Showing posts with label Neneh Cherry. Show all posts
Showing posts with label Neneh Cherry. Show all posts
Friday, April 25, 2014
Album Review: Takuya Kuroda- Rising Son
My refusal to disavow smooth jazz continues to shock many friends and readers. I happily attend a handful of smooth jazz concerts every year and regularly listen to the music without a trace of irony. The artists I most admire in the format aren't necessarily the purveyors of the stuff that's played in elevators. Roy Ayers, the Crusaders, George Duke, Bob James and Lonnie Liston Smith are among the artists I adore. Takuya Kuroda shares my love of the work of those musicians. The trumpeter's soulful new album Rising Son includes an exceptional cover of Ayers' "Everybody Loves the Sunshine." Reclassifying the music as acid jazz hasn't done much to revive the form's popularity. In spite of solid promotion by Blue Note Records, the new album's current sales ranking at Amazon is #13,382. Here's the EPK for the unfairly neglected recording.
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I reviewed Sevendust's concert Thursday at the Midland theater.
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Latenight Callers made a beautiful video for "Tourniquets"
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The Strive created a video for "Keep Dreaming".
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"Bye Felicia" is a new track by MarksMyBarber & Kansas Smitty.
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Duck Sauce's Quack is RIYL: "Disco Duck," K-Tel, "Disco Inferno." And Barry Gibb help me- I really like it.
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The Encyclopedia of Arto promises to be a handy guide to the work of Arto Lindsay.
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Neneh Cherry's new album doesn't do much for me, but "Everything" indicates that she still knows how to make a striking video.
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Hood Internet's "Digital Humpty" tickles my pleasure centers.
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Kris Bowers' "History of Jazz Piano" is pretty great.
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1987 forever! The feedback-laden squall of Perfect Pussy's Say Yes To Love appeals to my nostalgic side.
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Kansas City Click: My official picks are published here.
(Original image by There Stands the Glass.)
Saturday, March 01, 2014
Album Review: Brad Mehldau and Mark Guiliana- Taming the Dragon
In the recollection of a dream that opens Taming the Dragon, a man is characterized as "a cross between Joe Walsh and Dennis Hopper."
In that spirit, I'll suggest that the collaboration between Brad Mehldau and Mark Guiliana is a cross between Herbie Hancock's Head Hunters and Tangerine Dream's Rubycon.
The collage of synths and percussion is less a response to EDM than an homage to the synth pioneers of the 1970s. Taming the Dragon is a nice companion piece to Daft Punk's Random Access Memories.
Folks in nearby Atchison should note that one noodly track is titled "Elegy for Amelia E." "The Dreamer" goes nowhere fast but I love the casual funk of "Sassysassed Sassafrass." A live version of "Hungry Ghost" is illuminating. I understand why many Mehldau devotees are disappointed by the recording, but I like it.
Taming the Dragon is a decidedly minor album by one of our time's most important musicians.
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I reviewed Thursday's concert by 2 Chainz, Pusha T and August Alsino. Here's my analysis of Friday's performances by Black Joe Lewis and Pickwick.
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The Missouri Arts Council recently recognized There Stands the Glass and Plastic Sax.
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"Keep Me in the Dark" is the latest video from the Noise FM.
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Paco de Lucia has died. A lot of people I knew played Friday Night in San Francisco constantly in 1981-82.
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The audio of Leonard Feather's legendary blindfold tests are available as free downloads. (Incredible tip via Big Steve.)
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The lineup of Moogfest 2014 is amazing.
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I continue to root for Lisa Marie Presley, but the tone of her promotional material is all wrong.
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I'm calling it right now- this is the single worst pop hit of all time. Watch and listen at your own risk.
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It turns out that I liked the idea of Neneh Cherry's first proper solo album in 16 years more than the album itself. Blank Project isn't nearly as good as her 2012 jazz-based album with the Thing. RIYL: Portishead, feeling underwhelmed, Robyn.
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Amerigo Gazaway created a "conceptual collaboration" between Marvin Gaye and Mos Def. RIYL:
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Kansas City Click: My official picks are published here.
(Original image by There Stands the Glass.)
Labels:
2 Chainz,
August Alsina,
Black Joe Lewis,
Brad Mehldau,
Kansas City,
Leonard Feather,
Lisa Marie Presley,
Mark Guiliana,
Moogfest,
Neneh Cherry,
Noise FM,
Paco De Lucia,
Pickwick,
Pusha T
Sunday, January 19, 2014
Album Review: Paul Cebar- Fine Rude Thing
Albums like Fine Rude Thing, the new release by Milwaukee's Paul Cebar, provided the primary soundtrack of my mid-20s. Cebar's sound is rooted in a divine combination of Creedence, Otis Redding and the Faces. When my life started getting complicated, however, my taste for party-oriented roots music diminished. It's a drag- Fine Rude Thing is a good time. Perhaps I'll add regaining an undiluted enjoyment of cheerful bar bands to my list of long-term goals.
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I reviewed a concert by Kenny G and the Kansas City Symphony at Helzberg Hall on Friday.
