Love Never Felt So Good: Music Midway in 2014

Top Shows of 2014
When I look at the list of my favorite live performances of the first six months of 2014, I'm certain that I'm one of the most fortunate people on the planet.

1. Bettye LaVette- Knuckleheads
2. Nick Cave and the Bad Seeds- Midland theater
3. Pat Metheny Unity Group- Topeka Performing Arts Center
4. Marijuana Deathsquads- RecordBar
5. Kraftwerk- Sony Centre (Toronto)
6. Tony Bennett- Muriel Kauffman Theatre
7. Pharaoh Sanders- Blues Alley (Washington D.C.)
8. Nicola Benedetti- Folly Theater
9. Wolf Eyes- Riot Room patio
10. Pusha T- Midland theater

11. Suicidal Tendencies- Uptown Theater
12. Thy Art Is Murder- Aftershock
13. Regina Carter- Helzberg Hall
14. John Cale- Lawrence Arts Center
15. St. Vincent- Liberty Hall
16. Ladysmith Black Mambazo- Liberty Hall
17. Fitz & the Tantrums- KC Live
18. Allen Toussaint- Folly Theater
19. Black Label Society- Penn Valley Park
20. Bahia Orchestra Project- Helzberg Hall

21. Maze- Municipal Auditorium
22. Brad Mehldau Trio- Folly Theater
23. Jaleel Shaw with the Jeff Harshbarger Trio- Take Five Coffee + Bar
24. Brendan Kinsella- Grant Recital Hall
25. John Scofield- Folly Theater 

Top 50 Albums
Few things provide me with a bigger thrill than listening to an album for the first time.  Digital streaming, consequently, has been a godsend.  I've already listened to 234 new releases in their entirety in 2014.  My 50 favorites are listed below.  Here's a corresponding Spotify playlist.

1. St. Vincent- St. Vincent
2. Kris Bowers- Heroes + Misfits
3. Da Cruz- Disco e Progresso
4. Toni Braxton and Babyface- Love, Marriage & Divorce
5. Kelis- Food
6. Young Fathers- Dead
7. Danilo Pérez- Panama 500
8. Down- Down IV: Part II
9. Ambrose Akinmusire- The Imagined Savior Is Far Easier to Paint
10. Joyce Yang- Wild Dreams

11. Rick Ross- Mastermind
12. Drive-By Truckers- English Oceans
13. F*cked Up- Glass Boys
14. Takuya Kuroda- Rising Son
15. Skating Polly- Steilacoom
16. Ledisi- The Truth
17. Guided By Voices- Motivational Jumpsuit
18. Vampire- Vampire
19. Souljazz Orchestra- Inner Fire
20. Bohren & Der Club of Gore- Piano Nights

21. Against Me!- Transgender Dysphoria Blues
22. José James- While You Were Sleeping
23. Coltsblood- Into the Unfathomable Abyss
24. Jason Eady- Daylight & Dark
25. Juilliard String Quartet- Elliott Carter: The Five String Quartets
26. Angelique Kidjo- Eve
27. Regina Carter- Southern Comforts
28. The Pretty Reckless- Going To Hell
29. Perfect Pussy- Say Yes To Love
30. Leon Russell- Life Journey

31. De La Tierra- De La Tierra
32. Simone Dinnerstein- Bach: Inventions & Sinfonias
33. Pharoahe Monch- Post Tramatic Stress Disorder
34. Pat Metheny Unity Group- Kin
35. Future- Honest
36. Jack White- Lazaretto
37. Joshua Redman- Trios Live
38. Stephen Malkmus- Wig Out at Jagbags
39. Tech N9ne- Strangeulation
40. The War On Drugs- Lost In the Dream

41. Ume- Monuments
42. Bixiga 70- Ocupai
43. Diverse- Our Journey
44. Mike Dillon- Band of Outsiders
45. Lord Mantis- Death Mask
46. Michael Jackson- Xscape
47. Beck- Morning Phase
48. My Brothers & Sisters- Violet Music, Vol. 1
49. Zara McFarlane- If You Knew Her
50. Pharrell Williams- Girl

Reissues, Compilations and Soundtracks
1. Haiti Direct: Big Band, Mini Jazz & Twoubadou Sounds, 1960-1978
2. The Sound of Siam, Volume 2- Molam & Luk Thung Isan from North-East Thailand 1970-1982
3. Miles Davis- Miles at The Fillmore: Miles Davis: The Bootleg Series, Vol. 3
4. Wheedle's Groove: Seattle's Finest In Funk & Soul 1965-75
5. Our Vinyl Weighs a Ton (soundtrack)

(Original image by There Stands the Glass.)

