Album Review: Young Fathers- Cocoa Sugar

Cocoa Sugar doesn’t bump in my whip.  It doesn’t do much through my headphones either.  Young Fathers’ new release is among my most highly anticipated albums of 2018.  I don’t like it.  The Scottish group downplays hip-hop elements on its third album in favor of precious indie-rock embellishments.  I once rejected the frequent comparisons to TV On the Radio that hounded the Scottish trio, but the correlation is obvious on Cocoa Sugar.  (Caveat: I reserve the right to change my mind.)


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I reviewed a concert by the Kansas City Jazz Orchestra at Plastic Sax.

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Valee’s 14-minute Good Job, You Found Me is pure evil.  The lyrics are reprehensible and the flow is derivative.  So why can’t I stop listening?  It’s the beats, stupid.  Pusha T pops off on “Miami”.

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Nubya Garcia’s new single “When We Are” has me on #teamnubya.  RIYL: Courtney Pine, optimism, Eddie Moore & the Outer Circle.

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Automata 1, Between the Buried and Me’s latest riff-tastic effort, surpasses the recent work of Mastodon.  Here’s “Millions”.

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I’m struggling to hear what the cool kids find so captivating about Soccer Mommy’s Clean.  RIYL: Blake Babies, retreads, Liz Phair.  Here’s “Your Dog”.

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Henry Cow lives!  The kids in the British jazz group Dinosaur made a wacky music video that evokes the forgotten experimental rock ensemble.

(Original image by There Stands the Glass.)

Concert Review: Max Raabe und Palast Orchester at Helzberg Hall

Curious to discover what qualities allow a German big band to attain enough popularity to justify a tour of American concert halls, I bought a half-price ticket to see last week’s Kansas City debut of Max Raabe und Palast Orchester at Helzberg Hall.

I was entertained.

The audience of about 1,000 was more varied than the typical big band crowd.  A prominent young burlesque dancer was seated next to me while the oldtimers behind me reminisced about Glenn Miller prior to the concert.

The broad appeal of Raabe’s ensemble was immediately apparent.  The vocalist and the members of his 12-piece band are terrific showmen.  Raabe is a droll comedian with an extraordinary voice. 

Almost every selection included at least one subtle gag while other numbers were played entirely for laughs.  Dramatic lighting aside, however, the band didn’t rely on any special effects.

With a repertoire of songs popular during the Weimar Republic, the band revived compositions by the likes of Harry James and Kurt Weill. 

Formerly a skeptic, I’m a believer.


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If forced to enter a talent contest, I'll revive Stan Freberg’s ”John and Marsha.” .  Freberg died last week.

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I reviewed a Dr. Dog concert last week.

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Sunday’s outing by Mark Dresser, Myra Melford and Matt Wilson astounded me.  My notes are posted at Plastic Sax.

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I contributed a Local Listen segment about Kangaroo Knife Fight to KCUR.

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Young Fathers’ White Men Are Black Men Too is a grower.  After almost writing the album off as an assortment of unfinished demos, it finally connected with me.  Here’s the video for ”Shame”.

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About a third of Brian Wilson’s No Pier Pressure is solid. 

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Eliane Elias’ Made In Brazil is just as glossy, slick and overblown as its cover art suggests.  I like it in spite of myself.  RIYL: Dionne Warwick, MPB, Elis Regina.

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While all is not forgiven, David Sanborn continues to redeem himself.  Quartette Humaine. his 2013 collaboration with Bob James, was excellent.  And the new Time and the River is a fine funk/R&B/smooth jazz project. 

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Lage Lund’s guitar trio album Idlewild is deceptively deep.  RIYL: Emily Remler, subtle rebellion, Bill Frisell.

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I don’t understand why the cool kids are fascinated with Royal Thunder.  The band isn’t much different than the Pretty Reckless, a rock act that’s shunned by tastemakers.  That said, I also admire Crooked Doors.  RIYL: Buckcherry, “active rock”, Halestorm.

(Original image by There Stands the Glass.)

Love Never Felt So Good: Music Midway in 2014

Top Shows of 2014
When I look at the list of my favorite live performances of the first six months of 2014, I'm certain that I'm one of the most fortunate people on the planet.

1. Bettye LaVette- Knuckleheads
2. Nick Cave and the Bad Seeds- Midland theater
3. Pat Metheny Unity Group- Topeka Performing Arts Center
4. Marijuana Deathsquads- RecordBar
5. Kraftwerk- Sony Centre (Toronto)
6. Tony Bennett- Muriel Kauffman Theatre
7. Pharaoh Sanders- Blues Alley (Washington D.C.)
8. Nicola Benedetti- Folly Theater
9. Wolf Eyes- Riot Room patio
10. Pusha T- Midland theater

11. Suicidal Tendencies- Uptown Theater
12. Thy Art Is Murder- Aftershock
13. Regina Carter- Helzberg Hall
14. John Cale- Lawrence Arts Center
15. St. Vincent- Liberty Hall
16. Ladysmith Black Mambazo- Liberty Hall
17. Fitz & the Tantrums- KC Live
18. Allen Toussaint- Folly Theater
19. Black Label Society- Penn Valley Park
20. Bahia Orchestra Project- Helzberg Hall

21. Maze- Municipal Auditorium
22. Brad Mehldau Trio- Folly Theater
23. Jaleel Shaw with the Jeff Harshbarger Trio- Take Five Coffee + Bar
24. Brendan Kinsella- Grant Recital Hall
25. John Scofield- Folly Theater 

Top 50 Albums
Few things provide me with a bigger thrill than listening to an album for the first time.  Digital streaming, consequently, has been a godsend.  I've already listened to 234 new releases in their entirety in 2014.  My 50 favorites are listed below.  Here's a corresponding Spotify playlist.

