Album Review: Phil Neal & the Wornalls- Lifeline

I'm accustomed to embarrassing myself on the radio.  My latest faux pas occurred while I was talking up the latest album by Phil Neal & the Wornalls.  I suggested that I'd just as soon catch the Kansas City band at the RecordBar as make an investment in a ticket for Tom Petty & the Heartbreaker's concert at Sprint Center.  A colleague quickly pointed out that Petty's concert had been canceled.  Even so, I stand by my sentiment.  The Wornalls may not be as accomplished as the Heartbreakers and Neal's vocal range is even more limited than Petty's.  Yet the songs on the new album Lifeline are raw, honest and entirely relevant to my life.


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I spent over eight happy hours at Warped Tour on Thursday.  Here's my review.

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Last week's Local Listen segment for KCUR's Up To Date featured Jason Vivone and the Billy Bats.  This week's feature focused on the People's Liberation Big Band. 

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Bent Edge Punk documents Kansas City's early punk and new wave scene.  (Via Tony's Kansas City.)

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Impossibly strange fact: fans attending a Kansas City Kings game in 1978 were given free copies of Ian Matthews' Stealin' Home.  The album is being reissued by Omnivore Recordings.

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Is Nicholas Payton trolling on his new project Numbers?  The twelve pleasant grooves are almost interchangeable.  RIYL: soulful background music, Decoy, high concept.

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Ex-Cult's Midnight Passenger is very good.  RIYL: Iceage, thinking about the Sex Pistols, Stooges.

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Nothing's Guilty of Everything is RIYL: Deafheaven, brooding, My Bloody Valentine.

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Raheem DeVaughn's graphic King of Loveland 2 is RIYL: Prince, you already know, the Isley Brothers.

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".38 Airweight", the solid new single from Doomtree, is RIYL: Minneapolis, Aesop Rock, smart rappers.

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I intended to briefly audition Trampled By Turtles' Wild Animals.  Before I knew it, I'd enjoyed the entire album.  Twice.  RIYL: American Beauty, mornings, Fleet Foxes.

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It seems like several lifetimes ago that I loved Scruffy the Cat.  I spend a few hazy nights catching the band at the Lone Star and Parody Hall.  Here's the trailer for a new compilation of the band's roots rock. 

(Original image by There Stands the Glass.)

Concert Review: Phil Neal & the Wornalls at the RecordBar

I should have been drinking Guinness and wearing an Eddie & the Hot Rods t-shirt rather than enjoying Boulevard Pale Ale while bundled in a sweater.  Attending Phil Neal & the Wornalls' recent matinee performance at the RecordBar was akin to stepping into a London pub in 1976.  The earnest band banged out pub rock with casual grace. 

Ever since I reviewed the delightful album Lonely Tonight in February, I'd been meaning to catch the band.  Better late than never. 

Neal comes by the no-frills sound honestly.  Check out his 1983 video for "2 Time Loser".  Thirty years later, Neal's pop aspirations have been replaced with gritty defiance.

Aside from the shaky vocals I referenced in my album review, the band- particularly lead guitarist Gary Paredes- played with admirable fortitude.  While callow audiences might be put off by the multi-generational composition of his band, Neal's perseverance inspires me.


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Josh Berwanger's Strange Stains is RIYL: Dwight Twilley, Lindsey Buckingham, the Shoes.  (Tip via Tim Finn.)

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A favorite parlor game in the There Stands the Glass compound is determining which version of a popular song is best.  The winner of the "Both Sides Now" entry is Dave Van Ronk. 

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Care to watch grainy footage of Don Ho and Tom Jones singing Willie Nelson's "Night Life"?  Of course you do.

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Disappointed!  Robert Glasper's Black Radio 2 is a self-indulgent mess.  Most of the raps are corny while the melismatic vocalists sound way too blessed out. 

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Boy George's album is remarkably solid.  Check out "King of Everything".  RIYL: Culture Club, Culture, Club Med. 

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I enjoyed Arcade Fire's new Reflektor album far more than the band's 2010 breakthrough album The Suburbs. RIYL: Let's Dance-era David Bowie, NPR, Chic.

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I really wanted to like Alan Jackson's Bluegrass Album album, but it just brought me down.  RIYL: The Grand Ole Opry, moonshine, poor execution. 

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Skeletonwitch's Serpents Unleashed is excellent.  RIYL: dirt, Torche, beer.

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I'm glad to have listened to Allen Tousssaint's Songbook once, but the live recording accentuates the brilliant man's weaknesses.  RIYL: Bobby Short, cabaret, Elvis Costello. 

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Malaco re-upped a fine promotional video for a 1999 Little Milton album. 

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This week's new releases of special interest to There Stands the Glass include titles by Trace Adkins, Arcade Fire, Bad Religion (Christmas Songs!), Bardo Pond, Kelly Clarkson, Chris Forsyth, Robert Glasper, Roy Harper, Toby Keith, Los Lobos, Nick Lowe, Johnny Mathis, Minor Alps, Juana Molina, Warbringer and White Denim.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)

Review: Phil Neal & the Wornalls- Lonely Tonight

Every eighteen months or so I find myself digging through my music vault in search of albums by the Records, Bram Tchaikovsky and Brinsley Schwartz.  There's a certain nostalgic itch that can only be scratched by the power pop and pub rock of another era.  Given everything that's transpired in the past three decades, it's impossible for today's musicians to match that gloriously naive sound.

Or is it?  Lonely Tonight, the latest release by Kansas City's Phil Neal & the Wornalls, is a pitch-perfect throwback to that era.  Its eight songs are untouched by time. 

Neal comes by the sound honestly.  He led the power pop movement in Kansas City thirty years ago.  The videos for his minor hit "Standard Question" and "2 Time Loser" are essential artifacts of Kansas City music history.    

While dealing with more mature themes, Neal remains true to those roots.  Sure, Lonely Tonight has a few pitch problems, but that's precisely why it works.   The complete lack of affectation and a steadfast commitment to old-school production values are charming.  Lonely Tonight doesn't contain an ounce of pretension.

The next time I get a hankering to binge on power pop and pub rock I may just reach for the delightfully anachronistic Lonely Tonight.  Better still, I may head to a live performance.  The band plays an unplugged show at Nica's 320 on February 16. 


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My previews for ten of the acts at the Middle of the Map festival are published here.

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The advance word on Richard Thompson's new album was that he was taking a different musical approach.  Lies!  Electric sounds exactly like at least a half dozen other Thompson albums.  And that's great news for his cult dedicated fans.  I'm not really feeling this sound right now, but "Another Small Thing In Her Favor" hits me where it hurts.

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Mod revival, anyone?  Check out Paradise's "Humans and Stars".

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Lightning Swords of Death!

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May the jazz gods strike me down- Danilo Perez's contributions are my favorite component of Wayne Shorter's fine new Without a Net album.

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I'm a little late to the Sinkane party.  RIYL: Diplo, Ali Farka Toure, the future.

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I'm not feeling the lead electric guitarist on this otherwise exquisite video of Fatoumata Diawara's performance at Globalfest. 

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Cult of Luna's Vertikal is my favorite metal album of 2013 so far.  Here's the representative "Mute Departure".

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I honestly don't know if I'm man enough to book passage on the Kid Rock Cruise.

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Prediction #1- The new album The Electric Word will make 2013 a breakout year for the Relatives. RIYL: the Holmes Brothers, Lee Fields, Jesus.

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Meaningless prediction #2- The dude behind Night Beds is going to be a star.  RIYL: Fleet Foxes, wimp-folk, beauty.

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)