Love Never Felt So Good: Music Midway in 2014

Top Shows of 2014
When I look at the list of my favorite live performances of the first six months of 2014, I'm certain that I'm one of the most fortunate people on the planet.

1. Bettye LaVette- Knuckleheads
2. Nick Cave and the Bad Seeds- Midland theater
3. Pat Metheny Unity Group- Topeka Performing Arts Center
4. Marijuana Deathsquads- RecordBar
5. Kraftwerk- Sony Centre (Toronto)
6. Tony Bennett- Muriel Kauffman Theatre
7. Pharaoh Sanders- Blues Alley (Washington D.C.)
8. Nicola Benedetti- Folly Theater
9. Wolf Eyes- Riot Room patio
10. Pusha T- Midland theater

11. Suicidal Tendencies- Uptown Theater
12. Thy Art Is Murder- Aftershock
13. Regina Carter- Helzberg Hall
14. John Cale- Lawrence Arts Center
15. St. Vincent- Liberty Hall
16. Ladysmith Black Mambazo- Liberty Hall
17. Fitz & the Tantrums- KC Live
18. Allen Toussaint- Folly Theater
19. Black Label Society- Penn Valley Park
20. Bahia Orchestra Project- Helzberg Hall

21. Maze- Municipal Auditorium
22. Brad Mehldau Trio- Folly Theater
23. Jaleel Shaw with the Jeff Harshbarger Trio- Take Five Coffee + Bar
24. Brendan Kinsella- Grant Recital Hall
25. John Scofield- Folly Theater 

Top 50 Albums
Few things provide me with a bigger thrill than listening to an album for the first time.  Digital streaming, consequently, has been a godsend.  I've already listened to 234 new releases in their entirety in 2014.  My 50 favorites are listed below.  Here's a corresponding Spotify playlist.

1. St. Vincent- St. Vincent
2. Kris Bowers- Heroes + Misfits
3. Da Cruz- Disco e Progresso
4. Toni Braxton and Babyface- Love, Marriage & Divorce
5. Kelis- Food
6. Young Fathers- Dead
7. Danilo Pérez- Panama 500
8. Down- Down IV: Part II
9. Ambrose Akinmusire- The Imagined Savior Is Far Easier to Paint
10. Joyce Yang- Wild Dreams

11. Rick Ross- Mastermind
12. Drive-By Truckers- English Oceans
13. F*cked Up- Glass Boys
14. Takuya Kuroda- Rising Son
15. Skating Polly- Steilacoom
16. Ledisi- The Truth
17. Guided By Voices- Motivational Jumpsuit
18. Vampire- Vampire
19. Souljazz Orchestra- Inner Fire
20. Bohren & Der Club of Gore- Piano Nights

21. Against Me!- Transgender Dysphoria Blues
22. José James- While You Were Sleeping
23. Coltsblood- Into the Unfathomable Abyss
24. Jason Eady- Daylight & Dark
25. Juilliard String Quartet- Elliott Carter: The Five String Quartets
26. Angelique Kidjo- Eve
27. Regina Carter- Southern Comforts
28. The Pretty Reckless- Going To Hell
29. Perfect Pussy- Say Yes To Love
30. Leon Russell- Life Journey

31. De La Tierra- De La Tierra
32. Simone Dinnerstein- Bach: Inventions & Sinfonias
33. Pharoahe Monch- Post Tramatic Stress Disorder
34. Pat Metheny Unity Group- Kin
35. Future- Honest
36. Jack White- Lazaretto
37. Joshua Redman- Trios Live
38. Stephen Malkmus- Wig Out at Jagbags
39. Tech N9ne- Strangeulation
40. The War On Drugs- Lost In the Dream

41. Ume- Monuments
42. Bixiga 70- Ocupai
43. Diverse- Our Journey
44. Mike Dillon- Band of Outsiders
45. Lord Mantis- Death Mask
46. Michael Jackson- Xscape
47. Beck- Morning Phase
48. My Brothers & Sisters- Violet Music, Vol. 1
49. Zara McFarlane- If You Knew Her
50. Pharrell Williams- Girl

Reissues, Compilations and Soundtracks
1. Haiti Direct: Big Band, Mini Jazz & Twoubadou Sounds, 1960-1978
2. The Sound of Siam, Volume 2- Molam & Luk Thung Isan from North-East Thailand 1970-1982
3. Miles Davis- Miles at The Fillmore: Miles Davis: The Bootleg Series, Vol. 3
4. Wheedle's Groove: Seattle's Finest In Funk & Soul 1965-75
5. Our Vinyl Weighs a Ton (soundtrack)

(Original image by There Stands the Glass.)

"You Won't Find Onassis in Mullinville, Kansas"

I don't get starstruck by musicians.  The power held by politicians, however, puts me in awe of elected officials.

