Showing posts with label Khatia Buniatishvili. Show all posts
Showing posts with label Khatia Buniatishvili. Show all posts
Thursday, April 25, 2019
April Recap
Top Five Performances
1. Khatia Buniatishvili- Folly Theater
My review.
2. Matt Otto, Danny Embrey, Sam Copeland and Brian Steever- Black Dolphin
My review.
3. Tatsuya Nakatani & Assif Tsahar- 1900 Building
My review.
4. tenThing- Helzberg Hall
My Instagram footage.
5. Bill MacKay- Mills Record Company
My Instagram footage.
Top Five Albums
1. Anderson Paak- Ventura
My review.
2. Bill Frisell and Thomas Morgan- Epistrophy
My review.
3. Caroline Shaw/Attacca Quartet- Orange
Yet another Big Ears Festival encounter.
4. Brooks & Dunn- Reboot
My review.
5. Angelique Kidjo- Celia
Afro-Cuban makeovers.
Top Five Songs
1. Reba McEntire- “Stronger Than the Truth”
The hard stuff.
2. Kevin Abstract- “Big Wheels”
Squeaky.
3. Randy Rogers Band- “Drinking Money”
Gonna spend it all in one place.
4. Lizzo- “Jerome”
I’d hate to be him.
5. Pup- “Scorpion Hill”
Dark thoughts.
I conducted the same exercise in January, February and March.
(Original image of Bill MacKay by There Stands the Glass.)
Thursday, April 18, 2019
Concert Review: Khatia Buniatishvili at the Folly Theater
I’ve witnessed the cavorting of scantily clad pop stars, the testifying of sweaty soul men and the suggestive voguing of hyper-masculine country crooners in recent months. None of these performers possessed even half of the charisma exuded by Khatia Buniatishvili at the Folly Theater on Wednesday. While she and Sony’s marketing department don’t hesitate to capitalize on her looks, the celebrated pianist from Batumi, Georgia, boasts the sort of magnetism that transcends her pleasing visage. The impeccable playing of Buniatishvili emphasized extreme dynamics in an enchanting program of Shubert. She ecstatically tossed her hair, waved her arms and contorted her body during her Kansas City debut. Just how captivating was Buniatishvili? The majority of the audience of about 750 stuck around for the invariably dull artist interview that follows concerts in the Harriman-Jewell Series. I’m not the only one who can’t get enough of Buniatishvili.
(Original image by There Stands the Glass.)
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