Album Review: Action Bronson- Mr. Wonderful

You have to love a guy who can laugh at himself.  That’s precisely what Action Bronson does throughout the hilarious Mr. Wonderful.

The people who accuse Bronson of swagger jacking Ghostface Killah’s flow are missing the point.  Bronson’s raps are in the spirit to hip-hop humorists Kool Keith, the Beastie Boys and Mac Lethal.

Bronson is the new Biz Markie.

Amusing tracks like ”Baby Blue”, ”Actin’ Crazy” and ”Easy Rider” make Mr. Wonderful my party album of 2015.


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I reviewed a concert by Chris Tomlin, Tenth Avenue North and Rend Collective.

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My notes on a performance by the Lee Konitz and Dave Douglas Quintet have attracted quite a bit of attention.

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I contributed a Local Listen segment about Danielle Nicole (Schnebelen) to KCUR.

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Al Bunetta has died.  To say we didn’t care for each other would be an understatement.

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John Renbourn has died.

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Tech N9ne made a video for “Aw Yeah? (Intervention).”

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Stik Figa has released Stik Figa Is Not Quite Himself.

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Brandon Draper’s Night-Night Songs is RIYL: lullabies, Iron & Wine, nice guys.

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Rhodes Ahead Volume 2, the latest release from Marc Cary, makes me extremely happy.  RIYL: George Duke, instrumental funk, J Dilla.  Here’s ”Astral Flight 17”.

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Liturgy’s The Ark Work is either the best or the worst album of 2015.  RIYL: Thurston Moore, “serious” metal, Swans.

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Much of Duets: Re-Working the Catalogue is just as poorly conceived as the album’s title.  Even so, it’s nice to hear Van Morrison and Gregory Porter revive “The Eternal Kansas City.” 

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The self-titled EP by Mali’s Trio Da Kali is gorgeous, but it offers me little to sink my teeth into.

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There Stands the Glass reader Gary alerted me to a reissue of Owen Maerck’s Teenage Sex Therapist.  RIYL: Pere Ubu, rock eccentrics, Henry Kaiser.

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Although it features a couple musicians I really admire, much of Alex Sipiagin’s Balance 38-58 bored me.  RIYL: Tom Harrell, conservatories, Terell Stafford.

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It almost goes without saying that the Next Stop Soweto: Zulu Rock, Afro-Disco and Mbaqanga 1975-1985 compilation is ridiculously good.  (Via Big Steve.)

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Maybe you had to be there.  Steve Wilson’s Vanguard Sessions failed to move me.  RIYL: Charlie Parker, the Village Vanguard, Thelonious Monk.

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I’m enjoying the ECM Records radio channel at iTunes (I don’t know how to link to it). The stream includes a lot of amazing stuff- Lumen Drones and The Amazing Adventures of Simon Simon, anyone?- that I hadn’t heard.

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Minnesota Public Radio published an interesting piece about music critic Jon Bream and his record collection.

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I’m not a Deadhead, but I keep select tracks from early albums including American Beauty in regular rotation.  At its best, Freedom & Dreams, the collaboration between the North Mississippi Allstars and Anders Osborne, approximates that sound.

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Courtney Barnett's Sometimes I Sit & Think & Sometimes I Just Sit is almost as good as people say it is.  RIYL: Jim Carroll, talking-not-singing, Tonio K.

(Original image by There Stands the Glass.)

Album Review: Bruce Springsteen- HIgh Hopes

I introduced my friend J. to alcohol and Bruce Springsteen when we were juniors in high school.  J. could never get his fill of booze or Bruce after that fateful year.  He caught Springsteen over two dozen times as he drank himself to death.

We imbibed before a 1981 concert in support of The River at Kemper Arena, the first time either of us saw Springsteen perform.  The River was among the handful of Springsteen CDs I delivered to J. while he was on his deathbed three years ago. 

J. would have loved his hero's new album High Hopes.  "Harry's Place" is far too melodramatic and polished for my tastes, but I'm pretty sure it would have been J.'s favorite track.  It's easy for me to imagine J. singing along while pouring himself another cocktail. 

Listening to High Hopes objectively is extremely difficult, but it's almost certainly my favorite Springsteen album since 2002's The Rising.  The fresh versions of "American Skin (41 Shots)" and "The Ghost of Tom Joad" are excellent.  I like Tom Morello's contributions.  And- are you serious!- Springsteen covers songs by The Saints and Suicide.

"Got a special sin, mister, you can't quite confess," Springsteen groans on "Harry's Place." 

Well, J., this untoward confession will have to do for now.  I take responsibility for my role in killing you. 


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The Deli published a list of my ten favorite locally-released albums of 2013.

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Beama's Growing Pains is RIYL: Rich the Factor, thug life, Berner.

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Stik Figa raps over Keith Sweat's "Make It Last Forever."

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Kyle James' Finally Off Papers is RIYL: marijuana, molly, pills.

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The video for Sauce Remix's "Gunshots" is tough to watch.  (Via Tony's Kansas City.)

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I almost fell out of my seat at the Folly Theater in November when Kenny Barron mentioned that his former employer Yusef Lateef was still alive.  I had no idea.  Lateef died on December 23 at the age of 93.

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I have yet to process the death of Phil Everly.

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Jazz trumpeter Al Porcino has died.

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Jaimeo Brown's Transcendence was one of my year-end discoveries.  RIYL: Don Cherry, high concept, Charlie Haden.

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The Marc Cary Focus Trio's Four Directions is refreshing.  RIYL: pre-fame Robert Glasper, relevant piano trios, Herbie Hancock.

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Texas Monthly's lengthy profile of Guy Clark is worthwhile.  (Tip via There Stands the Glass reader Tom.)

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I appreciate Hopsin's Knock Madness in spite of myself.  RIYL: Eminem, constant references to genitalia, Tech N9ne.

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Drew Williams' Live at Pianos is RIYL: Gil Evans, brainy jazz, Matt Otto.

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Joe Boyd is featured in a "What's In My Bag" segment.  His picks, not surprisingly, are great.

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Anyone who appreciates the early solo work of T Bone Burnett will adore Cass McCombs' "Big Wheel".

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I can't wait to hear Sabougla Voices, a wild-and-wooly effort by blues man Leo Welch.  RIYL: R.L. Burnside, old men, John Lee Hooker.

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Snoop is back! 7 Days of Funk is the shiznit.  RIYL: Doggystyle, pre-laughingstock Snoop, Tha Doggfather.

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I started a Spotify "radio station" based on the Gap Band's "You Dropped a Bomb On Me" in the hopes that it would serve as a genial soundtrack for the low-key New Year's Eve celebration at my compound.  It turned out to be a stroke of genius.  The robot-generated playlist featured the likes of Barry White, Cheryl Lynn, Ice Cube, Heat Wave, LL Cool J, Newcleus and even Wham.  The multi-generational revelers were delighted. 

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)