Saturday, April 05, 2014

Concert Review: Shearwater, Death Vessel and Jesca Hoop at the Horseshoe Tavern



Tourism bureaus take note- music tourism isn't limited to major festivals.

On my first trip to Toronto in 1999, I saw Royal Trux at the famous El Mocambo in Toronto.  Fifteen years later, I made a beeline for the renowned Horseshoe Tavern to catch a triple bill of Shearwater, Death Vessel and Jesca Hoop.  (I also visited Massey Hall and the Sony Centre.)

Along with about 225 Canadians, I paid $15 to enter the room that looks a lot like the 39th Street version of Kansas City's Parody Hall.  Hoop, a former nanny for Tom Waits' brood, opened the show with a flighty solo set.  Her dusky voice is her strongest asset.

Death Vessel was the primary musical draw for me.  Blind Pilot and Bon Iver excepted, Death Vessel is the best chamber folk band I've seen.  Joel Thibodeau, the band's primary vocalist, resembles a young Paul Simon.  (Don't believe me? See for yourself.)  The remainder of the ensemble is similarly intriguing.

I've never been able to get into Shearwater.  I left thirty minutes into the headliner's set.


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I reviewed St. Vincent's concert Monday at Liberty Hall and Todd Rundgren's appearance at the VooDoo Lounge on Thursday.

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The sixth installment of the second season of the KC Cypher Series is salvaged by the Phantom.

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Stik Figa and DJ Sku go "Back 2 Kansas".

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John Velghe & the Prodigal Sons were captured in a 909 session.

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House music pioneer Frankie Knuckles has died.

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Here's a portion of Kelis' amazing performance at SXSW.

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I've yet to encounter a compilation of Bob Dylan covers on which I didn't find at least something to appreciate.  The new collection Bob Dylan in the 80's: Volume One contains several gems.  I immediately skipped to the slam dunk of Craig Finn interpreting "Sweetheart Like You," but other keepers include Carl Broemel's version of "Death Is Not the End" and Gene Ween and Slash's take on "Wiggle Wiggle."

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It's nice to see Carlene Carter back on the scene.

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Range of Light, S. Carey's delicate new chamber folk album, is RIYL: Bon Iver, the Garden of Eden, Iron & Wine.

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A few tracks on Beats Antique's A Thousand Faces - Act 2 are delightful.  RIYL: Renaissance fairs, Bassnectar, Cirque du Soleil.

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Before Jesca Hoop performed at the Horseshoe Tavern, the Mekons' "Empire of the Senseless" boomed through the sound system.  I watched three guys Shazam the great song as I realized I haven't listened to Rock 'n' Roll in years.  My priorities are all screwed up.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)

1 comment:

Gary said...

Ha, I'm not the only one that doesn't get the hub bub about Shearwater.