Album Review: Nas- Illmatic XX

A common theme in alien abduction movies is the victim's inability to account for an inexplicable loss of time.  It happened to me this week.  Instead of getting probed by lusty Martians, I simply hit play on the new reissue of Nas' Illmatic.  The wormhole effect elicited by twenty-year-old tracks like "One Time 4 Your Mind" made me oblivious to the outside world.  Hey Nas- what do you want from me?  Leave me alone!


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I saw John Cale for the first time last night.  Here's my review.

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The Museum of Dead People in my basement contains several albums and CDs by Jesse Winchester.  But I never saw the man perform and I never really connected with his music.  Only covers of Winchester's material- Ted Hawkins' rendition of "Biloxi" is a prime example- resonated with me.  Winchester died last week.

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The film portion of this weekend's Middle of the Map Fest features several music movies.

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Stik Figa released The Pookey Tape this week.

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Here's a most welcome blast from the past: live footage of BCR performing at Harlings in 1995.  The expression of the young woman dancing in front of the single camera reflects my affection for Black Crack Revue.

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When worlds collide.

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Brook Tuley of Bloodbirds released First Midnight.

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An instrumental version of Romeo Santos' Formula, Vol. 2 could conceivably make by year-end top albums list.  The blend of pop and bachata is intoxicating.  But man, I just can't take Santos's smarmy ad-libs.  The feature by Rhymes-with-Snake on the seventh track adds insult to injury.

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Vampire's self-titled album is great.  RIYL: death metal, Slayer, vampires.

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Snarky Puppy, hailed by many observers as a band capable of resurrecting interest in jazz, strikes me as an unholy mashup of Steely Dan and the Brecker Brothers.  Here's a sample (note the impressive view count).

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Chuck E. Weiss makes only three selections for "What's In My Bag?".  And it's possibly the best episode yet.

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I like what I've heard of Phronesis' new live album Life To Everything.  RIYL: Medeski Martin & Wood, the sound of people cheering for a piano trio, the Bad Plus.

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John McLaughlin's new The Boston Record is seventies-tastic.  RIYL: Mahavishnu Orchestra, solos, Jaco Pastorius.

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Woods' With Light and with Love is a righteous jam.  RIYL: If I Could Only Remember My Name, patchouli, All Things Must Pass.

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Emmure's "Like LaMotta" is this week's palate cleanser. 

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)

Concert Review: The Mosh Lives Tour at Aftershock

As I stood in line outside the men's room at Aftershock on Saturday, I witnessed a group of strangers bonding over their military service.  Enlisted men with close-cropped hair swapped literal and figurative war stories with shaggy veterans.  The encounter made me proud to be a metal fan. 

I paid $20 to bang my head and push and shove the other members of the capacity audience of 450.  Emmure headlined a six-band bill that also featured Volumes, Thy Art Is Murder, Gideon, Sworn In and On The Shoulders Of Giants.

Thy Art is Murder, a gnarly Australian band, gave my favorite performance.  Violent songs like "Reign of Darkness" and "The Purest Strain of Hate" almost incited a jubilant riot.  There are worse ways to die than getting trampled in a mosh pit in Merriam, Kansas. 

Tuscaloosa's Gideon was almost as riveting.  Hearing the sweaty dudes in the mosh pit shout along to every hardcore outburst without breaking stride impressed me. 

Volumes, the Los Angeles-based band I had been most excited about seeing, was enormously disappointing.  I was surprised to find that the two vocalists were bros.  I can live with that, but their total frat move antics and the band's thin sound were unacceptable.

When you're sandwiched between Thy Art Is Murder and Emmure, that weak sh*t just doesn't cut it.  After all, "The Key To Keeping the Show Fresh Is… I'm Dead".


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My notes on Regina Carter's performance Sunday at Helzberg Hall are at Plastic Sax.

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Approach's 2013 album Make-Out With Violence is temporarily available as a free download.

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Mac Lethal meets Ellen.

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Gwar's Dave Brockie has died.

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Only Madlib's imaginative production makes Piñata, the bafflingly acclaimed album by Freddie Gibbs, bearable.  Not a fan.  RIYL: Shoutouts to TechN9ne, Jay Rock, Earl Sweatshirt cameos.

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"We Made It", a new track by Jay Z and Jay Electronica, is tone-deaf. 

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My Hank Williams collection was complete- until now.  The Garden Spot Programs, 1950 will be released in May.

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Kansas City Click: My official picks are published here.

(Original expert photography by There Stands the Glass.)