That's why I was intent on exploring much of the world they inhabit during a recent trip to Washington D.C.  I spent hours in the galleries of the House and Senate and roamed the halls of Congressional office buildings like a teenage groupie in search of her favorite teen idols. 

My first trek to the Kennedy Center was an integral part of that experience.  I witnessed guest artists Nicola Benedetti (a violinist I reviewed at the Folly Theater in February) and cellist Leonard Elschenbroich perform Brahms and Tchaikovsky with the National Symphony Orchestra. 

The performance was more than fine, but I was just as interested in gazing at the Watergate building from the riverside patio and wondering how often the honorary trustees Michelle Obama, Laura Bush, Hilary Rodham Clinton, Barbara Bush, Nancy Reagan and Rosalynn Carter visit the Kennedy Center as I was in analyzing the music.

For the record, the sprawling complex may be much larger than Kansas City's Kauffman Center for the Performing Arts, but it's not nearly as nice.  And while I sat directly behind a famous actress, I was disappointed that I didn't spot a single politician. 


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I featured 77 Jefferson in last week's segment of KCUR's Local Listen.

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Mills Record Company made a nice video of a performance by the Ray-Tones at the record store.

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Various Blonde made a video for "Downtown Frown".

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The KC Cypher Series ends its second season on a low note.

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Here a trailer for The Pleasures of Being Out of Step, a documentary about Nat Hentoff.

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The Neil Cowley Trio's Touch and Flee is RIYL: the Brad Mehldau Trio, European jazz, the Esbjorn Svensson Trio.  Here's an album trailer.

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Bixiga 70's Ocupai is RIYL: Fela, Brazilians playing African music, Antibalas.

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The lo-fi production and plaintive keening of Tim Cohen's voice on the Fresh & Only's House of Spirits put me in mind of Mekons.  RIYL: 1985, Fear and Whiskey, American Music Club.

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Lee Fields repeats a successful formula on Emma Jean.  Solomon Burke, don't fix it if it ain't broke, Wilson Pickett.

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File under uneasy listening. Say Anything's Hebrews is RIYL: the Get Up Kids, diaries, Brand New.

(Original image by There Stands the Glass.)

Review: Soweto Kinch- The Legend of Mike Smith

Every so often an album is released that seems to have been made exactly to my idiosyncratic specifications.  Ornette Coleman's harmolodics?  Check.  Intellectually ambitious hip hop?  Check.  Sprawling narrative?  Check. 

I'm compelled to believe that Soweto Kinch crafted his new The Legend of Mike Smith with me in mind.  Can there really be anyone else in the universe who loves The Streets' A Grand Don't Come for Free, Kendrick Lamar's Good Kid, M.A.A.D. City, Ornette Coleman's In All Languages, Steve Coleman's Sine Die and the first Run the Road grime compilation?

The Legend of Mike Smith is the story of a day in the life of an aspiring rapper in which the seven deadly sins lay a series of traps.  Kinch employs instrumental jazz and uncommonly eloquent hip hop to track Smith's saga over the course of 140 minutes.  While kept separate, the album explicates the natural symbiosis between the two forms.  Even so, I wonder if the absence of a single representative track will cause the album to get overlooked.  It's my understanding that the recording is a spinoff of a theatrical production.  And it's possible that those elements- despite my immediate enthusiasm- will ultimately prevent the project from standing up to repeated listening.

For now, at least, I'm over the moon for The Legend of Mike Smith.  The album inspires me to make grandiose comparisons.  It's the British answer to Good Kid, M.A.A.D. City!  It's the Sandinista! of the new millennium!  Or how about this- it's There Stands the Glass' 2013 album of the year.


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Magic Slim has died.  He was one of my favorite touring artists during the last great blues boom.  Howard Reich wrote a fine obituary.

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Kevin Ayers, best known for his work with Soft Machine, has died.

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"Roses" is a track from Red Line Chemistry's forthcoming album.

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The ACBs have a gory video for "Television."

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After shoveling snow for ninety minutes on Thursday, I unthawed to Nicola Benedetti's Silver Violin.  Nodding out to the often syrupy album with the violinist's visage dancing through my head was exceedingly pleasant.  I may make crossover classical albums my new thing.

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I'm digging these new reissues: Leon Thomas' The Creator 1969-1973: The Best Of The Flying Dutchman Masters and Pied Piper Presents - A New Concept In Detroit Soul.

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Inspectah Deck's Czarface gets my seal of approval.

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Chicago Red, the new release by Brad Goode, contains much of the same rhythmic funk and guitar skronk of Christian Scott's exemplary 2012 album Christian aTunde Adjuah.  So good.

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Euphoric Defilement!

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Kevin Eubank's new album The Messenger is a nice surprise.  RIYL: Weather Report, Charlie Byrd, Dave Holland.

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The zeitgeist: Miranda Lambert's "Time To Get a Gun".  ("I could afford one if I did just a little less drinkin'.")

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)