Showing posts with label Judas Priest. Show all posts
Showing posts with label Judas Priest. Show all posts
Monday, October 27, 2014
Concert Review: Kverlertak, Gojira and Mastodon at the Uptown Theater
As he took my $30 last Wednesday, the man in the box office of the Uptown Theater raved about the brilliance of Mastodon. I confessed that while I admire the band, I was really laying down my money for the opening acts.
I'd already attended three or four Mastodon concerts but I had yet to witness Kvelertak perform "Bruane Brenn" and I hadn't seen Gojira since the French band opened for Lamb of God in the same venue in 2007.
Kvelertak didn't disappoint in an opening set marked by revolting showers of spit and sweat. Gojira's slow songs caused me to wonder if it's the world's best post-metal band. For its part, Mastodon dialed the visuals way back from the gaudy spectacles displayed on previous tours.
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I reviewed Judas Priest's concert at the Midland theater.
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I reviewed Lecrae's concert at Independence Events Center.
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Here's my Local Listen feature on the Architects for KCUR's Up To Date.
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Kansas City musician Horace Washington has died.
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Jack Bruce has died.
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Budos Band's metal-tinged Burnt Offering is RIYL: Booker T & the MGs, epic instrumental jams, the Meters. Here's the title track.
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The title of the stellar new Francis Bebey compilation Psychedelic Sanza: 1982-1984 is misleading. RIYL: God, Mickey Hart, life. (Tip via Big Steve.)
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The Thought of You, Otis Brown III's debut album as a leader, is RIYL: Joe Lovano's Us 5, the idea of jazz as a living music, Gretchen Parlato.
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Walt Weiskopf's Overdrive is RIYL: Michael Brecker, classic Blue Note, Kenny Garrett.
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Hey, there's a new documentary about the Mekons! (Tip via Rick H.)
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John Cale recalls Lou Reed on "If You Were Still Around".
(Original image by There Stands the Glass.)
Wednesday, July 09, 2014
Album Review: Radkey- Spotify Sessions
My friends look at me as if I'm a heretic every time I mention Radkey's striking resemblance to the Misfits and Glenn Danzig. I guess I didn't get the memo that pointing out the obvious characteristic of the St. Joseph trio is forbidden. I happen to adore Danzig, so my taboo commentary isn't an indictment. My primary concern about the young band's prospects are related to the quality of their songs. The raw power of Radkey's live performances, however, is incontestable. That's why the new Spotify Sessions is my favorite Radkey recording.
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I would have enjoyed last week's concert by François Rabbath even more if the woman next to me hadn't been chomping on gum. Here's my review.
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I reviewed a concert by Sarah McLachlan at Starlight Theatre.
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I review Everette DeVan's new album at Plastic Sax.
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D/Will's 13-minute mixtape Ready. Aim. Beautiful is nice.
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The blasphemers behind the Studio Rio project have extracted the original vocals from iconic songs and recast them in Brazilian settings. Listen to them mess with Billie Holiday's "You've Changed". Welcome to the future.
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Drums are dumb. That's my takeaway from Scott Feiner's A View From Below. A Brazilian hand drum replaces a drum kit on the fascinating release. The trio's keyboardist provides the low end while the fusion-happy guitarist is given plenty of room to meander.
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Lizzo's new album LizzoBangers is delightful. RIYL: Lazerbeak, honesty, Missy Elliott.
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I can't believe that I'm infatuated with a Judas Priest album in 2014. Redeemer of Souls is surprisingly solid.
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As a concept album, CunninLynguists' Strange Journey, Volume Three is terrible. As pure entertainment, it's very good. RIYL: Grieves, rhyming dictionaries, Aesop Rock.
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Mournful Congregation's Concrescence Of The Sophia is RIYL: funerals, Tombs, 20-minute death metal jams.
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Kendrick Lamar parodied ignorant rappers on "Backseat Freestyle." Most of These Days, the new album by his label mate Ab-Soul, sounds like the moronic music Lamar mocked. Largely because it could have been great, the project infuriates me. Here's Lamar's contribution to the mess. RIYL: Kendrick Lamar, darkness, Jay Rock.
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Ginger Baker's Why? is RIYL: Charlie Watts' jazz, Charles Mingus, Jack Bruce's jazz.
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A lot of the cool kids are touting Forgetting the Present, the latest release by the Mogwai-affiliated Remember Remember. My verdict? It's a propulsive new age album. RIYL: Shadowfax, the healing properties of crystals, Nightnoise.
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Bill Frisell goes surfing.
(Original image by There Stands the Glass.)
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