set.
Read Jason Harper's amusing account of the event for further details. I
I've neglected to note the passing of Vic Mizzy.
My friends are busting my chops for writing a relatively favorable review of last night's Rob Thomas show.
Kansas City Click: George Freaking Winston appears at Unity on the Plaza on Friday.
The Hearts of Darkness perform at Davey's on Halloween night.
Fast Johnny Ricker plays Sunday at Pilgrim Chapel.
(Original images of costumed creepiness and Thunder Eagle by There Stands the Glass.)
Wednesday, October 28, 2009
Did you know that Norah Jones has dozens, if not hundreds, of children?
They're not her biological kids. But Jones' unlikely commercial success has been so astounding that jazz-informed vocalists now have a shot at commercial acclaim in the post-Jones landscape.
One of the best of the new breed is Sachal Vasandani.
Don't mistake him for a smarmy new-school crooner. Where Michael Buble covers the Eagles, Vasandani covers Iron and Wine. And don't think he's a stuffy jazz formalist. Vasandani credits Bon Iver as an influence. It's precisely that progressive attitude that makes Vasandani so refreshing.
We Move, his excellent new album, contains a few songs that would please blue-haired fans of Frank Sinatra but still more manage to be entirely contemporary without ever resorting to smooth jazz cliches or failed stabs at pop.
Vasandani is also a gifted sonwriter. He explains the heart-wrenching story behind "Royal Eyes" in this video.
Vasandani was featured alongside Kurt Rosenwinkel and Jason Lindner yesterday at WBGO's The Checkout. Download the October 27 podcast here. You won't want to miss Rosenwinkel's appearance, but Vasandani's absolutely breathtaking rendition of "We Move" begins at the 17:51 mark.
Momma Norah would be proud.
I'm struggling with the new Tech N9ne album. K.O.D. is really dirty. Fortunately for me, the video version of "Leave Me Alone" edits out the most obscene lines. Tech gets bonus points for featuring Kansas City's skyline as a backdrop.
I didn't learn that Bruce Springsteen had canceled Monday's concert until I was a few hundred years from the arena.
The highlight of last night's BET Hip Hop Awards was the inspired performance by Goodie Mobb. In fact, "old" guys like Cee-lo, Missy Elliott, Eminem, Ice Cube, KRS-One, Mos Def and Snoop Dogg clearly outclassed the newer artists.
I'm encouraging my friends who think they don't like jazz to check out the Portico Quartet.
Kansas City Click: The unlikely bill of Jet, the Raveonettes, A Flock of Seagulls, Black Joe Lewis and White Rabbits has been assembled for a radio station event Wednesday at the Beaumont's Backyard. The Architects serve as headliners inside the club.
The wonderful Tommy Womack hits Knuckleheads on Thursday.
(Image borrowed from the Flickr account of ptcentrum.)