Showing posts with label Brandy Clark. Show all posts
Showing posts with label Brandy Clark. Show all posts
Monday, June 20, 2016
The Bourgeois Bumpkin
When Michael Stern began his defense of the placement of Dmitri Shostakovich’s Symphony No. 2 on the program to the audience of about 1,400 at Helzberg Hall on Sunday afternoon, I was embarrassed for the Music Director of The Kansas City Symphony. I felt that his apparent need to justify the presence of the occasionally jarring and overtly Leninist composition amid the “Beethoven sandwich” of “Meersstille und glückliche Fahrt” and Symphony No. 9 was patronizing. Then I heard the piece for the first time and loved every minute of it. Stern’s conciliatory spiel enhanced my appreciation of the work. I suppose that makes me a bourgeois bumpkin.
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I reviewed a concert by Lil Wayne, 2 Chainz, Tech N9ne, Rich The Factor and Stevie Stone.
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I reviewed a concert by Fantasia and Anthony Hamilton.
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I reviewed a concert by Béla Fleck & the Flecktones.
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I selected songs by Krizz Kaliko, Logan Richardson, Psychic Heat, Kanye West, Carrie Rodriguez and Allison Miller’s Boom Tic Boom for my appearance on Best Music of 2016 (So Far) show on KCUR’s Up To Date.
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I write weekly music previews for The Kansas City Star and Ink magazine.
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I documented my visit to SoJo Summerfest at Plastic Sax.
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"If You Ask Me Again (I Do)", the new single by Soul Revival, the Kansas City duo of Derick Cunigan and producer Desmond Mason, is lovely. RIYL: John Legend, marriage, Chrisette Michele.
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The Kansas City rapper Farout’s new song “Guns” is shocking. And I like it.
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Attrell Cordes of P.M. Dawn has died.
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Gojira’s Magma is RIYL A Perfect Circle, French metal, Lamb of God. Here’s ”Silvera”.
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Death Grips’ Bottomless Pit is RIYL El-P, true punk, Karlheinz Stockhausen. Here’s the title track.
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Brandy Clark’s Big Day in a Small Town sounds like money. Almost every song could have been a hit for Miranda Lambert or Kenny Chesney. Here’s ”Girl Next Door”.
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I’m not on the Car Seat Headrest bandwagon. Teens of Denial leaves me cold. I’ll stick to my dusty collection of albums by Pavement and the Fall.
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I’m pretty sure I can find the perfect theme song for my next podcast on The Odd Tape. Oddisee strikes a winning balance between jazz and hip-hop on his latest effort. Here’s ”Brea”.
(Original image by There Stands the Glass.)
Labels:
Brandy Clark,
Car Seat Headrest,
Death Grips,
Farout,
Gojira,
Kansas City,
Kansas City Symphony,
Krizz Kaliko,
Logan Richardson,
Michael Stern,
music,
Oddisee,
Psychic Heat,
Soul Revival
Wednesday, November 27, 2013
Album Review: Philip H. Anselmo & the Illegals- Walk Through Exits Only
A friend asked me if I liked Nine Inch Nails shortly before the band's concert at the Sprint Center a couple months ago. I explained that Trent Reznor's anger is quite different from my anger. My form of rage sounds like Walk Through Exits Only, the 2013 album by Philip H. Anselmo & the Illegals. Anselmo, of course, is best known as the front man of Pantera. That only hints at the extreme mayhem of his latest recording. The title track contains my new catchphrase- "Everybody ruins music- not just me."
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I reviewed the Kenny Barron Trio at the Folly Theater on Friday and Alejandro Fernandez at the Sprint Center on Saturday.
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Chico Hamilton has died.
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"Truly a facile and completely meaningless list." That's the verdict of a commenter regarding a listing of my twenty favorite jazz performances of 2013.
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Kansas City's the Architects has long been one of my favorite bands. The excellent new Border Wars: Episode 1 is RIYL: Craig Finn, Joe Strummer, Gaslight Anthem.
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The video for She's a Keeper's "Plattsburg" was released earlier this month. RIYL: the Lumineers, Plattsburg, foliage.
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The video for the Grisly Hand's "Country Singles" is a hoot. RIYL: Roger Corman, the Boulevard Drive-In, Red Sovine.
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Tech N9ne made a video for "Hiccup," a song from his new metal EP.
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Here's a video for Gee Watts' "199x (Sixteen Nineteen)". (VIa Demencha.)
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I shed a tear when I learned that Turntable.fm was closing up shop. Although I logged on just a couple times in the past year, I was addicted to the socially-driven music streaming site a few years ago.
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Am I the only person who thinks that Blood Orange's Cupid Deluxe sounds like an unholy alliance between Wang Chung, Sheila E. and Don Henley?
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After Blue, Tierney Sutton's tribute to Joni Mitchell, features the Turtle Island Quartet. RIYL: Karrin Allyson, Elvis Costello's The Juliet Letters, Laura Nyro.
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Lily Allen's send-up of pop culture on "Hard Out Here" is very amusing.
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Matthew Shipp's Piana Sutras is RIYL: Cecil Taylor, math, Thelonious Monk.
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Jean Grae is back with a vengeance. RIYL: De La Soul, Erick Sermon, Black Star.
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There's something about Brandy Clark's 12 Stories that doesn't sit well with me. RIYL: John Prine's first album, Guy Clark, Mary Gauthier.
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The man-on-the-street discussion about music on Pharrell Williams' channel is both interesting and frustrating. There are really cool people (3:16), utter twits (6:16) and a guy who almost made my day (3:00).
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Eric Revis' City of Asylum is sublime. The album by the trio of bassist Revis, pianist Kris Davis and drummer Andrew Cyrille is RIYL: all things out, Charles Mingus, Paul Bley.
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I'd like to thank the commenter at the previous There Stands the Glass post who shared a bit of good ol' Grampa Jones.
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Kansas City Click: My official picks are published here.
(Original image by There Stands the Glass.)
Labels:
Alejandro Fernandez,
Architects,
Blood Orange,
Brandy Clark,
Eric Revis,
Gee Watts,
Grisly Hand,
Jean Grae,
Kansas City,
Kenny Barron,
Matthew Shipp,
Phil Anselmo,
Tech N9ne,
Tierney Sutton
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