Album Review: Takuya Kuroda- Rising Son

My refusal to disavow smooth jazz continues to shock many friends and readers.  I happily attend a handful of smooth jazz concerts every year and regularly listen to the music without a trace of irony.  The artists I most admire in the format aren't necessarily the purveyors of the stuff that's played in elevators.  Roy Ayers, the Crusaders, George Duke, Bob James and Lonnie Liston Smith are among the artists I adore.  Takuya Kuroda shares my love of the work of those musicians.  The trumpeter's soulful new album Rising Son includes an exceptional cover of Ayers' "Everybody Loves the Sunshine."  Reclassifying the music as acid jazz hasn't done much to revive the form's popularity.  In spite of solid promotion by Blue Note Records, the new album's current sales ranking at Amazon is #13,382.  Here's the EPK for the unfairly neglected recording.


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I reviewed Sevendust's concert Thursday at the Midland theater.

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Latenight Callers made a beautiful video for "Tourniquets"

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The Strive created a video for "Keep Dreaming".

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"Bye Felicia" is a new track by MarksMyBarber & Kansas Smitty.

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Duck Sauce's Quack is RIYL: "Disco Duck," K-Tel, "Disco Inferno."  And Barry Gibb help me- I really like it.

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The Encyclopedia of Arto promises to be a handy guide to the work of Arto Lindsay.

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Neneh Cherry's new album doesn't do much for me, but "Everything" indicates that she still knows how to make a striking video.

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Hood Internet's "Digital Humpty" tickles my pleasure centers.

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Kris Bowers' "History of Jazz Piano" is pretty great.

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1987 forever!  The feedback-laden squall of Perfect Pussy's Say Yes To Love appeals to my nostalgic side.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)

Concert Review: Brendan Kinsella at Grant Hall

After playing a rendition of Frederic Rzewiski's thorny "The People United Will Never Be Defeated" that lasted for exactly one hour, Brendan Kinsella returned for an encore at Grant Hall on Monday.

"One more time," he joked.

I laughed along with the rest of the audience of about 50.  Funny thing, though- I would have stuck around for another 60 minutes to hear it again.  Kinsella's piano recital was a test of endurance.  And I won.

Kinsella sold me on Rzewiski's political statement, a work I'd never heard.  He also played an additional set of variations by Bach and Justin Writer.


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I reviewed Wednesday's Kings of Leon and Gary Clark, Jr. concert.

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My thoughts on the first volume of Stanley Crouch's biography of Charlie Parker are published at Plastic Sax.

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Charles Love of the Kansas City band Bloodstone has died.  Our paths crossed several times.  He was an old-school gentleman.  Here's a video montage that focuses on his final years.  And I'm still astounded that Bloodstone starred in the film Train Ride To Hollywood.

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Korn is the headliner of the 2014 edition of Rockfest.

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The latest episode of the KC Cypher series gets off to a rough start.  It doesn't get much better.  KD is the best of a sorry bunch.

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Shy Boys released a video for "And I Am Nervous".

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Former Kansas City resident Steve Cardenas is doing really interesting things as a member of Ben Allison's band.  RIYL: Jim Hall, the new thing, John Abercrombie.

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Teddy Dibble has a lot going on online.  Start here, here or here.   (Tip via There Stands the Glass reader Phil.)

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Phil also turned me on to Harold Ousley's obviously seminal "Uncle Funky" from the 1972 album Sweet Double Hipness.

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Well, this is embarrassing.  I'm smitten by Rick Ross' patently offensive new album Mastermind.  The fact that his relentless boasting, sexism and homophobia don't become tiresome makes me question my self esteem.  "Sanctified" features Big Sean, Kanye West and Betty Wright.

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I feel as if I'm the only fan of contemporary hip-hop who's not down with Schoolboy Q.  At its best, the new album Oxymoron resembles a poor man's version of Kendrick Lamar's good kid, m.A.A.d city.  At its worst, it sounds like an anemic Odd Future spinoff.  Here's "Break the Bank".

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Kris Bowers' Heroes + Misfits is the kind of album I dream about.  RIYL: Esperanza Spalding, the ideal balance of jazz and R&B, José James.

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"You wanna see a dead body?"  I championed Pusha T's "Numbers On the Boards" last year.  I still love the song, but "Nosetalgia", Pusha T's collaboration with Kendrick Lamar, may be the single best track released in 2013.

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Here's a bracing new rendition of Cursive's "A Gentleman Caller".

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Regina Carter's impeccable Southern Comfort is RIYL: Mark O'Connor, NPR bumper music, Bela Fleck.

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Ume realizes its potential on Monuments.  RIYL: Deafheaven, metallic shards, Joy Formidable.

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The way the lineup of the Big Blues Bender festival is listed reveals just how far the fortunes of a few former stars of the genre have fallen.

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I've publicly denounced modern blues in this space, so my endorsement of Damon Fowler's Sounds of Home  may send shock waves through the There Stands the Glass community.  RIYL: Dickey Betts, alcohol, Little Feat.

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Shirazette Tinnin's Humility: Purity of My Soul is a mixed bag for fans of adventurous R&B-inflected jazz.  Her drumming is great, but the occasionally wacky vocals are a deal-breaker.  RIYL: Tia Fuller, the new freshness, Stevie Wonder.

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Holy Out to Lunch!  Matt Bauder's Nightshades is very nice.  RIYL: Eric Dolphy, 1966 rebooted, Joe Henderson.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)