Showing posts with label Chuck D. Show all posts
Showing posts with label Chuck D. Show all posts

Tuesday, August 05, 2014

Concert Review: Morris Day and the Time at the Heart of America Hot Dog Festival

It's always a relief when oldies concerts don't make me feel embarrassed for the artists and ashamed of myself for revisiting the past.  An appearance by Morris Day and the Time at the Heart of America Hot Dog Festival on Saturday could have been a disaster.  I ponied up $15 in spite of the dubious circumstances.  The delightful 90-minute show on the back lawn of the Negro Leagues Baseball Museum exceeded my expectations.  The expert band powered by original drummer Jellybean Johnson and fronted by the wildly entertaining Morris Day faithfully recreated old favorites including "Ice Cream Castles," "777-9311," "Gigolos Get Lonely Too" and "Jungle Love."  The smiles of the fans participating in a dance contest reflect my appreciation.


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Here's my review of Mötley Crüe's final concert in Kansas City.

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Drummer Idris Muhammad has died.

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The brouhaha over The New Yorker's Sonny Rollins satire is ridiculous.  Is jazz isn't so fragile that it can't withstand a joke?  Here's the great man's reaction.

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Chuck D and Mavis Staples collaborate on "Give We the Pride."

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Is Clipping's CLPPNG a parody?  I can't tell.  Sounds great, though.  RIYL: Earl Sweatshirt, confusion, Death Grips.

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Friends & Lovers, the latest release from Marsha Ambrosius, is quite nice.  RIYL: Alicia Keys, freaks, Keyshia Cole.

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I'm fascinated by the bombastic sound of Hiromi's Alive.  RIYL: Brand X, rock production, Eldar Djangarov.


(Original images by There Stands the Glass.)

Friday, May 17, 2013

Album Review: Rodan- Fifteen Quiet Years


Mods and rockers.  East coast or west coast hip hop.  Acoustic Miles and Dylan versus the plugged-in versions of the icons.  The seemingly mandatory obligation to pick a side confounds me.  I never understood why punk/indie-rock and metal had to be mutually exclusive genres.  I love Husker Dü and Judas Priest, Fugazi and Van Halen. 

That's why bands like Rodan appeal to me.  Rodan's three-year existence ended in 1994, before subgenres like metalcore and mathrock became codified.  It's easy to suggest that the members of Rodan were simply in thrall of Sonic Youth and fellow Louisville band Slint, but I hear Rodan's music as a bracing hybrid of metal and punk that contains traces of both the Minutemen and Megadeth.

A press release for Fifteen Quiet Years notes that "the "collection includes the 1994 BBC Peel session, together with all of Rodan's long-out-of-print 7"s and compilation tracks."  It will be released on June 11.  A new interview with the surviving members of Rodan in The Village Voice provides additional context on the project.

Fifteen Quiet Years is highly recommended to listeners nostalgic for the era in which left-of-the-dial college radio served as a vital lifeline and for a slightly younger audience eager to explore the sounds that inspired bands like the Appleseed Cast and Cursive.


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Marva Whitney's God, the Devil & James Brown: Memoirs of a Funky Diva was published last month.

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"No Touching" is putting OoberGeek on the map. (Via the Mills Record Company Blog.)

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The video for Hospital Ships' "Servants" is messed up (in a good way).

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The Grisly Hand is giving away a live version of "Chucky".

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I misjudged Rittz.  The Strange Music signee sounds pretty good with Mike Posner on "Switch Lanes".

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Myron & E's "If I Gave You My Love" is RIYL Northern Soul, 1968, Jerry Butler.

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Howard Reich wrote a profile of Bob Koester.

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"… but the little girls understand."  I Heart Local Music documents Thursday's sold-out show headlined by Marina and the Diamonds.

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Scout Niblett's "Gun" is remarkable.  RIYL: Heartless Bastards, Liz Phair, Lenny Kaye.

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Wut.

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Chuck D is angry.  (And I like it.)

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Kansas City Click: My official picks are published here.

(Original image by There Stands the Glass.)