Showing posts with label 77 Jefferson. Show all posts
Showing posts with label 77 Jefferson. Show all posts

Thursday, June 12, 2014

"You Won't Find Onassis in Mullinville, Kansas"


I don't get starstruck by musicians.  The power held by politicians, however, puts me in awe of elected officials.

That's why I was intent on exploring much of the world they inhabit during a recent trip to Washington D.C.  I spent hours in the galleries of the House and Senate and roamed the halls of Congressional office buildings like a teenage groupie in search of her favorite teen idols. 

My first trek to the Kennedy Center was an integral part of that experience.  I witnessed guest artists Nicola Benedetti (a violinist I reviewed at the Folly Theater in February) and cellist Leonard Elschenbroich perform Brahms and Tchaikovsky with the National Symphony Orchestra. 

The performance was more than fine, but I was just as interested in gazing at the Watergate building from the riverside patio and wondering how often the honorary trustees Michelle Obama, Laura Bush, Hilary Rodham Clinton, Barbara Bush, Nancy Reagan and Rosalynn Carter visit the Kennedy Center as I was in analyzing the music.

For the record, the sprawling complex may be much larger than Kansas City's Kauffman Center for the Performing Arts, but it's not nearly as nice.  And while I sat directly behind a famous actress, I was disappointed that I didn't spot a single politician. 


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I featured 77 Jefferson in last week's segment of KCUR's Local Listen.

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Mills Record Company made a nice video of a performance by the Ray-Tones at the record store.

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Various Blonde made a video for "Downtown Frown".

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The KC Cypher Series ends its second season on a low note.

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Here a trailer for The Pleasures of Being Out of Step, a documentary about Nat Hentoff.

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The Neil Cowley Trio's Touch and Flee is RIYL: the Brad Mehldau Trio, European jazz, the Esbjorn Svensson Trio.  Here's an album trailer.

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Bixiga 70's Ocupai is RIYL: Fela, Brazilians playing African music, Antibalas.

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The lo-fi production and plaintive keening of Tim Cohen's voice on the Fresh & Only's House of Spirits put me in mind of Mekons.  RIYL: 1985, Fear and Whiskey, American Music Club.

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Lee Fields repeats a successful formula on Emma Jean.  Solomon Burke, don't fix it if it ain't broke, Wilson Pickett.

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File under uneasy listening. Say Anything's Hebrews is RIYL: the Get Up Kids, diaries, Brand New.

(Original image by There Stands the Glass.)

Friday, May 10, 2013

Listen, Do You Want To Know a Secret?


Do you want to know a secret?  Do you promise not to tell?  Let me whisper in your ear. 

I've been holding out on readers of There Stands the Glass for years.  I'll finally divulge one of the choicest music-related secrets in Kansas City.

The event calendar of UMKC's Conservatory of Music and Dance is a hidden treasure trove for music lovers.  Dozens of recitals take place all over town near the end of each semester.

On Wednesday the calendar led me to Immanuel Lutheran Church to witness Michael Shults' doctoral recital.  The performance indicated that Branford Marsalis isn't the only jazz saxophonist capable of applying jaw-dropping technique to classical selections.  I'm still recovering from Shults' authoritative rendition of Luciano Berio's pernicious "Sequenza".  Shao Zhang's appearance at White Recital Hall this evening is also tempting.

Several factors contribute to the rewarding nature of these concerts.  They're usually free and almost always take place in pristine listening environments.  The modest audiences consisting largely of classmates, family, friends and faculty allow plenty of room for curious interlopers like me.  The Conservatory's faculty includes geniuses like Zhou Long and Bobby Watson.  The students' recitals, not surprisingly, are invariably excellent.  

Mum's the word.


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Zoo of B. Hood has died.

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I'm the subject of an interview with Chris DeLine of Mills Record Company.  Meanwhile, David Hudnall spoke to DeLine.

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Tech N9ne is featured on Harry Fraud's "Rising".

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Erik Voeks' new four-song EP is titled Finulu.  RIYL: the dB's, Eric Matthews, Shoes.

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77 Jefferson created a handy preview video for its new Rarities, Vol. 2 album.  RIYL: the Blue Riddim Band, Gregory Isaacs, Black Uhuru.

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The Association for Recorded Sound Collections is holding its annual conference in Kansas City on May 15-18.
(Tip via TSTG reader Gary.)

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Presented without commentary: "Meek Mill concert presented by the Jamaal Charles Foundation".

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José James shows how it's done on an absurdly sexy rendition of Al Green's "Simply Beautiful".

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The video for the Burnt Ones' "Web"  was "shot on glorious VHS."  RIYL: Ty Segall, Nuggets, tape hiss.

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Pat Martino is still tearing it up.

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I wish that I didn't have an intimate understanding of Drive-By Truckers' "Heathens".

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Kanye West's production on Pusha T's "Numbers On the Boards" is amazing.

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"Had a dream last night about you, my friend."

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)