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From my friend Chris Doolittle: I don't know if you remember Symetrix from the late 80's and early 90's but a friend of mine, Eason Pritchard, is an old high school friend and the band's leader. His drummer and friend, Jerry Bayton, was diagnosed with multiple myeloma cancer… Eason asked me to help him finish these few songs he has been working on for a couple of years before Jerry left for treatment in New York earlier this month. This mission was accomplished. Now I am trying to spread the good word to all and especially my music friends about this release as all proceeds go to Jerry's treatment. There are only 3 songs and I play lead on the first two.
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Making Movies made a video for "Pendulum Swing."
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Kansas City pianist Mark Lowrey filmed a performance of a new composition.
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A video was made for D/Will's "Pure."
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My favorite album of the first three weeks of 2014 is the self-titled outing by the supergroup De La Tierra. RIYL: Sepultura, metal en Español, Deftones.
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NPR's coverage of GlobalFest is impressive. And why didn't any of you jerks tell me about Brushy One-String?
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Fusion lives! "Just Call Me Nige" is a track from Mehliana, a collaboration between Brad Mehldau and Mark Guiliana.
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A new album by Neneh Cherry will be released next month. The advance track "Everything" is RIYL: Four Tet, the future, Dessa.
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I hadn't realized that Anthony Braxton was (the best kind) of hippie until I heard his fascinating speech at the 2014 NEA Jazz Masters Concert. Braxton's segment begins a bit before the one-hour-17-minute mark here.
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I'm a Rick Rubin fanboy, but I have to call him out for whatever role he played in spoiling Jennifer Nettles' That Girl. The new album might have been as impressive as Gwen Stefani's Love. Angel. Music. Baby. had Nettles' enormous voice not been allowed to overwhelm the mix. RIYL: ibuprofen, Ethel Merman, epic production fails.
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"CS60" is a track from BadBadNotGood's forthcoming album. RIYL: Jack DeJohnette's electronic albums, jazz with a young and enthusiastic audience, OFWGKTA.
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I don't want to be "that guy," but really, Jazz Fest?
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A$AP Ant "See Me" fails to impress me.
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I was excited to hear that Plague of Babylon was Iced Earth's "heaviest album in years." It's not all that. Legion of the Damned's Ravenous Plague is more like it. RIYL: Vader, punching walls, Morbid Angel.
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The trailer for Mary Chapin Carpenter's new orchestral album is appropriately overblown.
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I recently discovered Ausmuteants' 100 Ausmuteants Fans Can't Be Wrong?100,000,000 Bon Jovi Fans Can. RIYL: T.S.O.L., the spirit of rock and roll, 999.
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Kansas City Click: My official picks are published here.
(Original image by There Stands the Glass.)
Tuesday, November 19, 2013
Album Review: The Wood Brothers- The Muse
The year-end top-ten-album list I just submitted to the official gatekeepers is dominated by hip-hop and jazz entries. I'm pleased with my choices, but obviously a brief list won't fully represent my listening habits. For instance, I listen to a lot of folk and folk-rock ranging from favorite albums by the late Bill Morrissey to current folk scare acts like the Head and the Heart that are inflicted on me by members of my compound. Because its relaxed tone is reminiscent of creaky old albums by The Band, I'm particularly partial to The Muse, the latest effort by The Wood Brothers. I'm not about to forsake my beloved jazz, hip-hop and metal for The Muse, but it's pretty solid. Here's the video for the album's title track.
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I reviewed Harry Connick's concert at the Midland theater on Sunday.
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Kansas City rapper Ace Duce has died.
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Dalima, a Kansas City rapper associated with Tech N9ne, was involved in a shooting in Salina several months ago. (Tip via Tony's Kansas City.)
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Composer John Tavener has died. I reviewed a performance of one of his works in 2011.
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The video for Josh Berwanger's "Time Traveler" is RIYL: Warriors (the movie), 1989, Cheap Trick.
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Marcus Yates, the artist known as Obergeek just a few months ago, has released Dark Taupe Schemata . RIYL: XV, Tech N9ne, Kid Cudi.
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Danny Brown's cameo is my favorite part of the new interactive Bob Dylan video that's threatening to explode the internet today.
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Esperanza Spalding campaigns for the closure of Guantanamo in "We Are America".
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Death's edition of "What's In My Bag" is pretty great.
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El Pelon del Mikrophone's "No voy a llorar" is my idea of a good time.
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Here's a track from Neneh Cherry's forthcoming solo album, her first in 16 years. RIYL: M.I.A., The Slits, Roni Size.
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I mentioned Marco Polo's PA2's The Director's Cut in the previous post. I finally got around to listening to the supremely entertaining 80-minute project that serves as a tribute to old-school hip-hop. RIYL: Pharoahe Monch, Large Professor, King Tee.
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Oh, Kanye West,, how I love you!
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By request- here's the soundtrack of my childhood: "Hee hee he haw haw haw".
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Kansas City Click: My official picks are published here.
(Original image by There Stands the Glass.)
Labels:
Bob Dylan,
Dalima,
Danny Brown,
Death,
Esperanza Spalding,
Harry Connick,
John Tavener,
Josh Berwanger,
Kansas City,
Kanye West,
Marco Polo,
Marcus Yates,
Neneh Cherry,
Oobergeek,
Wood Brothers
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