1. St. Vincent- St. Vincent
2. Kris Bowers- Heroes + Misfits
3. Da Cruz- Disco e Progresso
4. Toni Braxton and Babyface- Love, Marriage & Divorce
5. Kelis- Food
6. Young Fathers- Dead
7. Danilo Pérez- Panama 500
8. Down- Down IV: Part II
9. Ambrose Akinmusire- The Imagined Savior Is Far Easier to Paint
10. Joyce Yang- Wild Dreams

11. Rick Ross- Mastermind
12. Drive-By Truckers- English Oceans
13. F*cked Up- Glass Boys
14. Takuya Kuroda- Rising Son
15. Skating Polly- Steilacoom
16. Ledisi- The Truth
17. Guided By Voices- Motivational Jumpsuit
18. Vampire- Vampire
19. Souljazz Orchestra- Inner Fire
20. Bohren & Der Club of Gore- Piano Nights

21. Against Me!- Transgender Dysphoria Blues
22. José James- While You Were Sleeping
23. Coltsblood- Into the Unfathomable Abyss
24. Jason Eady- Daylight & Dark
25. Juilliard String Quartet- Elliott Carter: The Five String Quartets
26. Angelique Kidjo- Eve
27. Regina Carter- Southern Comforts
28. The Pretty Reckless- Going To Hell
29. Perfect Pussy- Say Yes To Love
30. Leon Russell- Life Journey

31. De La Tierra- De La Tierra
32. Simone Dinnerstein- Bach: Inventions & Sinfonias
33. Pharoahe Monch- Post Tramatic Stress Disorder
34. Pat Metheny Unity Group- Kin
35. Future- Honest
36. Jack White- Lazaretto
37. Joshua Redman- Trios Live
38. Stephen Malkmus- Wig Out at Jagbags
39. Tech N9ne- Strangeulation
40. The War On Drugs- Lost In the Dream

41. Ume- Monuments
42. Bixiga 70- Ocupai
43. Diverse- Our Journey
44. Mike Dillon- Band of Outsiders
45. Lord Mantis- Death Mask
46. Michael Jackson- Xscape
47. Beck- Morning Phase
48. My Brothers & Sisters- Violet Music, Vol. 1
49. Zara McFarlane- If You Knew Her
50. Pharrell Williams- Girl

Reissues, Compilations and Soundtracks
1. Haiti Direct: Big Band, Mini Jazz & Twoubadou Sounds, 1960-1978
2. The Sound of Siam, Volume 2- Molam & Luk Thung Isan from North-East Thailand 1970-1982
3. Miles Davis- Miles at The Fillmore: Miles Davis: The Bootleg Series, Vol. 3
4. Wheedle's Groove: Seattle's Finest In Funk & Soul 1965-75
5. Our Vinyl Weighs a Ton (soundtrack)

(Original image by There Stands the Glass.)

Album Review: Young Fathers- Dead

A certain subset of my friends doesn't realize it yet, but Young Fathers' Dead is going to be our shared go-to album of 2014.  It's often difficult to find common musical ground in friendships that aren't based on music.  The Scottish trio has us covered.  Dead's synthesis of hip-hop and indie-rock appeals to listeners partial to Joy Division, Chvrches, Yeezus and/or Death Grips.  "Get Up" and "Low" are the album's would-be hits.  As the gloomy title suggests, Dead isn't a typical party album, but the stuff my friends and have been going through lately isn't exactly a picnic.


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Maze featuring Frankie Beverly, El DeBarge, SWV and Slick Rick made me happy on Sunday.  Here's my review.

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Here's a list of the hundreds of artists performing at this week's Folk Alliance Conference in Kansas City.

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I finally listened to the Shy Boys' self-titled album.  It's solid.  RIYL: The Four Freshmen, dreaming, Weezer.

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Look at those fuc… Wait a minute- Hunter Long's "Preliminary Studies #3" is really good.

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Bob Casale, Devo's guitarist, has died.

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"The Worst Songs of All Time?" episode of All Songs Considered has become a meme of sorts.  Because mocking incontestably "bad" music is pointless, I made a list of ten songs I loathe by artists I love: Chuck Berry- "My Ding-A-Ling"; Beyoncé- "Drunk In Love"; The Clash- "Train In Vain"; Aretha Franklin- "Freeway of Love"; Marvin Gaye and Tammi Terrell- "Ain't No Mountain High Enough"; Jay-Z- "Girls, Girls, Girls"; Bob Marley- "Jamming"; Dolly Parton- "9 to 5"; Bruce Springsteen- "Glory Days"; Tech N9ne- "Slacker."

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Zara McFarlane's If You Knew Her has all the attributes of an important album.  I expect If You Knew Her to be the toast of the Starbucks and Pitchfork cliques in the next few months. RIYL: Nina Simone, the next big arty thing, Cécile McLorin Salvant.

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The dudes in Behemeth might hunt me down if they happen to stumble upon my perspective, but the Polish metal band's new release The Satanist is actually an excellent Christian rock album.  After all, people who expend so much energy quoting scripture and denouncing God obviously has a thing for J.C.

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9th Wonder was a "Hip-hop Fellow" at Harvard.

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I'm not really interested in Chino Moreno's Depeche Mode fetish.  Here's Crosses' audaciously titled "Bitches Brew".

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Morning… Dreaming… by Thomas Clausen and Steve Swallow is RIYL: Chick Corea, zen, Carla Bley.

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I don't even recognize Grieves in the rapper's new video for "Shreds".  RIYL: Atmosphere, weird changes in physical attributes, Ces Cru.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)